Klangextase is a celebration of sound bringing you exclusive DJ mixes from talented artists around the globe, made with love just for our listeners.

Each mix is a carefully curated journey through electronic music designed to spark emotion, awaken memories, or simply let you drift away. It’s about connection, atmosphere, and the beauty of losing yourself in sound. We’ve had the pleasure of featuring incredible artists like BLOEM, Spaniol, Niki Sadeki, Emotional Tourist, Tocadisco, Isabeau Fort, Wanduta, Flowers On Monday, Christian Voldstad, and Erdi Irmak each adding their unique color to the Klangextase universe.

More than just a podcast, Klangextase is a space for musical storytelling. Just press play, and let the music speak.

Hosted by @matthias-kunze and @herroppermannhh.

Partnerchannels:
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Disclaimer:
All rights are reserved to the corresponding  artists. All music posted on our sound cloud account is for promotional purposes only. If you are a copyright owner and want your work to be removed from our channel please contact us with a personal message and we will remove your material imediately. Please note that we do not benefit in any kind with our work. Our only mission is to help the artist to be heard by supporting & promoting their music.

Curawaka is our contribution to the great shift of times, the prayer of the sacred world rising, the ode to native peoples and their ancestral cultures, the tribute to our Mother Earth and life itself, sharing the hope that we will overcome that which seperates us and unite again as one sacred family. We share chants and tunes from all over the world, cosmic world folk and so-called "medicine music". We released the album "Call of the Wild" in 2018, and we are currently working on a new album. Curawaka come from Norway, Argentina, Brazil, Peru, Mexico and Colombia.

Curawaka is:
Anna Bariyani - Vocals / Guitar / Hand drum / Waira / Backing vocals 
Alberto Arroyo - Guitar / Bass / Water drum 
Tavo Vazquez - Charango / Quena / Quenacho / Sikuri 
Txai Fernando - Udu / Kalimba / Percussion / Piano / Jungle
 Rafael Ayala Silva - Percussion 

INFO & BOOKING: info@curawaka.com

Photo credit: Axel Hebenstreit www.Lichtseelen.com

<a href='http://gigs.gigatools.com/u/frankdw' target='_new'>Frank De Wulf's Upcoming Gigs </a>Saturday 27 July, 2013 <a href='http://www.tomorrowland.be' target='_new'>Tomorrowland 2013, Tomorrowland, Boom, Belgium</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Hey everyone,

When releasing new material, and especially when it has been so long as it was with Frank De Wulf …. you are kind of expected to tell a little bit about yourself. So, here you’ll find a quick overview of his career. You’ll discover how one thing led to another, without getting into too much detail.

You won’t find a list of his work here, if you are more interested in that please check out : http://www.discogs.com/artist/Frank+De+Wulf or soon the discography page on his web-site. If you are more into the insider info and personal anecdotes, you will soon find regularly updates with (sometimes) juicy stories from his days as a DJ/producer on the ‘by the way I just remembered’ page.

So here we go! Frank was born in 1968 as the youngest of three boys. Of course with 2 older brothers hanging around, he was introduced to all kinds of music, not just the mainstream tracks you heard on the radio.
He must have been about 10 when he started experimenting with tape decks, later he used his father’s 2-track recorder to make longer versions of hit records.
In high school, he got invited by one of his classmates to visit the local radio station. Impressed with their set-up, he asked if he could try mixing on their 2 ‘Technics SL1200 MK2’ turntables. It felt great! From there he got his own radio show called “Seventh Heaven Radio”. With Frank on the turntables and another guy doing the talking, they brought a whole new flavor to the dance hits of that time. By re-editing, remixing and manipulating the tracks, he wanted to create a particular atmosphere for the listeners and give them the idea that they were experiencing a live set from home.

Frank De Wulf was always into music with a strong, original sound & rhythm no matter the genre: from new wave, dance, electro European and American experimental post-punk with Kraftwerk and the Art of Noise as two of his major influences or dare he say “muses”. That fresh, energetic layered electro sound was something he aspired to bring himself, by creating his own music as well as through his work as a DJ.
After a while people started noticing his ‘work’ and around 1985, he was asked to do a show by a more ‘dance oriented’ radio station called ‘SIS’.

At the time he was regularly, DJ-ing in 2 of Ghent’s dance café’s. It was an excellent way to practice his skills and since he was still at school, these DJ gigs brought some extra money into his piggy bank … because he was also saving up to buy the Yamaha S7000 sampler and an ATARI 1024 Computer. The new beat movement had just started and he started to feel the need to create music rather than just mix other people’s work more and more. So he started to produce his own tracks and make remixes of existing tracks.
One of his first releases as musician/producer was the 12-inch Acid Rock track with his alter ego band Rhythm Device on Music Man Records. Thanks to Olivier Pieters, resident DJ at the famous night club Boccacio (one of the Belgian clubs where New Beat really took off), he could test run the track. To Frank’s surprise and great relief, the crowd loved it. The track became a big hit, and is now seen as a bit of a classic, or so he’s told.

His work as a DJ gave him the idea to make a record just for DJ’s. He wanted to create a kind of tool for mixing tracks while still keeping the familiar theme going. He started to work on several tracks, but due to a lack of time never really got to finish them. He had a series of beats, mixes and samples from international dance hits and newly created sounds that were not really fit to be released as a-side records. So still eager to release them, he decided to call them The B-Sides. The record went through the roof and he ended up releasing 4 volumes (on Music Man Records) plus remixes of them.
Due to the success of the B-sides, Frank was asked to give live performances as well as do DJ sets all over the world. He traveled around Europe, the States and Australia. It was a remarkable period, he met up with other performers and DJ’s, who where all starting their musical careers, people like Joey Beltram, Moby, Derrick May, Sven Väth. They all shared this great appreciation for each other’s work and Frank really felt that people understood his work. With each new sample or musical idea there was this immense reaction on the dance floor. He really felt that the crowd was on his side, the whole time pushing him on and inspiring him to break new boundaries. During his career, there was also Renaat, the owner of R&S records, who kept him inspired and focused. Renaats energy, drive and strong believe in the success of quality dance music had a major influence on Frank’s career.

He decided to start up his own record labels which gave him more creative freedom to release his tracks and do production work for other artists; like remixes for all kinds of artists in and outside the new beat scene like The Shamen & Erasure but also The Orb, Jam & Spoon, Orbital, Biosphere,…

At the end of the nineties Frank felt, he had reached the limits of what he could do with music at that period in time and decided to concentrate on another great love of his: the world of film and post-production.

He founded “GRID” a post-production company specialized in visual effects and motion design for commercials, video clips and films. He kept his musical career going at the back burner doing the odd remix or DJ set. 

So there you are… even though Franks work kept him quite busy and was creatively challenging, music is a part of who he is. Somewhere in the back of his mind, he always knew that this time would come. And now, he can no longer ignore this need to make music, this need to create and let the magic flow again. He hopes you will all enjoy the ride!

In 2004, Marc Broussard, then a precocious 22-year-old singer/songwriter, released his major-label debut; he called it Carencro, after the Louisiana town where he was born and raised, and its thematic centerpiece was a hickory-smoked slab of Bayou soul called “Home.” That album and the three that followed revealed Broussard as an old-school Southern soul singer blessed with a rarefied gift and innate stylistic and emotional authenticity, causing the L.A. Times to rave, “The guy can really sing, with power, nuance and class. Anybody got a phone book? I’d listen to him hum a few pages.” Those records also evidenced Broussard’s maturation into a songwriter of uncommon eloquence, fashioning the indigenous idioms of his native region into compelling personal testimony.   

Now, a decade after his critical breakthrough, Broussard has come full circle with A LIFE WORTH LIVING his sixth studio album, a celebration of what home means to him, starting with his wife and kids, the street he’s lived on his entire life, surrounded by loved ones, and all the minutiae of everyday life that he has come to treasure. 

“Home definitely has a lot to do with this album,” he confirms. “But family has a lot to do with it as well, and those two go hand in hand. The infrastructure of family is really important, especially when you have four kids. Luckily I’ve got family that I’ve been able to lean on throughout all these years. Then,on top of it all, this place is just special. There’s a different way of living, a different way of communicating and a different way of celebrating life here that is infectious. And once you realize it, you never want to leave.”

Broussard signals his intentions with the cover portrait, which pictures him with his wife and kids sitting on the steps of a neighbor’s house, instruments in hand, persuasively conveying the notion that the family that plays together stays together. That touching photograph, which recalls Norman Rockwell’s heartwarming images of home and hearth, leads the listener into a song cycle that brings those traditional American values to vivid life, a linked series of ballads and deep-gut soul-rockers with revealing titles like “Edge of Heaven,” “Another Day,” “Weight of the World,” “Perfect to Me” and “Shine.” These songs, some intimate and others churning with intensity, like the kickass blues-rockers “Dyin’ Man” and “Man Ain’t Supposed to Cry,” chart the full range of concerns and emotions of a husband, father and provider as he experiences the joys and sorrows of existence. 

“Whether it’s because I’m older and a little more perceptive, or whether it was just the right time, I find myself with a set of songs that really means the world to me,” Broussard says with pride. “The lion’s share of the material on this record is extremely personal. There are decades of stories behind a single line in any of these songs. In that way alone, it’s vastly different than anything I’ve done before. There was much more attention to detail; I feel like I’ve become a more focused writer.”

From the charged metaphor of the opening track and lead single “Hurricane Heart” to the closing existential lament “I’ll never Know,” Broussard gets really close to the bone on this record—so close, in fact, that there seems to be no distance between himself and these songs, each of them drawn from the very fabric of his life; it’s as if they’re being transmitted from his heart and soul directly to the listener. That’s particularly true of the poignant title piece. 

“It was a rare occurrence to have a song that just kind of wrote itself,” Broussard says of “A Life Worth Living.” “It felt like I was the conduit more than the writer, that I received this thing. It happened right after the passing of my grandmother. She was sick, and she decided not to fight the cancer, which is indicative of her style—she lived by her own rules. My mother’s mother was the matriarch of this wonderful, massive family. Hurricane Isaac was bearing down on the Gulf Coast of Louisiana at the same time that she was passing away, and because it was such a sudden thing—we found out she had cancer and three weeks later she was gone—we were all left speechless. I felt like someone needed to say something and luckily the whole thing laid itself out in front of me. 

“That’s one of two songs on this record that came to me this way,” Broussard continues. “The other one is ‘Give ’Em Hell.’ It’s about a friend of mine, Squirrel we called him, who was the head of the English department at a Jesuit high school in New Orleans. This guy was a brilliant writer, and one of my favorite people of all time. Squirrel passed away suddenly from a heart condition last April, and that led to another song that just hit me. I sat right up in bed and heard the first line. 

“My grandmother passed away at the end of the summer of 2012, and Squirrel passed away in the spring of last year, so those two songs buttressed the entire writing process for this record,” he notes. “I felt both my grandmother and Squirrel’s presence coaxing me through every line, through every tear that rolled down my face as I wrote. Both were extremely emotional to write because I knew how gut-wrenching every line was going to be. So surrendering to the process was very difficult, but incredibly cathartic in the end.” 

The album’s other linchpin song is “Honesty,” which, like “A Life Worth Living” and “Give ’Em Hell,” began with an epiphany. “‘Honesty’ was born out of an experience I had listening to a song called ‘Don’t Tell All My Friends About Me,’ by a brilliant guy named Blake Mills,” Broussard recalls. “That song had a profound effect on me in that it was so brutally honest it couldn’t be denied. For a long, long time, I’ve avoided writing about the darker side of relationships and love for fear of offending my wife’s sensibilities. But after I heard that song, I said to myself, ‘I can’t do that anymore. I’m not gonna allow myself to be stifled; I need to be able to write whatever I’m feeling.” So I had a talk with my wife and let her know that none of this stuff was really that personal, and all she needed to do was focus on how we are to each other. Then I proceeded to open myself up. So ‘Honesty’ is really the quintessence of this new spirit in my writing. 

A LIFE WORTH LIVING marks Broussard’s return to Vanguard, which released 2007’s SOS: Save Our Soul, his scintillating album of covers of Southern soul classics.

“Luckily, I’m with a company that recognizes opportunities and is nimble and agile enough to make moves on it when they present themselves,” says Broussard. “All of the things that I needed to happen for me to feel confident about this project have come together. It’s put me in a really good head space. I’m really looking forward to the future, and there’s no end in sight, that’s the thing. We’ve got ideas that are fresh, and a team that’s really excited about implementing those ideas. I’m poised for some big things, hopefully, right here.”

With that, Broussard eases himself back into the unhurried rhythm of life in Carencro. The next order of business: dropping off a cookie cake baked by his wife to his daughter’s first-grade class at the neighborhood elementary school.

Yo yo get funky.

Bookings: titia@isburning.com

Upcoming shows
24.09 De School Amsterdam
30.09 Is Burning

-

15.02 Klubnacht Panoramabar, Berlin
07.02 Maricas Is Burning, Barcelona
30.01 Club Vaag, Antwerpen, Belgium
25.01 Theater Rampe, Stuttgart, Germany
18.01 K//ALT, Strasbourg, France
10.01 Badaboum, Paris, France
01.12 TBA
31.12 KopjeK, Groningen
31.12 Radion, Amsterdam
28.12 De Coalitie, Den Bosch
26.12 Burgerweeshuis, Deventer
21.12 De School w Steffi, DVS1
14.12 Shelter, Amsterdam
13.12 Het Complot, Utrecht
08.12 Gayhaze, Brussels, Belgium
23.11 Klubnacht Panoramabar, Berlin
22.11 Fold London, UK
09.11 Fluor, Amersfoort
19.10 ADE Clone Instore
18.10 ADE Strange Sounds From Beyond
18.10 ADE Into The Woods 
17.10 ADE tba
05.10 Luxor Live, Arnhem
05.10 Bar, Pip Den Haag
27.09 De Marktkantine w Nina Kraviz
15.09 Klubnacht Panoramabar, Berlin
13.09 Eilan
07.09 Claire w Luca Lozano
07.09 Krankenhuis, Germany
01.09 Have A Nice Day
30.08 Magiq Spiegeltent, Belgium
30.08 Is Burning X Maricas
24.08 Dekmantel Selectors, Croatia
24.08 Mysteryland
24.08 Vrije Volk Festival
18.08 LOWLANDS
11.08 Loveland festival
04.08 Dekmantel X Is Burning
27.07 Perron Rotterdam w Objekt
27.07 Milkshake 
20.07 Tomorrowland, Belgium
20.07 Welcome To The Future
19.07 Antilope, Nijmegen
14.07 Wildeburg 
13.07 Blitz, Munchen, Germany 
06.07 Trassenrave, Wuppertal, Germany
05.07 Evasion Festival, Lyon, France
30.06 Awakenings Festival
30.06 Mandala Festival, Wanroij
29.06 Nomads Festival
29.06 Paradijs van het Zuiden, Den Bosch
22.06 Nachtparlement vaart, Deventer
16.06 NTBA 
09.06 Thuishaven 
09.06 ZeeZout x Whoosah, Den Haag
08.06 Boothstock Festival, Rotterdam
01.06 Amsterdam Open Air, Cartel Stage
31.05 Lighthouse Festival, Croatia
30.05 Subcultuur, Brebl, Nijmegen
29.05 BAR Rotterdam w Ben UFO
10.05 Maricas,  Barcelona, Spain
27.04 Cartel, Westerunie
27.04 De Reactie, Enschede
27.04 Oranjebloesem
26.04 Knaldrang, Tivoli, Utrecht
21.04 Is Burning 5 Yr Anniversairy
20.04 DGTL Amsterdam
19.04 Perron, Rotterdam
13.04 Amigo, Gent, Belgium
29.03 Tresor, Berlin, Germany
22.03 Amore Motore, Zurich, Switzerland
10.03 Same Bitches, BRET
08.03 Club Modular w/ Bicep, Rotterdam
02.03 Kablys Club, Vilnius, Lithuania
01.03 Claire w/ David Vunk
23.02 Soenda Indoor, Utrecht
22.02 BAR, Rotterdam
17.02 Thuishaven curated by Seth Troxler
15.02 De School w DJ Normal 4
14.02 Bumble, Meyor Manor
04.01 BAR, Rotterdam
31.12 Drift, Nijmegen
31.12 Paradigm, Groningen 
29.12 Het Sieraad
22.12 Nomads Winter Edition
21.12 Complex, Maastricht
15.12 Paradiso, Amsterdam Light Festival
14.12 KAUW 
23.11 Grenswerk, Venlo 
17.11 Claire: ItaloJohnson
17.11 Georgies Wundergarten 
10.11 HYTE x We Are Electric, Eindhoven
03.11 Hidden Monastry, Ottersum
02.11 Het Magazijn w/ PLO Man, Den Haag
26.10 Ampere, Antwerp Belgium
20.10 ADE: Cartel x Paradiso: Detroit Love
19.10 ADE: Zeezout x Dimensions @ Undercurrent
19.10 ADE: BOILERROOM x IsBurning
17.10 ADE: The Classic Music Company, Sugar Factory
12.10 BAR, Rotterdam
05.10 't Bolke, Enschede
03.10 My House, Leiden
29.09 Blijburg Closing
29.09 8Bahn, Arnhem
22.09 Terminal Club, Lyon, France
21.09 Oosterbar
15.09 Into The Woods, Amersfoort
08.09 Zeezout Festival After 
08.09 Zeezout Festival
07.09 Claire, Amsterdam
01.09 Tresor, Berlin w/ Mike Servito
27.08 Dekmantel Selectors, Tisno, Croatia
19.08 Lowlands, Biddinghuizen
04.08 TBA Gaypride Amsterdam
04.08 Is Burning
04.08 TBA
02.08 Adonis, Waterkant
28.07 De School 
28.07 Milkshake Festival
27.07 Basis, Utrecht
21.07 TBA
07.07 Georgies Wundergarten w/ Tijana T
07.07 ZeeZout By The Creek w/ David Vunk
30.06 Down The Rabbit Hole w/ The Black Madonna
30.06 Nomads Festival
23.06 Contrair Open Air, Antwerp, Belgium
17.06 Whoosah Beachclub Scheveningen
16.06 Is Burning, Utrecht w/ Eris Drew
15.06 Shelter w/ DJ Bone 
02.06 Amsterdam Open Air 
20.05 Radion, Amsterdam w/ Luca Lozano
20.05 De Zon, Blijdorp
19.05 C12, Brussels, Belgium

'MindSearcher' (CK & Tarnation)
 
After a 2003 computer crash, all Reason 1.0 files and patterns were corrupt.
Only leaving us with the 128kb unmastered tracks. 
This is The Lost Project!!

MANAGEMENT / GENERAL REQUESTS
silvi@chaosinorder.de

BOOKING REQUESTS 
amelielens@WMEAgency.com

BOOKING REQUESTS North/South America
ferry.rais@CAA.com

NEWS:
https://linktr.ee/amelie.lens

Amelie Lens has taken the techno scene to another level, with her unrelenting passion for the genre, with a strong message that she always was, and always will be a raver at heart.

Amelie‘s debut release in 2016 marked the beginning of her distinguished career. Since then, she has released music on many of the industry‘s leading labels and contributed to the prestigious Global Underground City mix series. Amelie is a regular headliner at major festivals such as Awakenings, Sonar, Timewarp, and Tomorrowland’s mainstage. Additionally, she performs at renowned club venues across the globe.

Fast forward to 2024 and Amelie is heading her labels Lenske and EXHALE Records, running her party series EXHALE, holds down an extensive touring schedule and hosts her own radio show. The show now streams online and broadcasts on 34 radio stations across the globe, reaching nearly 5 million listeners with every episode.

Amelie has been focused on her signature sound, emphasised by the use of her own vocals. She wants to capture audiences that may not always be there for techno but feel connected after discovering something new.

https://linktr.ee/JonFleet DJ & Producer signed to Jeepers Music, Wh0re House Records, World Sound, Wyldcard, Casa Day Pots, Twists Of Time, Dual Life ,8 House Records, Onto The Groove, Inner Sense Music, Karess Records, Huambo Records.
For bookings; djfjon71@gmail.com
Thanks for reaching out and connecting ❤️🎵❤️
LINK TO ALL SOCIALS
https://linktr.ee/JonFleet
https://jonfleet.bandcamp.com/follow_me
Send promos to
djfjon71@gmail.com
To discuss booking me for your events please contact me via
Email: djfjon71@gmail.com

Follow us and you will get your weekly fix of The Boom Room! On-air, Saturday's 20-00 CET @ SLAM! radio.

SLAM! was born in 2005. Ever since that joyful moment it’s always been our goal to lead not to follow. This is exactly what SLAM! does with The Boom Room, 4 hours primetime Techno, Melodic, Afro and all other genres we like to call quality housemusic.

The Boom Room selects the finest new releases from the makes of, Joris Voorn, Eelke Klein, Adriatique, Robag Wruhme and Reinier Zonneveld just to name a few. Inviting musical pioneers and world class dj’s in our Boom Room is SLAM!'s saturdaynight business.

Play Music, Play Life.

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