The first written for my upcoming Time Machine EP with similar music to Enigma and Time Machine, the next track I composed after Drift.

Electro Chill Nu Jazz at 76 bpm

An original composition, no AI,  written digitally MIDI to DAW
………………………………
WORDS that I wrote upon listening to a pre-production mix but they don’t necessarily fit the music. Yet.

Oh
Drift away safely with your head up in the clouds
Yeah drift
Where luscious dreams of a beautiful life are allowed 
Encouraging 
Cosmic lullaby 
Rocking gently 
until you sigh

Drift
Later maybe?
No, commit, baby
Drift drift drift drift 
Drift until your mind shifts 

Nothing can steal your moment 
Remember to keep faith 
letting go to drift will show it 
Wise words sayeth 
As you believe — so go with it
That is how to achieve
Drift 
To know it
Drift 
Go with it 
Drift
Let yourself flow 
Safe in the 
Drift
………………………………
76 bpm

DAW Apple Logic Pro X
MIDI Akai Professional Keyboard 
E-INSTRUMENTS 
Concert Grand 
SoCal Ballad Piano 
Ambient Lead
Lunar Chords 
Cinema Strings 
Violas
South African Singers
Deep Round Bass Synth 
Upright Ballad Bass 
E-PERCUSSION 
Roadhouse Kick Shaker 
Hip Hop 90s Kit 
African Kit 
Latin Kit 

COVER ART is original CGI by SUNNYBECK created using the DaVinci app for AI-generated original images and the artist’s CGI designed into a composite in Photoshop.
……..……

ARTIST’S NOTE: 
I composed Drift one afternoon in May when I was literally adrift in disappointment, feeling low, uninspired, and fatigued. Empty. How could I create when I was so low? And a thought rang back answering like a bell  — just show up!

All I had to do, my inner voice told me, was show up, put your fingers on the keyboard for a moment. And I did, using the laptop’s built-in MIDI, selecting a VST called Cinema Strings, instinctively I hit an F6 chord — I have an affinity with the key of F because, as a student, I played French Horn, an F instrument. So I’m pressing the keys, and by a slow count of eight of the metronome’s clicks — bam! The music started playing in my head as if already written. I raced to unravel it in threads of melodies, searching for keys that matched what I was hearing in my mind’s ears.

The lesson for me as an artist is to remember to keep faith despite how I might feel. Because the music is waiting for a humble vessel. Just show up.
.

Drift

Some Positive Thought

Special thanks to Cecilia for her a cappella ...of which I modified the tone in order to fit perfectly with my arrangement and atmosphere

EQUALITY FOR ALL.  🎧

Cast of characters:
Llanpsych -- @llanpsych -- Tez – Fender Telecaster electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson cutom T electric guitar, sometimes with an ebow
J.J. Terrell– @j-j-terrell – organ and synth

This song began as an idea Tez came up with on his guitar while on holiday not far from his home in Wales. It had such a solid form, it inspired Mark to write lyrics and come up with vocal melodies within a few days of hearing it for the first time. The two of them have written several songs like this, making them a solid songwriting source for Eclectic Collective. 
  Once the song had a even more solid form, Ken took added his dynamic, bouncy-groove drums to it. As soon as Ken had the drums down, Josh took his turn, adding the fretless bass and solidifying the groove. Now that the basic framework was done, Stephen added his thrilling electric guitar. Last, but certainly not least, JJ added his dancing organ and the really cool, psych synth lead part in the bridge towards the end. Mark also added some awesome backing synth to it, as well, filling out the sound. At the very end of the process, Tez also dropped in the hot intro and outro solos, as well.
  Once we had it all in the can, it was time to turn it over to Tez for his expert production and mix. He came up with the idea of adding reverb to the drums, as well as some other compression tricks, which he employed with subtle style. 
   This, as mentioned, is a great example of what Eclectic Collective can do in house with the composition and songwriting skills of Tez and Mark. The rest of us really had fun working on this one, too, of course. We hope you enjoy listenig to this as much as we enjoyed making it.
Original lyrics by mistermark:

