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Delayed with...

@d0ozer
Recovering gems from the late ’90s, house and minimal techno.
. Long live Perpen!

Recorded djset at Perpendicular 2025 weekender (@espacio-perpendicular) - somewhere in the woods. When? Saturday 20:30 Where? main stage.

Perpendicular is a self managed and private festival held somewhere in the woods of central Spain.

Artwork: Javier Marimon (@javiermarimon)

doozer @ Perpendicular 2025

Some collaborations feel orchestrated. This one felt inevitable. Reeko and Mostra share a certain DNA - innovative, uncompromising, with an appetite for risk. One’s a festival, the other a force of nature, but both operate outside the usual margins. So when Reeko stepped into the cavernous Pavelló Olímpic on the final day of Mostra 2025, the match didn’t need explaining. After three days of sonic overstimulation, the crowd could’ve easily slipped into post-peak autopilot. Instead, something sparked.

Reeko played with the confidence of someone who doesn’t need to raise his voice to be heard. He didn’t grab attention, instead he tuned the room to his frequency. No spectacle, just sustained pressure. The kind that doesn’t shout, but hums somewhere in your bones. From the first mix, he had total control, not just over tempo, but over tension, perception, direction. It wasn’t peak-time euphoria. It was something colder, sharper, more elemental.

What happened on that floor wasn’t mystical, and it wasn’t romantic. It was human circuitry, bodies moving like they’d been rewired. A dance floor fully switched on. In a festival stacked with standout sets, this one kept floating to the surface in post-Mostra conversations. We’re proud to share this recording. It was special. Now it’s permanent.

https://soundcloud.com/reeko-music
https://www.instagram.com/reeko_mentaldisorder/

www.mostra.barcelona
www.instagram.com/mostrabcn/
@mostrabcn

Write up by @gilleswasserman

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Delayed x Mostra: Reeko

Fjäder's live set recorded on Saturday, 25 July 2025 at Paral·lel Festival in Port del Comte, Spain.

Fjäder Live @ Paral.lel 2025

"A spark becomes momentum: rhythms splinter and recombine, bell-like echoes circling through coils of bass and kinetic percussion. What unfolds is a hybrid voyage shaped in real time - instinct over structure, curiosity over certainty - a shared current of energy where experimentation finds its own pulse."


On one side, Parautas (@parautas64848754) is the electronic music production and performance project of Santiago de Compostela–born artist Charli Gómez. Centred on sound creation through a range of electronic devices, Parautas focuses most of his work on the live format. On the other, Marini (@mmmarini) is a regular fixture in the crowd at Espacio Perpendicular, only stepping behind the decks in the summer of 2023, inspired by the venue’s distinctive musical direction.

Author's note: The idea for the hybrid set was a last-minute suggestion for a New Year’s Eve private party - an intimate gathering of friends with no greater ambition than ringing in 2025 in the best company possible. It was a gift to kick off the year with a session there, taking that shared impulse to play and experiment into a hybrid format, without rehearsals and using new gear such as Torso Electronics’ S4. What you hear is the result: a live jam blending sampled bell chimes, old patterns and newly discovered labels like Third Foundation, creating a fresh and communal space for both of us and our closest friends.

HOCast #269 - Parautas & Marini (Hybrid) @ Espacio Perpendicular

There was a meme circling the internet at some point saying, “People who show you new music are important.” Connecting with Axymt, a Lyon-based DJ and music aficionado, feels exactly like that. It is like meeting someone who speaks your dialect of obsession, where recommending a track is almost a form of autobiography. His work with atmós sphaîra, Monochrome, and the Ouroboros crew carries the rare consistency of someone who pulls from many corners yet curates with a firm sense of direction. You can sense the collector’s instinct in the way he folds tribal percussion into dub-leaning atmospheres and in the way groove becomes a kind of compass, guiding the set without ever feeling decorative.

For this edition of Delayed with, he eases into a slow-moving techno ritual that feels deceptively simple on the surface. The BPMs sit low enough to let the body loosen and the mind wander, yet the pulse keeps sliding forward with a subtle undertow. This is the zone we jokingly call seaweed techno, flexible and buoyant, shaped by tiny currents rather than grand gestures. Axymt sidesteps the temptation of drama and focuses on micro-movements inside the percussion, letting small mutations carry the narrative. The mix can open a room gently or guide you through a late-night drift. Whether you catch it in passing or sink fully into its grain, the reward is the same: a gentle nudge that the right groove finds you, not the other way around.


