Motions along a straight line.

LM001 Audub - Reflection
LM002 HVL - Persona Non Grata
LM003 Federsen - Original State
LM004 Marco Cassanelli - Blue Magic
LM005 Babe Roots - Tribal War / Sweet
LM006 Shaded Explorer - Land of the Bogomils
LMS001 Babe Roots - Babe Roots
LM007 Edanticonf - Per Aspera ad Astra

- Preditah has become a household name within the UK music scene and beyond for his cutting edge music productions, scoping from Garage through to House and the list continues on. He started out producing for local talent in his hometown Birmingham, UK and built his sound through self-taught production skills in his bedroom as a young teenager. Advancing through life, he decided to head to college to learn in depth music theory to add to his natural music talent. Whilst at University he had the big break he was hoping for when (Boy Better Know CEO) JME picked up on one of his Grime instrumentals titled (The Big Wok). He would often say to this day that it was that moment that started the hype to his career. He went on putting out a few EP’s with Logan Sama’s (Earth616) label and cemented his sound within the Grime scene. Producing countless amounts of tracks for the likes of Roll Deep, Boy Better Know plus many others, he was reaping all of the benefits from the groundwork he did within his hometown Birmingham. His career took another advance when he started DJ-ing across the country. He not only was getting insane crowd responses from his live mixing and blending but also had major co-signs from the likes of DJ EZ, David Rodigan & more! Whilst that was happening on the front end he was still in the studio putting out Official remixes for the likes of Disclosure, Gorgon City and Chase & Status just to name a few. He was bringing a fresh new take on said remixes that we’re predominately Garage and House which gave him respect from legends in the scene like Wookie. In 2017 life took a major turn when he collaborated with Jorja Smith on the Garage classic ‘On My Mind’ which gave him another advance in his career. He went on to sign a deal with Atlantic Records in 2018 and continued working on records with artists and song-writers that we’re on their roster. In 2019 he produced alongside Fred Again a top 10 charting record for Mist & Fredo titled So High’ and gained even more credibility within the UK music scene. 2021 he decided to go down the independent route and launched his own label ‘Dats Right Radio’ due to the shift of normality after Lockdown and has started putting out music he really wants to release without any limitation from A&R’s and managers. Now in his 30’s he recently stated that he will be pushing his musical vision further whilst still putting out music he loved on a regular bases.

I'm a producer based in Bristol. Sound design, DNB

Lion's Den is a Berlin-based label, sound system, studio and production & promotion force focused on conscious music.

The agenda: word, sound and power.

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For bookings, wholesale of Lion's Den vinyl or any other inquiries get in touch via our website www.lionsdensound.de

https://www.youtube.com/channel/UCSGSMzRDJQO70KQz3ZDZOPA
http://salmonelladub.com/store/
Check: http://salmonelladub.com/ 
https://www.facebook.com/SalmonellaDub/

Salmonella Dub began in 1992 crafting their name from the “bad-taste” dub cover versions of songs they used to break the ice amongst their original tracks in their early sets. In ’90s New Zealand, dub/roots/reggae freak-outs weren’t entirely in vogue — grunge and dance music held sway — so Salmonella Dub would use lighthearted covers of Nancy Sinatra, The Orb’s Little fluffy Clouds, plus Public Enemy and Fred Dagg’s “Larry Loves Barry” to win over skeptical audiences.

In the early ’90s, New Zealand’s liquor licensing laws changed, allowing pubs and clubs to stay open late and revitalizing the country’s live music scene. Members of the band then called Golf Course Alligators seized this opportunity and, in late 1992, Andrew Penman (guitar), Mark Tyler (bass), and Dave Deakins (drums) became Salmonella Dub. In the early days they lacked money for a sampler and used DIY solutions by hooking up an on/off foot pedal to the motor of a cassette player in order to drop samples by foot in real time from tape on stage. These samples would come from whatever was on the TV at the time, whether it was the news or a Cheech & Chong movie. Lacking the funds for cassettes, they raided the bins of a record store and found discarded copies of Teenage Mutant Ninja Turtles albums that served as their early tape stock.

To prepare for their first, self-titled album in 1994, Peter Wood (trumpet, keyboard) and Conan Wilcox (saxophone, percussion) were invited to join the band. Salmonella Dub was released through the independent label Curious Records. Following quickly from this album the band released Dub Tomfoolery a 7 track EP with mixing contributions from Mike Hodgson of Pitchblack.

Soon afterwards, Wood left the band, moving to Auckland and getting a job to pay his student overdraft. Around this time Penman made contact with David Harrow (ONU sound) through Grant Fell of the Headless Chickens. Harrow was employed to work on their next EP THC Winter the band’s first foray into Jungle and DnB in 1995.

More here: http://salmonelladub.com/history/

Dedicated to underground dnb & sound,  
For bookings contact directly,
Bristol based




Beats. Bass. Space. 

FKOF has been championing all things 140bpm for more than 15 years - and is recognised as an authoritative voice on the genre. With both original and award-winning content, and FKOF Records' three chart-topping record labels, we are a global community of dubstep enthusiasts here on SoundCloud and elsewhere online.

If you've got tunes you'd like us to listen to, email dubs4fkof@gmail.com & korrupt@fkofrecords.com

Please !! DO NOT !! send tracks/ mixes as email attachments

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