There’s something I’m seeking that I’ve never found
but the seed that you planted went deep in the ground 
there’s a journey that I’m on and the path is uncertain 
the magic fades when you pull back the curtain 

Wherever you go I will follow
there’s always another tomorrow 

There will never come a time when I do you harm
cause my soul is steady when I’m in your arms
and never have I heard music like your Voice 
when you call me to you I have no choice

Wherever you go I will follow
there’s always another tomorrow 

Like a puzzle on the table all the pieces fit
like I’m standing in the dark and a match is lit 
and what it all means man I just don’t know
but it’s a powerful feeling and it’s starting to grow

Wherever you go I will follow
there’s always another tomorrow

Wherever U Go-Eclectic Collective

Recorded at Amplified Studios, Carlsbad CA July 2025
Drums - Marc Polit
Lead solo: Tristan Brooks

LYRIC
It took me half my life 
To finally gain insight
I only saw myself as others did
And I mostly stayed hid

I spent half my life
Upset and uptight
I learned it’s stupid to walk on eggshells
Every egg eventually breaks
And if that takes you half your life
That’s what it takes

Can't say exactly when
I knew what I didn’t then
A dawning realization
An opening of the mind
It only took me half my life for me to find

Time isn’t playing
It’s counting the days
If you don’t know what I’m saying
(Well) you won’t be young always
You sure won’t!

As the years accrue
In the remaining few
I won’t let regret confine me
I’ll amble slowly toward the light
Let the past all fade to black
I can’t go back
I love this last half of my life
So that’s all right


Half My Life

Swell

I have been hearing so much AI music lately on SoundCloud and these  thoughts have been percolating with me for a while and finally they coalesced into a song. (created without the use of AI).
***
Vocals & Back Up Vocals: Joe Stroffolino
Guitar Strumming Track:  Joe Stroffolino Taylor 114CE
Drums: EZ Drummer 3
Bass: PG Music Real track
Piano:  EZ Keys2 
Synth Bass: Logic Pro 
***
You got tired of struggling so hard to write a great original song
And then this amazing newfangled technology came along
Now you’re using AI to create music, and it’s a much easier process
And you’re convinced you found the ticket to achieving great success.
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great
It makes you feel so good but you don’t ever set them straight
Those classic rockers used to write 10 or 12 good songs every couple of years
Now you’re posting two or three songs a day and hoping for a bunch of cheers
You’re rolling the musical dice, hoping you’ll come up with a catchy viral hit 
But there’s so much music flooding the internet that no one gives a shit
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great, it makes you feel so good but you don’t ever set them straight
Some people believe we’re living in simulation and none of this is real
We’re just digital creations in a computer with the ability to feel
But even if that’s not the case, we’re quickly, heading to a place where no one’s going to be able to tell the difference.
You used strum your guitar, trying to capture lightning in a bottle and the songs that emerged came from you.
And now the songs you write with AI, what they’re saying, you don’t have a clue.
Music used to feel therapeutic, it was a window on your soul that you could share.
But now something feels missing because your songs no longer lay your heart bare.

Prompting Takes A Lot Of Skill

So nice that my longtime collaborator friend @dough-factory has returned to SoundCloud after a break of a couple years! This is our first track working together since then and it came together in a really cool way. I was inspired by Ryan's electronic drums and bass to lay down some rhythm guitar as well as a few synth leads. Then he came up with some awesome lyrics/vocals that I think captures the vibe of this piece quite well.

Keep an eye out for more from us, we are thinking of pulling together a whole album or EP over the coming months.

Dive

Recording sessions from  13/05/2025 - 03/08/2025.
presets, mixing, processing and editing: Pier WILL.

