Summer usually isn't my favourite season, especially where I live, it gets boiling hot. But I always find myself missing it when it cycles over to autumn. I guess I subconsciously made this love song in relation to that, where you wish for something even more when it nears its end because only then do you understand its value. Like how we wish we had our childhood back after realising the struggles of adulthood. 

Lyrics: 
we met in June, now its July, 
but with you it felt like a day had passed by, 
and i don't care, if you deny, 
i see that you also see the signs, 

we were emptying pockets, 
and chasing birds in the forest, 
while they were singing their chorus, 
you told me i should be honest, 
but this is not what i wanted, 
these feelings i couldn't closet, 
won't let me sleep and i'm haunted, 
so i will make you a promise that if our,

summer ends, and we survive, 
i wanna ask, you to be mine, 
and if you're done, i'll say i'm fine, 
but i know it,would kill me inside, 
when summer ends, 
i hope we're getting back together again, 
when our summer end, i wanna try, 
i hope you see, that you should be mine,

do you love, or do you not?
or do you not?
I'll never know, and I'll never stop, 
to be with, or to be not?
when our summer ends, 
we'll see what you got, 

we were emptying pockets, 
and chasing birds in the forest, 
while they were singing their chorus, 
you told me i should be honest, 
but this is not what i wanted, 
these feelings i couldn't closet, 
won't let me sleep and i'm haunted, 
so i will make you a promise that if our,

summer ends, and we survive, 
i wanna ask, you to be mine, 
and if you're done, i'll say i'm fine, 
but i know it,would kill me inside, 
when summer ends, 
i hope we're getting back together again, 
when our summer end, i wanna try, 
i hope you see, that you should be mine,

be mine after summer

Video ❤️Ethereal❤️ YouTube Link Below

Spatial Audio with Dolby Atmos -: To get the best experience from my ATMOS Music, 3D Immersive Apple Music Streams ATMOS - link below.

I started my music journey in COVID by learning music theory and dropped my first track, you folks like it so I kept on going, and I appreciate your comments and support.❤️

Tracks in ATMOS -: 

SAVED - (Dolby Atmos)
Awakening - (Dolby Atmos)
The Nest - Hope (Dolby Atmos)
Awakening - (Dolby Atmos)

"Hey there, I'm all about owning my journey in this crazy music world. It's been a ride, with ups and downs, but that's what makes it real, you know? I pour my heart into my music, sharing my truth and hoping it connects with someone out there. I'm all about storytelling and lifting others up with my voice. I'm a work in progress, always growing, but staying true to me and my music every step of the way."

For any queries, please contact: aurassparsas@gmail.com

PLEASE NOTE: 
1. I don't want to be contacted by promoters. Please don't send me any kind of emails.
2. Follow for follow. 

I've grown up in the 80s and I like the music of that era very much. That's the decade that inspires my instrumental music which, I think, is a bit evocative of that period. I always try to choose, where possible, the sounds and some chord sequences that give the feel of that era.

Blending the smooth vibes of Keshi and the emotional energy of Joji, I create music that hits both the heart and the hype. From late-night chill tracks to emotional and romantic ballads, my sound is a fusion of modern R&B, Hip Hop, and Punjabi influences—all with deep, heartfelt storytelling. 

My social media is provided below if you want to contact me - I also respond to messages on Soundcloud in a timely manner. 

You can also contact me via Email @ jazzosingh01@gmail.com

Check me out on Spotify for my official releases!

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

Independent Record Label
CEO: Bermuda Peedee
Label Manager: Nada Price
NO EXCUSEZ!!
Artist Management, Artist Development
Business Inquiries Contact:Ltmusicmovementllc@gmail.com
                                              845-224-8617

1997
Founder "Fluorescent Project"
_Electronic Sound Prouducer.
_Colorist
_Photographer

be mine after summer

J4ZZO