For the first time collaborating on a mix, Camu and Joan Gila crafted this set for Temple 08 "world of echo", a series of deep listening events curated by Josephine and Camu himself at Espacio Perpendicular. 

The mix drifts through a landscape of minimalism, ambient waves, shamanic echoes, and deep, textural drones - an immersive journey through layers of sound.

@javier-camunas
@joan-gila
@espacio-perpendicular
@hoc-radio

Joan Gila & Camu | #86

Nems-B (@nemsb) returns with a new mix for In Machines We Trust, and it’s a welcome one. We first connected years ago through Silent Season, when he contributed the beautifully drifting Campfire Stories 43 – Capsule in Orbit to Gliese 581. Since then, he’s been quietly building a strong body of work, with releases on labels like Phonons, On Board Music, Oslated, and Goldmin.

His sound sits in that sweet spot between deep listening and forward motion, dubby, atmospheric, and full of nuance. This new mix feels like a continuation of that world: textured and immersive, like stumbling on forgotten machines deep in the forest, still pulsing with signal.

A pleasure to reconnect. Let this one unfold.

Nems-B ~ In Machines We Trust 005

There’s something profoundly healing in the music of French duo Javier Salazar, whose output embodies the true medicinal power of sound. 

This mix takes our mind’s eye into the sunshine - grass between our toes, spliff in hand - as we get intimate with the scoops, wrapped in a warm, enveloping blanket of sound.

We hope this beautiful contribution brings you an hour of peace, just as it has for us many times over the past month. Thanks, Leo & Simon <3
~~
https://soundcloud.com/javrsalazar
https://soundcloud.com/klapenunsen
https://www.klapenunsen.com/
https://klapenunsen.bandcamp.com/
https://www.instagram.com/javrsalazar/
https://www.instagram.com/klapenunsen/

Artwork by Clayton Ciolac
https://claytonciolac.com/
https://www.instagram.com/cccccclaytonciolac/

The Observatory - Javier Salazar

"Beneath the glow of Aura, psychedelic visions and downtempo currents entwine, pulling the night into a shared dream. Time bends softly as rhythms breathe, weaving a thread between bodies and light. Every moment feels both endless and fleeting — a dance suspended in its own gravity. The room becomes its own universe, and no one wants to leave."

Rochelle (@kittinrochelle) is a Barcelona-based artist, by way of Houston → New York. She has been a dynamic force in the community for over 15 years, championing dance floors and DJ booths alike. Embracing music that defies traditional boundaries, Rochelle explores soundscapes that travel through the raw energy of acid, breaks, garage, electro and house, lately slowing into deep, psychedelic downtempo that bends time and blurs the edges of perception. Each track is found through patient digging, chosen for the way it stirs something just out of reach. Her sets unfold with quiet intent, guiding the room through shifting narratives and unspoken connections. Rochelle finds versatility shaped by perspective, every selection made with purpose; weaving through moods that feel surprising yet precise.

Club Aura

For the first time, LAUT and Casa Montjuïc come together to bring a new club concept in Barcelona. Club Aura is born as a meeting point where music and visual art merge into an immersive journey.
While at Laut the club music plays all night, at Casa Montjuïc the listening music and downtempo will help you unwind, all coming together to create a truly worthwhile and complete experience.

Line up: Marco Shuttle, Dj Berru

Tracklist:

Lion's Drum - Snake
Lion's Drum - Music from Memories
Umeko Ando - Battaki (Dreems Luv It Dub It)
Will Hofbauer - Tumble
Saeko Killy - Yokoshima
Facta - Mirage
Forest Drive West - Scorpion featuring Lucky Pereira
Datasal - Tyst Sol
Smagghe & Cross - ORBT 110 version
Umeko Ando - Iyomante Upopo (Andi Otto Remix)
Kusht - Black Rock Cruisin'
Martin Noise - SUMO popurri (edit)
NIEV - When
Jesse - Prototyyppi
Dreems - In The Desert (Album Version)
Peepstyle - Voices From Earth (Federico Bologna Remix)
Idolos Futuros - Canticos
Shii Mu - Double Dragon
Indygo - Red Land (Cedro Remix)
Aqua Bassino - Minato
Bufi, Kubebe - Corrado (Coramix)
The Emperor Machine - Island Boogie (Dub)
Dj Dennis & Max Paparella - Deep Selekta Swing (Original)
Gem Wallow - Zunzun (Francis Inferno Orchestra's Dero God Mix)
Kanot - Kitteln
Soft Keys - Bubbles (Acapella)
Art Of Noise - Legs (Kubebe edit)

HOCast #253 x Club Aura - Rochelle @ Casa Montjüic

The haze of Paral·lel festival has barely lifted, but we’re rewinding to another moment worth lingering on, February in Granada, at the Moonback club. There, under the warm glow of the Extramostra banner, Mostra linked up with the Klub Collective for a night that balanced local soul with an international touch. The lineup reads like a heads-only dream: Timnah, Antonio Vázquez, Refracted, and a solid core of Klub Collective residents including Fran Acosta, Kaizen, and Utopian. The kind of night that reminded us why the first slot matters more than most people admit. It’s the architectural role: shaping the night’s flow from zero.

Utopian did just that. His set unfolds like a slow exhale, dub-laced ambient that creeps, swells, and gradually transforms into chugging, low-slung techno hypnosis. It’s a patient climb: syncopated, restrained, precise. Not a single cheap move, just deep focus and floor logic, the kind that sets the table without stealing the meal. But make no mistake, this was a statement. A warm-up that didn’t just support the night, but elevated it.

@utopian_dj
www.instagram.com/isidrobolivar_utopian

Write up by: @gilleswasserman

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Delayed with... Utopian

Closing sets come with built-in pressure. But at this year’s Perpendicular Festival, Saturday wrapped up not with spectacle, but with style. Valencia-based DJ and producer Facundo, a standout discovery from the city’s ever-surprising scene, took control of the final stretch with a set that was patient, fluid, and full of character. It moved with intent, keeping the energy alive without ever pushing too hard. The kind of set that made you forget the time, anchored in rhythm and shaped by subtle shifts. A groove that spoke softly but hit deep.

Facundo’s approach to the closing slot was a slow reveal. He opened with broken, syncopated patterns before sliding seamlessly into a tight four-to-the-floor pulse. The tension built with restraint - dark, shadowy techno moments came and went, but the release was never forced. This was a set that traded hype for nuance, showmanship for control. Polyrhythmic elegance in the woods.

https://soundcloud.com/facundosd
https://www.instagram.com/facundo.sd/

https://soundcloud.com/espacio-perpendicular

Write up by: @gilleswasserman

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Delayed x Perpendicular: Facundo

Some DJs treat genre boundaries like walls; others see them as doors. Craig Gonzalez belongs firmly to the latter camp. A staple of Detroit’s underground and a resident DJ at Paxahau’s Third Thursday monthly, he has long been drawn to what happens when techno’s linear propulsion collides with the restless syncopation of drum & bass. That liminal space, the “grey area” between the two, has become one of the most fertile playgrounds in electronic music over the past decade, and Gonzalez shows why. In this mix, recorded as the opening set on the Movement main stage, he handles tempo as a fluid variable, shifting gears without friction and letting polyrhythms function as the connective tissue. It’s the kind of approach that resists the obvious peak and instead builds a topology of groove, a groove that bends but doesn’t break, carrying dancers across time signatures almost without them noticing. 

And while opening a stage that would later host Deepchord, Sama’ Abdulhadi, Octave One, and Jeff Mills could be seen as a daunting warm-up role, Gonzalez treats it less as preparation and more as architecture. Across ninety minutes, he layers patterns with patience, calibrating intensity so that tension rises and releases without tipping into spectacle. The set moves like a conversation that shifts from whispers to declarations, never overstated but always persuasive. It’s a reminder that flow is not just sequencing but narrative logic, and that true mastery lies not in domination of a dancefloor but in shaping the conditions for everything that comes after.