https://soundcloud.com/axymt
https://www.instagram.com/axymt_/

https://soundcloud.com/atmos_sphaira
https://soundcloud.com/monochromeasso


Write up by @gilleswasserman

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Delayed with... Axymt

Close your eyes & imagine a scene unfolding in front of you - the air is cold & crisp, your breath barely visible in the darkness as you exhale, the warm air in your lungs condensing into clouds of fog as it leaves your body. Everything is quiet & the trees sit still around you, all of the sounds gently muffled, other than a faint warm rumble of sub frequencies, somewhere in the distance. You can’t quite pinpoint it but you follow the sound as your feet softly crunch down on frozen earth. As you get closer, you suddenly notice a mysteriously intriguing concrete structure start to appear in the forest. Lights glowing from windows partly shrouded in freshly fallen snow, resembling an abandoned bunker, eerie but peaceful. The music invites you towards it, so you open the door & step in. Immediately you’re enveloped by warm, humid air & hit with a full spectrum of sound, as if the opening of the door was the opening of a low pass filter. 

For this week’s Delayed with edition, we welcome Berlin-based artist Valentin Ginies with a special recording from this bunker in the woods. You may be familiar with Valentin already, as the man behind 11001 Records, or through the festival he organizes outside of Berlin, Third Eye Festival. Last December, he was lucky enough to play an all night long set at this mysterious venue, after the first big snowstorm of the year, with 1 meter of snow on the ground. Aptly named Concrete, the venue is as discreet as it gets, an intimate, minimalist space with no signage on the outside, tucked away in the mountains of a small village in the Japanese Alps called Hakuba, just outside the city of Nagano in Japan. The recording consists of the first 2 hours of his set, where he slowly & steadily drew people into the space, setting the tone for what was to come. 

@valentinginies
www.instagram.com/valentin_ginies/

Write up by @aspetuck

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Delayed with... Valentin Ginies

Samuel van Dijk is a true musical chameleon, a producer who moves fluidly between distinct sonic identities. Whether crafting electro-tinged works as VC-118A, deep dub textures as Mohlao, or the submerged aquatic soundscapes of Multicast Dynamics, his mastery of the craft is absolute.

Recorded within the intimate glow of the Monument Festival after-party in Oslo, this session captures the final, tender exhale of a weekend defined by shared energy. Multicast Dynamics guides us into a restorative space where time dilates and the pulse slows. He navigates a kaleidoscope of genre and emotion. Shifting effortlessly between the meditative drift of new age, ethereal ambient soundscapes, and the grounded, organic rhythms of trip-hop and experimental world music, the set is unified by a palpable sense of warmth. It is a selection mixed with mood and the heart of love - a gentle, reality-warping trip designed to heal and elevate.

Follow:
https://soundcloud.com/multicastdynamics
https://www.instagram.com/vc118a/
https://multicastdynamics.bandcamp.com/


Monument Waves 007 : Multicast Dynamics

There are festivals you attend and festivals that rearrange something small but permanent inside you. Perpendicular belongs to the latter. After collaborating in the past from afar, 2025 was the first time we actually stepped into the pine-covered clearing that so many trusted friends had mythologized. The stories turned out to be accurate. Perpen is a wavelength, a temporary pocket of reality where strangers treat each other like long-lost cousins and music arrives without the burden of proving anything.

Medi became the custodian of the final night, a responsibility whispered about long before we reached the festival grounds. We met him in Valencia days earlier, sharing coffees and paellas, and the quiet confidence in his presence suggested the weight of experience rather than ego. His record bag ended up in our car on the drive to the woods, and resisting the urge to peek at those vinyls felt like an oath. Friends offered no clues about what he might play, which only deepened the suspense. Some artists close a floor. Medi was preparing to close a narrative.

When the cartridges were swapped, and the stylus touched down, fatigue evaporated like mist. Techno and electro braided, pulled along by those razor-sharp snares that sliced through the smoke like a metronome for the collective psyche. Each snap felt like a reminder that the night still had business to finish. Medi’s vinyl work was absurdly fluid, so intuitive it seemed the records were cueing themselves. Broken patterns teased hallucinations, basslines carried the tired bodies into borrowed energy. Then The Cure’s Forest appeared like a knowing smile from the universe, reminding us of where we were and how lucky we felt to be there. The dancefloor dissolved into laughter, hugs, disbelief, and eventually a gentle crawl toward La Cabaña for one final ambient delirium.

What lingers about this mix isn’t just the track selection or the execution, but the emotional climate it documents. You can hear the relief of a weekend well-lived, the gentle ache of goodbye, the kind of affection that only forms on a dancefloor surrounded by trees and dust and shared emotions. Perpen 2025 quietly rewired our sense of what a festival can feel like. Until the next pilgrimage, Medi’s recording remains the ember reminding us it wasn’t a dream.

www.instagram.com/medinofilo

Write up by @gilleswasserman

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Delayed x Perpendicular: Medi

"A hush settles over the winter landscape as shadow and melody intertwine. Field recordings drift in like cold air through a cracked window, grounding each passage in a world both distant and near. Darker currents move beneath the surface, yet something gentle keeps breaking through — small motifs, brief clearings, moments of quiet lift. An abstract, atmospheric journey shaped by contrast, restraint, and a kind of beauty that thrives in low light."

