Listen back to a live mix from Andrew Weatherall recorded in Jæger’s basement.

In the early nineties after Acid House was firmly instated as part of popular culture and shortly after his success with Primal Scream on the 1991 record Screamadelica, Andrew Weatherall could have easily taken a position amongst the Oakenfolds and Sashas of the world as a superstar DJ, but feigned the spotlight in favour of something more substantial.
“It’s a lot of work, once you go up that slippery showbiz pole”, he told The Independent in a 2016 interview with Fiona Sturges. “(I)t would keep me away from what I like which is making things. I mean, I had a little look in the early Nineties. I stood at the bottom of that pole and looked up and thought to myself ‘The view’s pretty good. But it’s very greasy and there are a lot of bottoms up there that I might have to brush my lips against. So, maybe I’ll give it a miss’.”

Weatherall grew up in the suburbs on the outer fringes of London, and he would spend his weekends going on “raiding parties” in the city. Trips like these would usually involve some “skirmishes” he told Bill Brewster in The Record Players, but ultimately they would involve buying records. In Beaufort Market in the Kings Road, the same road which Sex Pistols came to the fore and Vivienne Westwood and Malcolm McLaren owned and ran the Sex Shop, Weatherall bought post punk records from a place called the Cage. In the week Weatherall would be engaged in all manner of jobs just to make enough money for a weekend jaunt into the city. By the age of 13 he had become known as the “bloke with the weird records” and as he came of age he would start being asked to “come play some music”, stepping into the role of DJ as that role became more defined through the 1980’s.
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“I want to listen to something in slightly open-mouthed wonder, doesn’t matter whether it’s a rockabilly track or techno. I got hooked in the idea that everything has to be new and original for a while. Originality is not what’s important, it’s authenticity.”
He knows his audience, and at Jæger his set favoured a 4/4 proclivity, but it combined guitars, synthesis and melodic vocal hooks in ways that you don’t often hear on the dance floor. His tracks come from vastly different sonic spheres but in the context of the mix they all find a disjointed relationship with each other bolstered by the unique artistic identity behind it.   
“Even if you’re playing wildly different music, I try to make some sort of connection or some sort of flow”, Weatherall told Bill Brewster when the latter asked what makes a good DJ.

Andrew Weatherall at Jaeger Oslo - live recording 27/04/18

The Jaeger Mix is Oslo’s monthly ritual for deep listening and dance floor exploration, a midweek club night that doubles as a living archive of the city’s underground.
Taking place on select Wednesdays, the series pairs Jaeger resident Ivaylo with a rotating cast of DJs, producers, and live acts, capturing the sound of the night and preserving it as part of Jaeger’s ongoing story.
Each session is recorded in the club, followed by an interview with the guest, and later published as a feature on jaegeroslo.no - In this way, the Jaeger Mix lives beyond the dance floor — a document of Oslo’s electronic music culture, framed both in sound and in words.
Guiding the series is Ivaylo, a Bulgarian-born, Oslo-based DJ, producer, and curator. A long-standing Jaeger resident, label manager for Full Pupp, and founder of Lab Cleaning Jams, he has spent decades shaping Nordic club culture with his deep, soulful, and uncompromising approach to house and techno. His role in the Jaeger Mix is less about the spotlight and more about curation — weaving his own sets together with those of guests to tell the evolving story of the dance floor.
The Jaeger Mix stands as both a celebration of the present and a chronicle for the future, mapping Oslo’s nightlife one night, one mix, and one conversation at a time.
Features:
https://jaegeroslo.no/j_mixes

Mixes only:
https://soundcloud.com/jaegermix