There is such a great smooth vibe to this track! Beautiful arrangement and fab piano playing. Great work!

Yeah,,, a classic.. love it. 8-)
From the first listen

That organ background just got me in.. you know 
 Peace Jamie..

And you improved that bass line for this one   8-)

3rd Single of the upcoming Beattape Loops and Lessons 8/8/25

TESTDRIVE

Waking Dreams (Remix)

'you can('t) change' with Scratch Kelly 

Scratch: beat, synths, backing vocals, production, art
Scotty: guitars, lyrics, vocals 

I can't even blame you, girl,
after I've learned about your world.
Fucked up, but, still, that is that.
I have given all of me,
and sometimes I did believe
that we'd create a habitat. 

But then tonight happened again,
and I've lost my love, and best friend. 

It didn't need to escalate,
then you wanted to stay out 'late',
drink some more, and party hard.
Then when it was time to leave,
you spoke shit I'd rather disbelieve, 
and now I have to leave. It's hard.

Because when you're straight, you are great.
But, I keep making the same mistake
of forgiving you. Now, it's too late.
My heart is torn, but, so is fate. 

You can('t) change.

you can('t) change (with Scratch Kelly)

Tenor saxophones wrapped around a moog core with injections of spacey flute and beats. 
(Headphones recommended).

Pic. (possibly CERN) c/o Pinterest.

DOUBLE WIRED

Antes das palavras - 22-7-2025

instruments: Jeff Gardiner and jo richter
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

in an accent long unspoken
in an ancient dialect
curses, blessings, symbols, token
the janitor, the architect
born to care and to dissect
and dream the dream of the unwoken

like a bird within a flight of thought
falling upwards, held within
an endless tunnel copper-wrought
bats, the arching acrobats and next of kin
to passage-dwellers of the interim
who cuddle up head-down and midnight-fraught

about to take flight to the light
like a silent spell and serpent word
burning brightly in the night
like a river’s moon shedding a midnight beam
sheathing the last, unseeing and unseen
sheathing the last remaining sword

scalar field pt 6: Toltec Heath--With Sonic Structures and Silent Stretches

Macbeth is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on Shakespeare's play of the same name. Written in 1846 it was Verdi's tenth opera and also the first of Shakespeare's plays which he adapted for the operatic stage.

In Act II Macbeth has murdered King Duncan and become king, but plots the murder of Banco and his son Fleance to thwart the prophecy that Banco’s children will rule Scotland. As the assassins lie in wait for Banco outside the castle, Banco sings his recitative and aria “Studia il passo  -Come dal ciel precipita” (Watch your step - How from the heaven falls), in which he warns his son about his feeling of foreboding. The aria’s noble, rich unfolding comes to an impassioned peak just before the coda, when the assassins strike him down but fail to halt his escaping son.

The aria was written for basso profondo (here transcribed for baritone). My attempt had me step out of my comfort zone, both in expression and in range. The piano as always was brilliantly played by Helen Roberts.
I hope you'll enjoy our performance.

Lyrics

Studia il passo, o mio figlio...
Usciam da queste tenèbre...
Un senso ignoto
Nascer mi sento in petto,
Pien di tristo presagio e di sospetto.

Come dal ciel precipita
L'ombra più sempre oscura!
In notte ugual trafissero
Duncano, il mio signor.
Mille affannose immagini
M'annunciano sventura,
E il mio pensiero ingombrano
Di larve e di terror.

English:

Be careful how you go, o my son...
Let’s go out from this darkness...
I feel something unknown
Growing in my heart,
Fraught with sad premonition and suspicion.

How the shade falls from heaven
More and more obscure !
On such another night as this
They stabbed to death Duncan, my lord.
A thousand nightmares
Are foretelling me misfortune,
And are oppressing my mind
With ghosts and dread.

Come dal ciel precipita (Macbeth - Giuseppe Verdi - with Helen Roberts)

Ruby

Smooth Sailing

Buy This beat at: https://www.beatstars.com/OgShaolin

This beat is free for non-profit use only, which means you cannot make money off of it unless you buy a license! Credit is always required!

You can contact or follow me at these domains: 
Email: shaolinfantasticog@gmail.com
IG: Prodbyshaolin 
SondCloud: Shaolin Fantastic


Reinacense

05_Friday_beat

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.

Smooth Sailing

Jamie Rhind

Recent comments

MIRANDA

Neno J.

BITs sounds

BITs sounds

Related tracks