William Selman (@wselman) is a Portland, Oregon-based multi-disciplinary artist whose sound work uses field recordings, synthesizers, acoustic instruments, and digital processing techniques to explore themes such as place and non-places, embodiment, atmosphere, and the dialectic between the real and the artificial. He co-manages the Critique of Everyday Life label with Chris Miller (Gunnar Haslam) and plays in the improvisational trio Wild Card of Cascadia with Paul Dickow (Strategy) and Marcus Fischer. He has released works on Old Technology, Hausu Mountain, Mysteries of the Deep, Digitalis, and Critique of Everyday Life.

https://williamselman.bandcamp.com
https://critiqueofeverydaylife.bandcamp.com
https://old-technology.bandcamp.com/album/the-light-moves-between

Tracklist:
Incantation - Jean-Claude Eloy - Reminiscences (hors territoires)
Cave Calls - Mariolina Zitta - Concert for Bats, Voices and Natural Sounds (Black Sweat)
at eric ericsonhallen - Daniel M Karlsson - Towards a Music for Large Ensemble (fonstret)
Glass Bits - Chloe Alexandra Thompson - They Can Never Burn the Stars (SIGE)
Lyren - Jen Reimer and Max Stein - Sonic Topologies (Institute of Landscape Architecture)
Üzias - Bart De Paepe - Zürahümnah (La Scie Dorée)
Score for Rhythm Clusters with Accents Pt 1 - Chandler and Dickow - Play Fischer (Critique of Everyday Life)
Mount Mansfield - Sam Boston/Shawn O'Sullivan - Mount Mansfield (Critique of Everyday Life)
Sumatra Method - Émile Zener - Sumatra Method (Critique of Everyday Life)
Sanctioned Departures Pt 1 - William Selman - Sanctioned Departures (Critique of Everyday Life)
Passages - Octavian Nemescu - Passages... À Travers Le Temps (Metaphor)
The Willow Bends and So Do I - Magnus Granberg and Skogen - The Willow Bends and So Do I (Another Timbre)
then, silence - Bernhard Günter - then, silence (trente oiseaux)
Errant Ear - Brunhild Ferari - Errant Ear (Persistence of Sound)
I[0] = I[1] - Christophe Charles & Kozo Inada - i[] (Gestalt)
Everything Nice 1 - BJ Nilsen, Ragnar Jónsson, Sigtryggur Berg Sigmarsson - Everything Nice (Some)
L'expérience caustique - Elsa Justel - L'ombre du pont (empreintes digitales)
Chant d'ombre - Michèle Bokanowski - Musiques de concert (Sonoris)
The Clear Observatory - Massimo Toniutti - The Clear Observatory (Klang Gallerie)
Katko - Ø - Sysivalo (Sähkö)

HOCast #270 - William Selman

After a short break, we return with our second-to-last offering of the year, and we are incredibly honoured to welcome Svreca to the series — the legendary DJ, producer, and master curator of Semantica Records, a label that has given us so much inspiration over the years and shaped our musical journey in ways we can hardly imagine living without.

Recorded live at Lucid Dreams within the cosy four walls of Espacio Perpendicular, Svreca steps away from the dance floor to deliver a deeply cathartic listening experience.

https://semanticarecords.bandcamp.com/
https://soundcloud.com/semantica-records
https://www.instagram.com/svreca/

Artwork by Clayton Ciolac
https://claytonciolac.com/
https://www.instagram.com/cccccclaytonciolac/

The Observatory - Svreca @ Lucid Dreams, Espacio Perpendicular, 2025

@machines-desirantes DJ Set @ Temple · Chapter 9 (28·06·2025) 

Recorded live during Temple – Chapter 9: “A sound sanctuary for
nonconformist ears” at Espacio Perpendicular, Madrid (28·06·2025).

Temple is a listening session held at Espacio Perpendicular, an
associative space on the outskirts of Madrid. The sound quality, the
closeness and permeability between artists and listeners, and the
comfort of a carefully prepared, limited-capacity space make Temple a
sublime and unique experience for devoted music lovers.

Josephine’s Soundscapes is the moniker of José Salas, an audiovisual
creator, art director, and active promoter of alternative culture in
Madrid. When it comes to music, he has been a key figure in shaping
Madrid’s underground electronic scene for over 20 years.

