Label, booking agency & online record store

A seal of quality. It's the banner for a global network of friendships and creativity and - let's not forget - parties.
Made in Berlin. International. One of the most polyphonic chords ever struck by an electronic music label: Techno, Electronica, Indie, IDM, Pop, Beats, Song Writing. 
What matters is music that moves: bodies, spirits, emotions.

Making music with my machines

Booking :(Live set Only)juliette@blbcagency.com

Godfather has had a very successful career over the years. Voted 15th best DJ in America by the readers of DJ Times and Pioneer Pro DJ for 2011 and in 2012 out of the top 100, best DJ in Detroit by Real Detroit magazine 5 years in a row (2008-2013), and is now the Red Bull Thre3stlye champion of Detroit for 2013! With sponsorships from Serato and Native Instruments, Godfather currently released an expansion pack entitled Dirty Knock for the iMaschine and Maschine, the industry standard drum machine by Native Instruments with endorsements from Diplo, Lil Jon, Steve Aoki, Disco Fries, Danny Daze, DJ Fuck and more. He plays it all from open format/mashup parties to  house to the deepest trap, ghetto tech and juke parties incorporating his battle style turntablism in his sets. He has played across the globe numerous times in cities all over Europe, Asia, Australia, United States, Canada, China, Japan and South America and receives worldwide recognition.

Lets take a look at it from the beginning!:

DJ Godfather is considered one of the founding fathers of the genre we now know as Ghetto Tech. He started DJing at the age of 15 with the help of, now business partner, DJ Dick. Within a few months of getting his turntables, Godfather was already playing in nightclubs and after hour parties all over Detroit. He started producing at the age of 17 for his first Miami Bass style group Bass Association. With the buzz of a few singles off the Bass Association album on 3 Detroit radio stations, Godfather made his first solo record at the age of 18 on the now Twilight 76 Records entitled "Work Dat". Taking his turntablism skills and mixing Detroit Techno music with Miami Bass music, and new sound was born, Ghetto Tech. With the formation of their new record label Twilight 76 with partners DJ Dick and Brian Gillespie, he took his talent and turned it into an entire business creating 3 other labels known as Databass Records, D.E.T. Only (An exclusive label with only 1000 copies of each release), and Juke Trax (A label dedicated to the Chicago style of Ghetto House and Juke music). With all 4 record labels combined, Godfather and his partners released over 250 vinyl releases and mix CD releases, selling over 800,000 units worldwide. You can hear DJ Godfather tracks on the 2 videos games, NBA 2K6 and NBA 2K7 on 2K Sports. He was also the first DJ to be released on the Serato digital download series, using Scratch Live technology and tracks only available digitally for a mix cd entitled "For The Freaks". With 12" vinyl record sales slowing down over the past years, Godfather and his partners stopped pressing vinyl and embraced the digital download world with their own digital distribution company and 2 online MP3 stores, Secretremixes.com for Mashups and DJ Remixes along with Electrobounce.com for Trap, Ghetto Tech, Electro, Techno and Juke music. They also started Soundbully, A digital distribution company that offers digital distribution to over 187 MP3 stores and ring tone carriers worldwide.

Godfather is also producing under 2 other names. Don Dada which is a duo group with DJ Zebo out of Chicago incorporating trap music with juke, ghetto tech and electro house with 4 turntables in their live sets. Reviews have been fantastic as they already played Movement in Detroit and Spring Awakening in Chicago along with some other big music festivals. The other allis is Detroit Muscle which is strictly house music. Having remixed artists such as Lil Jon, Diplo, Aston Shuffle (Ministry Of Sound), Bad Boy Bill and more!

Recent projects Godfather has been involved in are remixes for Laidback Luke' "Pogo", Dizzee Rascal's "Bassline Junkie" and Baauer's "Harlem Shake which have all made the #1 monthly downloaded track on Serato's Whitelable.net and the 40 Oz Profits, making it in the top 100 on Beatport. Don Dada is also ready to release their Debut single "Rock Ya Whole Block" along with 2 follow up tracks. 


All Recordings are exactly how they happen on the night in the party....
If you want to be a world DeeJay this is what happens. Perfect mixes only happen in the studio! Feel me? For booking Jus-Ed send me an Email to jus_ed@msn.com 
Nuff Said!

For production/remix/general enquiries:
Chris - cg@285.group

For bookings:

Ryan - ryan@liaisonartists.com (N & S America)
John - john@higher-ground.de (Rest Of World)

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Bookings:
Worldwide: jodie@mdcberlin.com
North & South America: denis@nomadtalent.com

2026:
2/1 Tresor, Berlin
17/1 Lion & Lamb, London
31/1 The Cause, London
14/3 Star Lane, London
28/3 44, Chelmsford
2/4 The Loft, Manchester
4/4 Glazbu Sessions, Warrington
5/4 Distrikt, Leeds
24/4 World HQ, Newcastle
1/5 Higher Love Festival, Malta
3/5 Progress Centre, Manchester
9/8 Eastern Electrics Festival, London
27/8 Dimensions Festival, Croatia

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