@mozactab I really and deeply appreciate your beautiful comments on my music🥲Thanx a trillion my friend👍👍👍👍😎

Very, very cool guitar and vocals. I like it well done 🎤🔥🎶❤️

Murmuration

Ratio

Definitions of the term aporia have varied throughout history. The Oxford English Dictionary includes two forms of the word: the adjective "aporetic", which it defines as "impassable", and "inclined to doubt, or to raise objections"; and the noun form "aporia", which it defines as the "state of the aporetic" and "a perplexity or difficulty". The dictionary entry also includes two early textual uses, which both refer to the term's rhetorical (rather than philosophical) usage.

In George Puttenham's The Arte of English Poesie (1589), aporia is "the Doubtful, [so] called...because often we will seem to caste perils, and make doubts of things when by a plaine manner of speech we might affirm or deny [them]". In a reference from 1657, J. Smith's Mystical Rhetoric, the term becomes "a figure whereby the speaker sheweth that he doubteth, either where to begin for the multitude of matters, or what to do or say in some strange or ambiguous thing" (OED). Herbert Weir Smyth's Greek Grammar (1956) also focuses on the rhetorical usage by defining aporia as "an artifice by which a speaker feigns doubts as to where he shall begin or end or what he shall do or say" (674).

More modern sources, perhaps because they come after the advent of post-structuralism, have chosen to omit the rhetorical usage of the term. In William Harmon's A Handbook to Literature, for example, aporia is identified as "a difficulty, impasse, or point of doubt and indecision", while also noting that critics such as Jacques Derrida have employed the term to "indicate a point of undecidability, which locates the site at which the text most obviously undermines its own rhetorical structure, dismantles, or deconstructs itself" (39). Julian Wolfreys, in his essay "Trauma, Testimony, and Criticism", characterizes trauma as aporia, a wound with unending trail. Valiur Rahaman, in his book Interpretations: Essays in Literary Theory (2011), explained aporia as a creative force in both the artist and their art; it is, for the artist, an edgeless edge of the text or a work of art.
Source: wikipedia

Aporia(ᾰ̓πορῐ́ᾱ)

E bpm 115

From the Album "Punk Funk You"
Distribution On The Way

Punk Punk Punk

Funky Night

Wake Up!

I Like To Be Tipsy - My Coverversion

Hey Merry Christmas all!!  I did a new mix of the everlasting Earth Kitt 
thanks for all your music this year.  
Here are the other mixes https://soundcloud.com/ricochet8888/santa-bae-eartha-kitt

cheers
Dx

Roger Richards's Album

Santa Baby **Eartha Kitt🎄 TenCityHouseMix 🎄

Written and read by me (Robert Horne)

Jake fines himself teleported to another land and given a choice to become a Defender!  Whatever that is?

Soul Reaver, Chapter 9  -  Jakonnun, the Defender

Il Neige Sur Assise.        Texte :Sanzen

Boule de neige au salon, mon enfance sur un vieux guéridon
Sous la cloche en trois dimensions , Assise , mes émotions
Solitaire sans raison , encombré de ce corps bien trop grand
j’envahis tout l’espace restant  qui est fait d’un seul et même plan.

Et pendant ce temps tu défies placide la  gravitation .  
ce n’est pas toujours la fête , tu traverses tel un géant  les saisons
grâce à ton  humour ,à ton amour, ta superbe autodérision
et si ça se trouve  ,  quelques flocons dans ton salon.   

je me construis un univers fait  d’huiles et de pastels dorés
ma toile est comme la vie trop souvent déséquilibrée  
je me sers un peu moins de ma tête que de mon coeur , de mes grands pieds.
peindre c’est pas toujours la fête , le gout une valeur trop partagée .
 
Et pendant ce temps tu défies placide la gravitation .  
ce n’est pas toujours la fête , tu traverses tel un géant les saisons 
grâce à ton  humour ,à ton amour, ta superbe autodérision
et si ça se trouve  quelques flocons dans ton salon. 

 
Unijambiste dans….ma tête ,je suis en lévitation 
je mets du rouge dans  mon salon, sous cloche mon horizon
du doré sur ma toile une  vie captive sous les flocons...
quelques facéties  , mon enfance sur le vieux guéridon

Et pendant ce temps on défie tous la gravitation 
ce n’est pas toujours la fête , on traverse comme on peut  chaque saison
grâce à de l’ humour ,à de l’amour, une superbe autodérision
et si ça se trouve  ,si ça se trouve , à quelqu’un comme Francois Anton.

Il Neige Sur Assise    Sanzen / Illos

Rumba

stp x ian

Matthew Mantell - lead vocals, background vocals, acoustic guitar, beatbox

James Donahue - electric guitars, keyboards, synths, bass, background vocals, percussion, programming

Real Fantasy

"Real Fantasy" - Matthew Mantell

I was born one of these music gifted kids. “Singing before talking, making rhythm before walking” kinda stuff. You know.

When I was nine I learned the “4 chords” on the family’s second hand Höfner copper stringed jazz guitar and the necessary moves I learned from watching their black and white television set.

And I took it the whole way. From garage to the inner capital city club circle topping in the late 1980’s and early 1990’s.

My music is Lager Rock.

Lager Rock can be viewed as a kinda Rock n Roll toolbox which style’s was strangely sandwiched in between the Rock n Roll mainstreams of its day.
Lager Rock weld three Rock n Roll mainstreams together: Punk Rock, New Wave and classic electric Guitar Blues Rock.
It emerged in London in the late 1970’s and early 1980’s and spread like a bushfire all over Europe.
Pure condensed energy my friends.

I have and I will all ways play Lager Rock!
Through out my life, besides playing Lager Rock, I’ve been doing a ton of odd jobs from business consulting to flying airplanes. But I have never ever being anything close to selling my guitar and leaving Lager Rock and in that way too Rock n Roll.

But when my life moved into its fifty’s my not so healthy lifestyle caught up with me and in the last six years it seems like Grim Reaper now and then raised his tent in my back garden. You know just to stay close in case.

As I was spending my time mostly negotiating with Mr. Reaper a strange thought came to my mind. 
I have never issued any of my music. 
Oh yes I’ve made demo’s en mas but never ever a single, EP or album. 
Then and there I took a swift decision. Now it’s time!!!!

And here I am ladies and gentlemen. In my early sixties recording and issuing - senior - Lager Rock and of course also with a classic DIY invented title: DIY Senior Lager Rock Streamer.

So what’s the big chromed shining truth here?
1. I’m still alive and well and…
2. Rock n Roll WILL NEVER DIE.

And that’s all for now folks.

Yours sincerely,
Jan

I Like To Be Tipsy - My Coverversion

Jan Flicker

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