Years of sweating in garage bands evidently prepared the Lipsky brothers to break boundaries in commercial club culture with a sound that somehow evokes the essence of psych-rock while never sounding out of place alongside certified technoid bangers.

Their musical breadth as producers speaks to their talent as DJs, with a deep passion for record digging that again conveys very specific sensibilities – a love for the exotic, the yearning for transcendence, as well as the rough rebellious energy of punk. They produce dance music from the margins, full of with narrative, melody, and drama. It’s intense, in a good way.* 

Their affiliations to broad-spectrum labels like Multi Culti, Disco Halal and Correspondant might paint some picture of their range, and their stellar remixes for artists like Nicola Cruz, Adam Port, Autarkic and Polo & Pan may have earned them lots of plays,  but their debut LP ‘Sorry, We Did Something Wrong’ is undoubtedly their most ambitious and elaborate statement to date. Drenched in their influences, rich in collabs with a range of artists like Sepultura’s Igor Cavalera and C.A.R., the record is at once ambitious and, as the title suggests, apologetic. Their capacity for embracing these polarities, a radical boldness tempered by self-consciousness, it may divide the audience, but it shows unmistakable personality.

Simple Symmetry returnes to Multi Culti with an epic, mournful EP called “Problem,” featuring a huge remix by long-time compatriots Red Axes. Another huge edit for CULTED is on deck, as well as a peak-time rework of Drugface, following up on their massive mix of ‘In the Clouds.’

*If you had to prompt an AI to get the picture you’d cite ‘dancefloor banger inspired by The Beatles, remixed by Weatherall with a bit of extra Ravi Shankar in the mix, recorded after hanging out with punk kids on their first E at a rave in 1993 headlined by Aphex Twin, CJ Bolland and the Prodigy’. 

BOOKING

ssymmetrymgmt@gmail.com
cedric.personagrataagency@gmail.com

If you'd like to send us promos or you need a remix please send an email to ssymmetry@gmail.com

Specializing in late nights and disco lights

Productor y DJ, y co-propietario de 13monkeys Records, es un artista que personifica el trabajo duro y la constante búsqueda de evolución en el mundo de los sonidos electrónicos.

Su pasión por la música electrónica comenzó hace mucho tiempo, y desde 1997 hasta hoy, ha explorado diferentes estilos musicales, llegando incluso a los primeros puestos de las listas de ventas con su alias Juanmy.R & Bosek.

En 2019, decide dar un giro a su carrera y lanza su primer álbum en vinilo "The Past Is Now" bajo el género "Breakbeat" a través de su sello 13Monkeys Records. Desde entonces, ha avanzado a pasos agigantados y se ha posicionado entre los 10 productores más reconocidos del momento. Siempre marca su inconfundible estilo en cada pista, y su progresión en la música electrónica es simplemente espectacular.

Lo sorprendente de Sekret Chadow es su versatilidad para producir diferentes estilos dentro de los ritmos rotos, abarcando desde el Breakbeat hasta el Uk Garage, Electro e incluso algunas pistas más melódicas. Pero lo que realmente lo define es su dominio del Funky, un arma definitiva que lo hace inconfundible y único en su clase.

|| SEKRET CHADOW ||
Información y gestión: sekretchadow@13monkeysrecords.com
Reserva: sekretchadow@13monkeysrecords.com
Promociones: sekretchadow@gmail.com

dontkilkenny@naver.com

Listen to my latest records released.

Karma Klique is a not-for-profit collective of committed individuals, dedicated to harnessing the transformative power of music to create real social change.

Club Night and Record Label run by Jonathan Kusuma, Aditya Permana Sakti, & Ridwan. Based in Jakarta, Indonesia. for any inquiry please email to dekadenznow@gmail.com

Listen to 'The Party is Over' radio - curated by the Keinemusik crue - on Spotify. Updated weekly: goo.gl/MbTbcY

When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that’s already captured in his alias. His way to become one of today’s most praised and sought after DJ/producers is based on a solid foundation. A foundation comprised of solo-releases, remixes, projects and collaborations that numerous, we’d rather refer to his discography than weary you with namedropping. Besides, all those references would just distract from what truly matters – the music this guy is delivering. Not to underestimate the importance of a project such as Terranova for &ME’s current path, but still the alignment has been made – to focus consistently on his solo-work. And it shows.

There are not many artists around turning in such a slew of globally praised floormaterial like &ME did over the last years. Just think of his last offerings on Keinemusik, a collective of Berlin based DJs and producers, including Rampa, Adam Port, Reznik & artist Monja Gentschow, he helped founding in 2009, namely “After Dark” and “Woods” or his “Vermillion”-remix for Damian Lazarus – all serious bangers, played by every renowned DJ worldwide. Everything is falling into place for the fella. His DIY-approach to handle things, his easy going attitude, his reputation as a gifted producer and DJ extraordinaire, his ability to link innovative production with consensual reception, making him one of the most unique and original figures in the game.

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