Mastering by DOC

Podcast Series 50 • Josephine' Soundscapes

Into The Abyss Special Mix | Binomi at ExtraMostra X Magma

Opening set for Extramostra x Magma at the Vault, Malta (2025/11/15)

Binomi (@binomi) is the project of Jordi Aparicio and Joan Gila, born from a friendship forged through music and a constant exchange of records, recommendations, and sonic curiosities. DJs and collectors from Tarragona, they run the Mostra radio together with their colleague Javi, and have appeared on stations such as Dublab Barcelona with a program dedicated to exploring the history of musical movements across different territories. As Binomi, they have played in venues like Laut or Razzmatazz, and at festivals such as Mostra, Simbiosi, Digit, or Perpendicular.

Binomi 
https://soundcloud.com/binomi
https://www.instagram.com/binomii/
https://www.facebook.com/binomidjs/
https://ra.co/dj/binomi

Mostra Festival
https://soundcloud.com/mostrabcn
https://www.instagram.com/mostrabcn/
https://www.facebook.com/MostraBCN
https://www.mostra.barcelona/en

Into The Abyss Special Mix | Binomi at ExtraMostra X Magma

Leyline is the artistic project of Stan Vuylsteke, a resident of the Brussels-based collective GIFKIKKER. Known for his deep, textural approach to techno, Stan shapes his sound with unpredictable elements and a fearless low-end that aims to both immerse and disorient in the best possible way.

For his mix on Cellar Door, Stan takes us on a spacious, slow, sub-100 BPM set. Mixes at this tempo and with this level of patience are increasingly rare, and as the cold weather settles across the northern hemisphere, this mix arrives in our hand at a fitting time and offers a welcome sense of warmth.

Tracklist:

Mick Gristle – Tin Phantom
Manja Ristic -  Soft Shell
Ewer – Love Streaming
Manja Ristic – Muhe
Rod Modell – Cool Watery Depths
Zzzzra – Aurore Pneumatique Siberia
Javier Marimon – Px - ML II
Cedar – Transfer
La Fe – El Saco
Aspetuck – unreleased
Leyline – unreleased
Dyl – Everywhere
Hidden Sequence – Delay
Rikvith Neumann – Chokmah
Aspetuck – unreleased
Javier Marimon – Gltx – Db Px


https://soundcloud.com/leyline_disorder
https://www.instagram.com/leyline____/

https://soundcloud.com/gifkikker-bxl
https://gifkikker.bandcamp.com/music
https://www.instagram.com/gifkikker_bxl/

Leyline

Javi’s contribution to La Mostra’s biennial unfolded inside the Convent de Sant Agustí like a quiet act of urban archaeology. Tilect’s pairing of his sound design with Marta Lofi’s live visuals turned the cloister into a resonant chamber where Ciutat Vella’s streets reappeared as spectral traces. He approached the theme in the only way he knows: wander, listen, record, return to a quiet corner, and let the fragments dictate the form. The resulting piece bends the city into a dream logic of its own, where echoes slip into harmony and environmental debris reshapes itself into something strangely elegant.

There is a particular magic in Javi’s work, a way of treating everyday noise like soft clay. Years of diving into granular processes, pedals, and the raw geometry of sound have given him a language that feels both intimate and slightly extraterrestrial. The first time we heard him, at Mostra nearly four years ago, he and Alex as .apart made the city feel alive in a way that bordered on surreal, like Barcelona’s neighborhoods were whispering their stories directly into the PA. This new recording carries that same spark but with a deeper sense of curiosity. Close your eyes and you might imagine an alien craft touching down in Ciutat Vella and trying to negotiate with unbothered locals who answer confusion with a casual sax riff. The tension is playful rather than dramatic, a shimmering frequency that settles the body rather than startling it. These thirty-five minutes show an artist who keeps refining how memory becomes texture and how place becomes pulse. It’s a pure joy to include this one in the series, a quiet demonstration of how listening can tilt your sense of place in unexpected ways.

https://soundcloud.com/javipuntapart
https://www.instagram.com/_javi.apart/
@tilect

Write up by @gilleswasserman 
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Delayed with... Javi (live)

I wish I could tell you but when I try it burns my throat--
I wish I could tell you--
I wish I could--
I wish I--

haunted ground; tendrils burn like fuchsia

Delayed is a collective of like-minded friends, originating in Brooklyn, New York & gradually expanding to various corners of the globe. After establishing itself over the years as a steady source of left-field techno, ambient & experimental electronic music, Delayed has evolved into a multi-faceted platform consisting of weekly premieres, DJ mixes, live recordings, interviews, editorials & launched its own record label, @never-late, in 2023. Regularly collaborating with artists, record labels, collectives, annual festivals & niche gatherings, Delayed provides glimpses into a variety of rich ecosystems & sub cultures around the world. All existing within a thriving underground electronic music scene.

All inquiries: info@delayed.nyc

Delayed with... Javi (live)

Delayed

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