OoooH this is nummy already!!! I hear dem key's....play it Jamie!!!

Ha!!! Sweet, deep and slow blues, i love it!

Yeah Tom, great blues! Very nice guitar phrasing!!!

The sign on the cover pic has to be changed now, Jamie Rhind and Tom Adams are missing on it :). Brilliant organ Jamie. Again very well done Tom and Jamie.

really smooth and soothing playing, Jamie!

Ma grande construction des pyramides est de retour!

Oasis

An emotive, downtempo triphop soundtrack to chill out to 🤍
Sometimes the best things are worth waiting for...

Available for download at Bandcamp https://scratchkelly.bandcamp.com/track/divine-expectation

Where It's Always Afternoon

Divine Expectation

📀

https://soundcloud.com/paploviante-and-friends/why-open-collaboration-offer
... my interpretation of Paul's superb back track. "Why" - in my humble opinion there's always answers ... but hardly anybody cares ...... poverty, injustice - nothing is without reason ...
Paploviante: Bass, Composing, Arrangement, Mix and Mastering // joerxworx: Alto Sax
image: AI creation by TheDigitalArtist from pixabay

Why // by Paploviante // Sax remix

VIDEO on X - https://twitter.com/WINKANDW00/status/1785274787666792945
Go visit Billy on his page , we do a lot of collabs together , he is very talented
https://soundcloud.com/billy-korg
Lyrics:-
The slow dance
Into the madness
Tango into the darkness
Of HyperNovelty
Its there for us to see

The Pianist plays
A sad refrain
For thrones and crowns
And palaces to fall
All the King's men 
Could never repair this at all 
The know it all Generals
So draped in their medals
And pumped up with their pride
All the king's horses can run
But they never can hide

Because of the bloodline
They take it for granted
That they are better
Than you or I

But we are all equal
Our faults and our gifts
And no one is better
Than you or I

The Pianist plays
A sad refrain
For thrones and crowns
And palaces to fall
All the King's men 
Could never repair this at all 
The know it all Generals
So draped in their medals
And pumped up with their pride
All the king's horses can run
But they never can hide

No one is better
No one is better
No one is better
No one is better

The slow dance
Into the madness
Tango into the darkness
Of HyperNovelty
Its there for us to see

The Pianist plays
A sad refrain
For thrones and crowns
And palaces to fall
All the King's men 
Could never repair this at all 
The know it all Generals
So draped in their medals
And pumped up with their pride
All the king's horses can run
But they never can hide
All the King's horses can run
But they never can hide


Billy Korg / winkandwoo 2024

All The King's Horses

All The King's Horses - Billy Korg & winkandwoo

Cycling

Block them all.

Yamaha saxophone
Korg N264 workstation
FL studio keyboards

The Deceitful

Telecaster 2 24

Cast of Characters:
one man verity show – @one-man-verity-show – Scotty – melodic guitar, lyrics, vocals
cgmaness-- @user-419254289-15129531 – Chris – guitar intro
J.J. Terrell– @j-j-terrell –electric piano, synth  
TexMex Shaman– @texmex-shaman –Stephen – guitar solo and e-bow guitar
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums
Llanpsych– @llanpsych –Tez– textural guitar, mix, and production
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –five-string fretless bass guitar, original seed
The Eclectic Collective – composition

This song began with Josh coming up with the fonky-ass bass line and sharing it with everyone else. First up to bat was Ken, of course, who really matched the idea I had for the bass perfectly and gave it some flavor, too. Once we had a rhythm section solidified, Tez jumped in with the Kruangbin inspired arpeggios, and really gave the whole thing the flavor that it ended up with. Scotty followed soon after with his melodic/rhythmic leads that match his awesome vocal melodies. Next up was Stephen, who laid in the fiery solo towards the end, as well as some really trippy e-bowed guitar throughout. Then JJ came along and lit it up with his electric piano and synth. Finally, Chris came forward and added the distinct, exciting guitar intro. 
  Of course, we needed someone to produce and mix it, so we asked Tez to handle this one, which he did with his usual high wizardly magic. It is very gratifying to all of us to have Chris back in the mix on this one, as well as some upcoming releases, as well. This was the first time any of us has collaborated with Scotty, and we are thrilled that we finally got a chance. He's a creative, driven, and very agreeable musical partner, who's willing to work with us until we all get it right. We all hope this is just the first of many with him involved. We hope you enjoy listening to this as much as we enjoyed making it. 
Original lyrics by Scotty:

Can't afford no fucking mortgage. 
And I can't pay no fucking rent.
I would rather you probe me 
than get fucked by our government
who attempts to control me 
and put nonsense in my head.
Who would rather see me
livin' in debt or end up dead.
Come and take me away.
Beam me into space.
Fly me to a planet
where there exists no hate or greed.

