After mounting 20 pages of Cornelius Cardew's Treatise upon the wall at Kołorking Muzyczny in Poznan, I played the following piece. I am not sure it is an improvisation nor am I yet convinced it's actually an interpretation of the score in any classical sense. Then again about Cardew there was not much classically speaking that he didn't challenge. I sense a new dawn in my interaction with the score.

Contemplating 20 pages, Oct 3

My apologies for not being able to return follows.  I think SC has a limit of 2000 follows, for a basic account  :(

listeners will find here the most recent edge of my research as well as album samples and one-offs from the last 10 years of my solo work, from official, upcoming releases, unreleased oddities, works in-progress, & experiments, all music by jeff gburek and collaborators, as noted. support directly via paypal: jeff.gburek@gmail.com or buy albums via https://jeffgburekprojects.bandcamp.com/

Poetry, Field recording and the More-Than-Human Human

'I use this space to offer an experience of Sonopoetry, the voice of verses combined with field/sound recording and music collaborations.
Writing and composition marked the passage from pre-history to history for human beings. I firmly believe that writing&listening (active care/empathy and full attention to each and every sound from each and every living and non living being) could inform, guide and represent the Posthuman era that I'll call Human Human era -from sapiens sapiens to human human.
The contemporary alliance between the disciplines of Art, Science and Philosophy elicits the conceptualisation of the Posthuman that to me also implies the transition from the Anthropocene to the Age of Art as a driver of thought and vision. I advocate the responsibility to assign a 'more than human' meaning to the Posthuman concept, that's why More-Than-Human Human, in order to emphasise the human core, the genetic connection to bio and non-bio diversity as per the Biophilia Hypothesis.
Are we listening?'

Born 6 January 1972, Ilaria Boffa is an Italian poet and sound recordist. 
She has published four poetry collections and she is one of the eight authors included in the North East American Association publication ‘Writing in a Different Language’ Vol XL 2018.
Over the last years, she has been experimenting with field recording, blending her spoken word with sound.
Publications:
Beginnings & Other tragedies/Inizi e Altre Tragedie, 2023, book of poems (Eng/Ita)
https://www.valleypressuk.com/shop/p/beginnings-tragedies

About Sounds About Us/Di Suoni e di Noi, 2019, book of poems (Eng/Ita)
http://www.samueleeditore.it/about-sounds-about-us-ilaria-boffa/

Writing in A Different Language, volume XL NeMLA publications (Northeast Modern Language Association), College of New Jersey, 2018
http://www.buffalo.edu/nemla/publications/nis/past/volume-xl.html

The Bliss of Hush and Wires/Periferie, 2016, book of poems (Eng/Ita)
http://www.samueleeditore.it/periferie-the-bliss-of-hush-and-wires-ilaria-boffa-2/

www.dezernat5.de
https://www.youtube.com/watch?v=Ie3PzgNXw0o
tototod.bandcamp.com/album/apeiron
https://martinhoogeboom.bandcamp.com/album/crackle-sniff-hiss
https://thomassander1.bandcamp.com/

thomas.sander.schwerin@gmail.com

Here you find sketches as well as released and unreleased tracks. 
Official releases you find on AOsmosis Records, cosmic winnetou, Handstitched*, Hibernate, Manyfeetunder, Mahorka, Petroglyph, Secret Press, Shimmering Moods, Thirsty Leaves Records, and via my bandcamp-link below.
Thank you for your visit.

I share music that I have made here solo or in groups. I am bundling my work with some online friends as a project oriented, micro-collective. We are happy to share with you!

https://darkpebble-bluewave.bandcamp.com/

Wilhelm Mattthies, John Daly (aka Tuneind52), Paulo Chagas and Matthias Boss

Sound artist and poet - American, living in the North of France. Member of Muzzix Collective.

Aoki Satoru ( アオキサトル ) is a Japanese bassist. [ prepared bass, free improvisation, experimental music, field recording ]


ベース･ギターから 猥雑な音 （ だるい せつない こわい さみしい ） を 出す 実験を しています。 『 即興演奏、プリペアド・ベース、実験音楽、フィールドレコーディング 』 などに 興味があります。

Contemplating 20 pages, Oct 3

Jeff Gburek