For more information, please see: http://lizalimcomposer.wordpress.com

Martin Loridan is a composer and Professor at the Royal Conservatoire of Brussels.

His works are regularly performed in Europe and beyond by internationally renowned performers such as Claude Delangle, Rohan de Saram, the Arditti Quartet, the ensembles Klangforum Wien, Fractales, Mise-en. His work has been awarded prestigious international prizes, such as the Reinl Foundation Prize (Vienna), the André Jolivet Prize (Paris), the Vareler Prize (Berlin).

He graduated from the Paris Conservatoire National Supérieur de Musique (CNSM) where he obtained four prizes in harmony, counterpoint, fugue and forms, and 20th/21st-century composition. He is currently completing a PhD at the University of Leeds, UK, thanks to prestigious academic grants and awards such as the Stanley Burton Research Scholarship and the Leeds Doctoral Scholarship. He is also the recipient of the Art Research Fund (Fonds de la recherche en Arts FRArt) by the National Fund for Scientific Research, Belgium (FNRS).

His doctoral research is an investigation into air and breath (‘souffle’) as a composition material. His research has led him to the study of traditional music (Villa Salammbô residence with the support of the French Institute in Tunis) and the development of new instrumental hybridizations: extended pedal system renewing the possibilities of the piano; works for the Naylute, a new hybrid instrument between the Arabic Nay and the Western flute; application of electric guitar pedalboards systems to other instruments such as the accordion. In these different contexts, he could develop the main axes of his research: the 'tactility' of breath (souffle) and its double human and instrumental resonance; the porosity of air (as a sound material) and its development within orchestral forces and electronic expansions in amplified works.

His scores are published by BabelScores.

The music of composer Nina C. Young (b.1984) is characterized by an acute sensitivity to tone color, manifested in aural images of vibrant, arresting immediacy. Her experience in the electronic music studio informs her acoustic work, which takes as its given not melody and harmony, but sound itself, continuously metamorphosing from one state to another. Her musical voice draws from elements of the classical canon, modernism, spectralism, American experimentalism, minimalism, electronic music, and popular idioms. Her projects, ranging from concert pieces to interactive installations, strive to create unique sonic environments that can be appreciated by a wide variety of audiences while challenging stylistic boundaries, auditory perception, and notions of temporality. 

Young’s works have been presented by Carnegie Hall, the National Gallery, the Whitney Museum, LA Phil’s Next on Grand, and the St. Paul Chamber Orchestra’s Liquid Music Series. Her music has garnered international acclaim through performances by the American Composers Orchestra, the Milwaukee Symphony, the Minnesota Orchestra, the New York Philharmonic, the Philadelphia Orchestra, the Phoenix Symphony, Le Nouvel Ensemble Moderne, the Aizuri Quartet, Either/Or, the JACK Quartet, wild Up, and Yarn/Wire. Winner of the 2015-16 Rome Prize at the American Academy in Rome, Young has also received a Koussevitzky Commission, a Civitella Ranieri Foundation Fellowship, a Charles Ives Scholarship from the American Academy of Arts and Letters, the Salvatore Martirano Memorial Award, Aspen Music Festival's Jacob Druckman Prize, and honors from BMI, IAWM, and ASCAP/SEAMUS. 

IN 2019 Carnegie Hall commissioned "Out of whose womb came the ice" with the American Composers Orchestra: for baritone, orchestra, electronics, and generative video, commenting on the ill-fated Ernest Shackleton Trans-Antarctic Expedition 1914-17.  Other recent projects include "Tread softly" that opened the NY Philharmonic’s Project 19, a violin concerto for Jennifer Koh from the Philadelphia Orchestra, and "The Glow that Illuminates, The Glare that Obscures" for the American Brass Quintet alongside an immersive audio-visual installation version commissioned by EMPAC showcasing their wavefield synthesis audio system.

A graduate of McGill University and MIT, Young completed her DMA at Columbia University. She is an Assistant Professor of Composition as USC’s Thornton School of Music.  She serves as Co-Artistic Director of New York’s Ensemble Échappé.  Her music is published by Peermusic Classical.

ninacyoung.com

https://allisoncameron.bandcamp.com
Hello and thank you for visiting my Soundcloud page! Soundcloud is one place I especially like to 'catch up' with my friends' works and discover new music. On many of my tracks you'll notice that I have collaborated with a ton of amazing musicians from Toronto and around the globe which is an honour for me.  My creative work is so much about the people who I create for and with, people who I share ideas with and all kinds of musical influences. Because I love sharing music, I've made a support link to my Bandcamp page. This link is to support me and the people with who I work on the various recordings we've made together. Many of the tracks posted here are part of recordings that have been released over the years.  Additionally, I have a Bandcamp 'Fan' account where you can find music and artists that I support. Thanks for reading and here's to more listening and sharing! 

Bio:
Allison Cameron is a composer of chamber works that have been performed throughout Europe and North America; she is also an experimental performer.
Her works have been performed at numerous festivals and numerous ensembles have commissioned her. She co-founded the Drystone Orchestra in 1989 and founded the Arcana Ensemble in 1992, both dedicated to the performance of experimental music in Toronto. During 2000-2005, she was the artistic director of the Arraymusic ensemble where she created the Scratch! festival for experimental music. Her chamber music has been released on Redshift, XI records, CRI, Spool, Supermusique, Hevhetia, Musicworks, Rat-Drifting and others. Since 2000 Allison has been improvising with small, amplified objects in collaboration with many of Toronto’s finest musicians and also internationally respected performers. In 2007 she formed the group The Allison Cameron Band with Eric Chenaux and Stephen Parkinson to write music for two guitars and banjo from which a CD was released on the Rat-Drifting label.  Allison also performs in the improvising music trio c_RL (pronounced curl) with Germaine Liu (percussion) and Nicole Rampersaud (trumpet). 

Current projects include: a CD release on the critically acclaimed UK label Another Timbre with performances by Apartment House https://anothertimbre.bandcamp.com/album/somatic-refrain, a forthcoming recording of solo improvised pieces on Squint Press (Toronto), and a Bandcamp release from a quartet with Sandro Perri, Josh Cole and Nicole Rampersaud and myself called Shoo: Horn.

Berlin-based British composer
www.rebeccasaunders.net

Tonia Ko has collaborated with leading soloists and ensembles across a variety of media—from acoustic concert pieces to improvisations and site-specific installations. Recipient of numerous accolades including a Guggenheim Fellowship, Ko’s music has been lauded by The New York Times for its “captivating” details and “vivid orchestral palette,” and performed at venues such as Walt Disney Hall, Carnegie Hall, Kennedy Center, and the Tanglewood Music Center and Royaumont Festival. Born in Hong Kong and raised in Hawai'i, Ko holds a DMA from Cornell University and is currently Senior Lecturer in Composition at Royal Holloway, University of London.

Please visit www.jonathanbaileyholland.com for more information.

Welcome to the official SoundCloud profile of maestro Uroš Lajovic. 

Enjoy and share with your friends.

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