Take me to Utopia.
Teach me all your ways.
Save me from dystopia.
It's time to turn the page.
Something better must exist
out there beyond the stars,
where everyone can love and live,
unlike what's become of ours

Utopia - The Eclectic Collective with One Man Verity Show

The Trial
A Pico-Operetta for our Times

International Cast:

Lady Humanity - Oddrun Eikli - Norway, vocals and lyric on the last song; @oddrun-eikli
Lord Mammon - Peter - England, All poetic lyrics in the operetta, except the last song; soundcloud.com/user-264930040/tracks
The Judge - David Dunham - USA, nylon-string guitar in the song for Lady Humanity's defense; @david dunhamuser589535203
Music & Production - Seagull - Sweden, compilation, mixing, sound effects, and acoustic guitars in last song; @farout-music-studio

Here you can download all poetic lyrics: www.dropbox.com/scl/fi/37k203an5c…5u74dp2i&e=1&dl=0

Synopsis

Following unprecedented worldwide growth in human conflict, an emergency plenary session of the United Nations was convened late in 2023, tasked with finding new approaches to defuse global tension and ease conciliation. Recognizing the abject failure of extant UN jurisdictions and powers, and in a radical restructuring of the international legal and security framework, that session established a new UN institution to sit alongside the International Court of Criminal Justice. The International Court of Moral Justice was formally incorporated into the UN Constitution on 1 January 2024.

The foundations of this infant organization and those of the UN itself were shaken when it was revealed that the inaugural case to be heard by the ICMJ was to be a private prosecution brought by greed (Lord Mammon) against the defendant, mankind’s innate sense of humanity personified by Lady Humanity

In papers lodged with the court, the protagonist, Lord Mammon has asserted that the fundamental basis for human misery, the creation of discontent, thence envy and hence conflict, is to be found exclusively in false moral goodness and self-righteousness borne of a misplaced sense of benevolence. The human race survived and thrived, he states, not by moving at the pace of the slowest, or sharing resources with the weakest, but by taking and keeping, for the self alone, much more than is needed for basic subsistence, this being the singular route to strength, individual contentment and thus tolerance of others.

In reply, a broken and demoralized Lady Humanity has been compelled to present her own defense after failing to secure funding for a legal team to counter the advocates ranged in front of Lord Mammon. The case for the defense rests solely on the premise that good comes from within and cannot be created from nothing. So whilst she may try to bolster the moral cause in her work, she increasingly finds that the human souls she sees have no humanity in them whatsoever for her to strengthen, nothing to work with and as such, concedes that she has failed, but denounces the notion that it was for want of trying. Devoid of resources, supporters and allies of any kind she single handedly has held the fort against the self-perpetuating, self-reinforcing massed ranks of Mammon.

The Lord Chief Justice of the ICMJ along with his bench of associate judiciary adjourn proceedings to consider their findings and in the final act, return to deliver their verdict.

The Trial - A Pico Operetta for Our Times

Hope (For one, two, tree guitars)

Time for some slow blues, just the kind where Texas Tom Adams shines.  He invited me once again to join him here on Highway 61 Blues.  Highway 61 (Route 61)is referred to as "blues highway", and is the major north / south highway that connects New Orleans with Minneapolis, linking Memphis and St. Louis too.  Some classic blues along that way for sure.  So many greats have written and sung about Highway 61.   Tom has created a slow blues that captures the essence of the historic road, the history behind and the players who have documented it.

Check out Tom's wonderful blues guitar playing and authenticity - Tom knows more about blues guitar than perhaps anyone here on SC, and plays like it too!  Follow him at https://soundcloud.com/tytlblues

Thanks as always for your generous time, for your comments and for your shares.  

BUY JAMIE'S MUSIC

Highway 61 Blues - with Tom Adams/guitar

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.

Highway 61 Blues - with Tom Adams/guitar

Jamie Rhind

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