*** ALL TITLES ARE DOWNLOADABLE***
________________________________________________________________________
🛠 - Made with various Modular Synths / Multi-tracks / No I.A.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, Samsung, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

⚙️ - #Ambient #Movies #Experimental

I'm almost back...
After the death of a loved one, I found myself unable to play music... so I opened a small attic room deep in my unbalanced mind and played other types of instruments... it had to happen...
So here's a track, "ATTIC ROOM" (37 minutes), composed and produced, bringing together 10 very different and surprising tracks... I feel like I was in another dimension for a while, and I hope you enjoy it.
Have a great listen. Thank you.
Pier WILL

Me voici presque de retour...
Après le décès de l'un de mes proches, je me suis retrouvé dans l'incapacité de jouer de la musique... alors j'ai ouvert une petite chambre mansardée tout au fond de mon esprit en déséquilibre et j'ai joué sur d'autres types d'instruments... il fallait que cela se réalise...
Voici donc un titre "ATTIC ROOM" (37minutes) composé et réalisé rassemblant 10 titres tellement différents et surprenants... je pense avoir été dans une autre dimension pendant un certain temps et j'espère que vous allez apprécier.
Très bonne écoute à vous. Merci
Pier WILL

Attic Room

LYRIC VIDEO  https://www.youtube.com/watch?v=yukpFvbhX-Y
So ~ I wasn't really intending on writing / recording another new song at the moment since I'm attempting to finish a number of other songs for my current project ~~but This One came to me one day in July & I felt compelled & decided to kind of drop everything  & record it, as I was hearing it as the possible song I may tag on as the Final Song of my new project once it is complete to close it out ~~
Would Love to hear any thoughts on it at all ! :-)
©2025 Donna Dior

THE LAVENDER

What it Is was one of Miles Davis’ hottest grooves from his early ‘80s band. Recorded on his classic ’83 album Decoy, it featured the driving bass of Darryl “Munch” Jones, who went on to play with Sting and still now the Rolling Stones, and the unreal two guitar lineup of Mike Stern and John Scofield.  I was able to see this seminal band with both guitarists in Chicago, and it stays in my mind to this day as one of my favorite concerts of so very many, including 10 of Miles.  

Germany’s wonderful slap funk bassist Mirko “Stringburner” Borach came to me last year to ask if I could join him on What it Is, sending me the  outline recording we have here of this heavy chromatic funk fusion classic.  I was thrilled and quickly asked the superb fusion guitarist Stephan “Pinner” Lipinski to join us, with his perfect Scofield sound and approach.  But we needed a second guitarist to take Mike Stern’s place, and the remarkable Scott Nelson accepted.  Check out the incredible lines that Stephan and Scott create here for this.   Miles’ band at the time also featured Bill Evans on saxophone, and so we’ve grabbed the finest alto player I know to join us, recording artist Matt Criscuolo, who is just all over this.   As luck would also have it, my brother David Rhind is a fine trumpet player and Miles lover at the highest level - he has more than 400 Miles CDs in his collection - volunteered to handle and create the opening and closing trumpet lines.

Our recording of What it Is is truly special to me because of significance of Miles in my musical growth, and also because of what each of these superb musicians and friends means to me.  Please stick through to the very end to hear exceptional musicians playing their hearts out:

In order of appearance:

Mirko “Stringburner” Borach - bass  https://soundcloud.com/stringburner
Jamie Rhind - keyboards
David Rhind - trumpet
Stephan “Pinner” Lipinski - guitar (head)  https://soundcloud.com/pinner
Matt Criscuolo - alto saxophone  matt criscuolo
Scott Nelson - guitar  https://soundcloud.com/scott-nelson-364333064
Stephan “Pinner” Lipinski - guitar

Thanks as always for your generous time listening, for your comments and for your shares.

What It Is - with Mirko Borach, Matt Criscuolo, Stephan Lipinski, Scott Nelson and David Rhind

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.