fave listenings of this month

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in the pic: Johann Johannsson

"musica assoluta" (marzo 2025)

A Compendium of Beasts Volume 2

The Otter Swims at Night

Beneath the Tulpars Wings and Hooves

Phoenix Quartet

The Feathered Serpent

LIve recording from premiere at the Festiwal Muzyczny Trzy-Czte-Ry. Konteksty. Kontrasty. Konfrontacje – 19.11.2024 / Studio Koncertowe Polskiego Radia im. Witolda Lutosławskiego  w Warszawie

Andrzej Karalow – Some whispers of mists and water above, hidden in the rocks (2024) for clarinet, violin, cello and piano

The work is inspired by japanese poetry dedicated to landscapes, nature and its atmosphere and it reflects the sound and mood of constantly flowing water. In the steadiness of the subtle wall of sound, I try to integrate and mix timbres of all of the instruments. This composition can be connected to ambiental sounds, to static structures, which are slowly fluctuating or evolving over time. It can be also connected to water flowing through the waterfall.

Andrzej Ciepliński – clarinet
Małgorzata Wasiucionek-Potera – violin
Marcel Markowski – cello
Andrzej Karałow – piano

Andrzej Karalow – Some whispers of mists and water above, hidden in the rocks (2024)

March 1, 2025
soundtrack to an imaginary film

THE NEXT MORNING

here and there
upon scorched fields
wild violets

by: Arii Shokyu-Ni
Picture by A C

here upon wild - naviarhaiku582

Live performance from Hashtag Lab 27.10.2024 in Warsaw

Andrzej Karalow - Luminous Gardens (2024) for vocal-instrumental ensemble and fixed electronics

Luminous Gardens is an ambient space in which the listener freely chooses the path, voices and layers to listen to. The structure of the composition consists of consonances, harmonic structures that shape the narration and segments of individual parts-sound gardens. The musical material consists of vocal-instrumental motifs separated by sections of silence and processed field recordings interspersed with pads recorded with the original Roland Juno-6 synthesizer.
Light, sound "organisms", space, reverberation - these are the main features that make up the sound environment of Luminous Gardens.
The composition was written for Hashtag Ensemble.

Match Match Ensemble (SSAATTBB) 
Hashtag Ensemble
Łucja Chyrzyńska – flute
Bartłomiej Sutt – vibraphone
Aleksandra Demowska-Madejska – viola
Dominik Płociński – cello

Lilianna Krych – conductor

Wojciech Błażejczyk – sound engineer

Andrzej Karałow – Luminous Gardens (2024) for vocal-instrumental ensemble and fixed electronics

« Prière pour notre terre » pour piano, bande magnétique et récitant
Ma nouvelle composition réalisée ce Dimanche 2 Mars 2025
Franck Douvin © 2025 Contemporary Chamber Music
Thanks for listening & sharing
I hope you'll enjoy !

« Prière pour notre terre » pour piano, bande magnétique et récitant (Ma nouvelle composition)

A solo bass piece that I've been working on for a couple of weeks. The bass is tuned C F Bb Eb G C.

Ghosts

2025-03-03

deep beyond the black hole

Marco Lucchi : analog synthesizer, electric organ and tape

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playing with https://soundcloud.com/mmastalka/deep-beyond-the-black-hole

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4 marzo 2025

studio n*2 [120bpm] w/Night Note

This morning's "what if" . . .  what if I played the root note of each shakuhachi in different octaves, in other words, re-voicing the three root notes of B, C & D shakuhachis. Here are the results.

CBD shakuhachi

Vision of a timeless space

Throughout history, alchemists have captivated our minds with their quests to turn base materials into gold and seek the philosopher's stone. Their work was shrouded in metaphor and mystery, embodying a desire to understand the universe's hidden truths. Similarly, this collection of sounds endeavors to evoke the essence of that magical process. Each composition is a carefully crafted distillation of emotions, imagery, and ideas, resonating with the transformative powers attributed to the alchemical arts.

In Alchemies, Paul Beaudoin blends orchestral textures with glitch and noise elements, creating a sonic alchemy that mirrors the ancient quest for transformation. These contrasting sound worlds—organic and synthetic, refined and raw—come together in a seamless dialogue, embodying the fusion of disparate materials that the alchemists sought.

The album weaves through an auditory landscape, transporting you to the Fire of Calcination, where raw elements are purified, or the ethereal Black Sun, where shadows and light intertwine. As you listen, imagine the delicate Golden Transmutation—the alchemical transformation of sound and silence into rich tapestries of experience. Each track is an invitation to engage with the mysteries at the intersection of sound and spirit, reminiscent of the alchemist’s laboratory, filled with curiosity and wonder.

Join Ambient Cat on this journey as we explore the tenets of alchemy through sound, delving into the Salt of the Earth and emerging into the Albedo Phase, where clarity and illumination reign. Each piece is a gateway into an imaginative realm where transformation and transcendence occur—much like the alchemists sought, through their craft, to unlock the hidden potential of the universe. 

Produced and mastered by Paul Beaudoin
Cover art by Paul Beaudoin
Cover design by Dionis Afonichev (Dionisaf)

Alchemies

Prima Materia

The Albedo Phase

箱（box）

人の世はやがて潰えて猫の世に
ものみな朽ちて残るのは箱　2025.3.7

The world of man will soon perish and become the world of cats.
Of all that man has created, only the box will remain in the world of cats.


箱（box）

A deep journey

Marco Lucchi : analog synthesizer, piano and fx

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for the current Naviar Haiku challenge
https://www.naviarrecords.com/naviarhaiku583-out-of-the-blue/

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out of the blue
of early morning light:
a paulownia leaf

Ōshima Ryōta

Marco Lucchi - Paulownia [Naviar Haiku # 583]

A rough idea recorded this evening that will hopefully develop into something. 

All that you can't leave behind

"I'm a mellow artist, aging 68. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases

https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli amateurs, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute