Name: Alus Adwaah by Jeff Gburek in Visitations/ Jeff Gburek and Karolina Ossowska
Duration: 12 min 53 s
Description: composed with organic and fabricated elements lightly treated with transistor based analog delay pedal in a room in the center of poznan where we can hear the trams rumbling by. the title goes back to my experience living and studying in java, indonesia, the off-intervals of the gamelan, and the alus, the smooth transition, the over-tone-guided deep listening surface into dreamscapes

Profoundly beautiful. I listen to this daily. Unreal.

Visitations/ Jeff Gburek and Karolina Ossowska

systematic structural instability is a process piece involving algorithmic digital transformation based on the frequency spectra of acoustically recorded sounds played in real time. this version for electric guitar and violin. 

Systematic Structural Instability, IV (2014) (Jeff Gburek & Karolina Ossowska))

Cafe Kafka

Inspired by the following haiku written by Konishi Raizan, a famous haiku poet of the Genroku period (1688-1704).
spring dream…
not becoming unhinged
is what’s unbearable

Haiku by Konishi Raizan (https://www.poemofquotes.com/famoushaiku/raizan.php)
Picture by USGS (https://unsplash.com/it/foto/a-red-blue-and-green-fluid-painting-on-a-black-background-hoS3dzgpHzw)
@naviar-records

My Naviar Haiku

Sound notes from an anomalous spring

Sound notes from an anomalous spring (Naviar haiku 596)

[00:00] Part I; [02:55] Part II, "Hammerklavier"; [13:24] Part III

Radio bardo ₂₀₁₆ ᶰʸᶜ

is there no gentle place?

This meditation on this year's blood moon eclipse employs 5 layers of field recordings, two from this year and three others recorded on this day in the previous years. Enjoy the slow pace and open space. A work in progress., it is.

blood moon eclipse op 340

Composite field recordings modified and mixed with a live sound feed on September 15 reworked somewhat today in Suceava at Residentia de creatie. Thanks to Rustic Camping Spot and Dan Prodan for cooperation and letting me work in and around them. Recordings include VLF captures from Baile Herculane and shortwave radio and turntable. 

Viile Satu Mare Sept 15 Composition

Recordings from July 28 and 29 reflect the peculiar ambiance of a multitasking bridge over the Danube near Borcea, where the two counties divide. In the darkness the source of the various drones and incidental noises become mysterious because untraceable. Enjoyable because not so loud as to be alarming although sometimes these sounds can be disquieting. This is a work in progress for an album I hope to complete during my residency here in Suceava. Thanks to Dan Prodan, Zidul de Hartie and Rustic Camping Spot for their support.

Podul Borcea Construction 1

composed with organic and fabricated elements lightly treated with transistor based analog delay pedal in a room in the center of poznan where we can hear the trams rumbling by. the title goes back to my experience living and studying in java, indonesia, the off-intervals of the gamelan, and the alus, the smooth transition, the over-tone-guided deep listening surface into dreamscapes

Alus Adwaah

Karolina Ossowska: keyboards, violin; Jeff Gburek: prepared guitar, magnetic capture, processing.  Recorded in Firenze, Italia. First preview mix, Poznan. 

Visitations I, Preview, Gburek/Ossowska

violin, bass recorder, electric guitar, live computer processing, production by "the house that thinks it's me". as invariance. the kind stabilizing entropy. numbers and alpabeta letters in phase relations. preserving to infinity unstable potential entry. wordlessness and/or musicality of this. feedback loops as overdriven determinants. the tendency of logic signs to envelope or be enveloped by a design to incorporate them. and all the opposites

Systematic Structural Instability, 2012

Field Recordings. Kitchen Devices, Vegetal and other Implements. Source material recorded in Lee Foust's flat in Florence, July, 2012. 

Systematic Structural Instability #3 (Florentine Tapestries)

Karolina Ossowska: violin; Jeff Gburek: electric guitars, processing; Asia Zielecka, flute. 

Visitations II, Prevista, Ossowska/Gburek

listeners will find here the most recent edge of my research as well as album samples and one-offs from the last 10 years of my solo work, from official, upcoming releases, unreleased oddities, works in-progress, & experiments, all music by jeff gburek and collaborators, as noted. support directly via paypal: jeff.gburek@gmail.com or buy albums via https://jeffgburekprojects.bandcamp.com/

Alus Adwaah

Jeff Gburek

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