@craig-gonzalez
http://instagram.com/cgonz313

Write up by @gilleswasserman

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Delayed with... Craig Gonzalez (@ Movement, Detroit, May 24th, 2025)

"At Perpendicular, the forest itself seemed to listen back. A singular voice in dub shaped grooves and textures born for that moment alone — drawn from his own hands, his own particle world. Every layer carried the crowd deeper, a dialogue between artist and place. Nothing borrowed, nothing repeated, just a set written into the woods, as fleeting and unshakable as the day itself."

Javier Marimon (@javiermarimon) is the sound output of a visual mind interested on twisted perspectives, off tangents (@offtangentrecs), crackling noises, espacios perpendiculares and moving thingies from a lost village in Northern Spain.

https://javiermarimon.bandcamp.com/
www.instagram.com/offtvisuals/

Recorded djset at Perpendicular 2025 (@espacio-perpendicular) - somewhere in the woods. When? Sunday 12:30 Where? In the main stage.

Artwork: Javier Marimon - Off Tangent

HOCast #255 - Javier Marimon - Perpendicular 2025

Jaime Romero AKA Estrato Aurora, has been working for more than two decades
with synthesisers, drum machines and sound design.
https://soundcloud.com/lovebas
https://www.instagram.com/estrato_aurora/

For this podcast called "Collaborations" Estrato does a selection of
unedited material that will be published soon in various labels.
They're tracks that he has worked with:
David Ortolà @d_o_ppelgaenger
Salva Coromina @absis_music
Irina Kotik @kotikplus
Gilles Wasserman @gilleswasserman
David Garcia  @david_siarem
Iwamaki @iwakimakiko
Alvaro Peinado @halossound
Julia Con Hache@juliaconh
@pajaro_dune

Phonons Podcast 109 Estrato Aurora

Originally recorded in the Dutch towns of Ureterp and Groningen between 2003 and 2005, 'Through Friendly Waters' marks a pivotal moment in Reimer Eising’s —better known as Kettel— journey through melodic braindance and ambient electronica. With his classical training on piano and a refined sensibility for gentle electronic textures, Kettel weaves together shimmering piano motifs, warm ambient textures, playful breakbeats, and pastoral atmospheres that shimmer with emotional resonance.

First released in 2005 via his own label Sending Orbs, the album soon achieved cult status among IDM fans, celebrated for balancing playful compositional elegance with heartfelt sonic depth. TFW still remains as a timeless soundtrack that perfectly encapsulates why Kettel remains a key figure of electronic music enthusiasts two decades on.

To honour its twentieth anniversary, Lapsus Records presents 'Through Friendly Waters (20th Anniversary Edition)', marking the album’s debut on vinyl within the Perennial Series. This edition has been remastered by Alex Ferrer and redesigned by Basora, resulting in a deluxe version that also includes the tracks "Unistar" and "Toen", which were originally released only on CD by the Timothy Really label back in 2007.

· Buy link (Bandcamp): kettel.bandcamp.com/album/through-f…versary-edition

Written and produced by Reimer Eising. Recorded in Ureterp and Groningen 2003-2005
Remastered by Alex Ferrer.
Original artwork by Jeroen Advocaat.
Artwork update by Basora.

LPS-PS18.
www.lapsus.cat

© 2005 Sending Orbs
℗ 2025 Lapsus Records

lapsus.bandcamp.com

Buy Link (Bandcamp)

Kettel - Mwoeb - 2025 Remaster [LPS-PS18]

I'm back finally with another song. hope it was worth the wait. more to come soon i think.

Nautica

Delayed is a source of deep, minimal, and micro house, techno, ambient and beyond. Follow us for new mixes, fresh releases, and exclusive interviews with distinguished and rising artists.

Founded in Brooklyn and run by a team of music producers, DJs, and perpetual music addicts.