An ambient contemporay orchestral tone poem using some electronic modules reminiscent of 2 of my favorite German romantic composers.

Infernal Heaven for orchestra and  electronic modules

I hope you enjoy this ambient double quartet for violas, piano, organ, synthesizers  and Celtia chants.:)
DEDICATED TO j. Luc D. P.
There are many other similar tracks  on my Youtube channel, follow the link on my profile to browse among 100 videos.
To all of us my friends, for what we can find and spend a great moment on it:)

Double quartet for viola, piano, organ, synthesizers and Celtia chants.

This is about my deep fascination for medieval polyphony,  its developments and for classical contemporary experimentation. In my view, the ''Ars Subtilior is as modern and contemporary as anything rediscovered since Edgar Varese LOL:)
A mix of amplified voices, placed in two groups of 3, for alto and soprano, semi aleatory, at a different interval to try and get a balance of length, lyricism and form going, accompanied with "reduced" percussion (timpani,cymbal). Inspired by the wonders of medieval ''ars subtilior''.

Subtle Symmetry For 6

like an imaginary dream, 
 on a short journey to great heights and timelessness.

A musical instrumental with chants, voices, 
Middle Eastern strings, North African, Algerian,
 African percussion, 
synthesizers, Skiddaw stones, explosions, 
sound processing:)

The Lotus Bleue

A piece I made making polyphony with Mongolian throat singing (from vocal planet)
with synthesizer drone, strings, percussion and beats.

After The Strings Are Cut

An ambient experimental work for clarinet, synthesizers and synthesized cymbals.
There is no water or noise used:)
A play on subtle motion and time.

The Sea And Earth Counter Clockwise Swirl Around Us

A scenic work for vocals, chants, percussion, drums, electroacoustic soundprocessing, organ and synthesizers.

Story of many

A triangle (parts 3-4-5) in the musical imagination for voices, Asian strings, alto flute, percussion, drones and a rotating reverb pentagram:)

Vocal Geometry

Symmetrical reflections for many different ancient Greek plucked and wind instruments, percussion,(Syntonon, Copperphone, Phorminx, Pandoura, Ney, Lyra) Tam-Tam, gongs, bowls, chimes, crystal bowls,  processed sound sources (strings, voices) and electronic sounds.

Demeter And Persephone Symmetrical Mirror Reflection

A relaxing and mysterious musical ambience created with different synthesizers for a inner journey:)
Here is the link for side B of the album Anachronism: "Oldcoldchrome"
https://youtu.be/5S9l-f0L0Fs
If you love synth drone here are the links for more:
Alum "Marvelesque parts 1 and 2:
https://youtu.be/giDZ1lMiMCY
https://youtu.be/IAQw48jOM1E
Album "LOW":
https://youtu.be/Nug6jwpF2X4
Album "Sky Priestess":
https://youtu.be/NDGcdXJhgt4
https://youtu.be/Oxbg6mH9RDk

A.twotonechrome from synth drone album "Anachronism"

This is to share my creations and discover yours.

Those sounds we put together and call ''music'' mean everything to me.
Regardless of the style, genre, or cultural ethnicity, 
All these kinds of sounds have always occupied a huge part of my time, attention and listening.

''Music'' has followed me and been a companion in the happiest and through some of the absolute worst moments of my life.

I have been taught in a way, by every composer, conductor and otherwise musicians, bands and performers I have admired and spent so much time listening to over the years. 

My biggest influence is Karl Heinz Stockhausen, for his textures and sonorities the experimental concept from which his creations and sounds came to life, for his approach to performing and the thoroughness of detailing and documenting his works.
 
I began creating and recording my own ambient-experimental soundscapes 10 years ago with the discovery of software synthesizers and Digital Audio workshops. 
Thanks to Soundcloud, I can now share worldwide what I do and take a plunge into this vast network of ''music''. 

I use mostly orchestral instruments, but also a vast combination of ethnic and modern instruments, including synthesizers.

I use all kinds of sacred chants, ethnic voices, choirs. 
I routinely route instruments to sound processing, where the effect is an instrument.
I often use various sound sources.

Please feel free to share your track with me, I am always eager to discover:)
I am not big at reposting tracks, I find it a bit confusing, but necessary.
What I do is if you repost one of my tracks, I will repost you. 
When I repost you, I automatically tweet you also and share your track on other social media.
That way, we both contribute to the sharing of our works!

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