Spring

Spring (synth performance)

#4160 91.71% 376 left): May. 5, 2025: An element filling the space between (again, John Keats from Apr. 12, 2025) 

Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : )

Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536:
This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece.

######## Latest Album: 29th SELECTION ALBUM JUST RELEASED ########
"shin Clair De Lune" - the 29th selection album of piano ten thousand leaves

The best song in the last few years, Shin Clair De Lune, was born, so I named the album after it. The opening song is that song.

youtube: FULL VIDEO with 20 full songs in very high quality sounds
https://youtu.be/_KoD3Urfn38?si=WP2OCvwwVeLYyfnU

Album Download:  iTune
https://music.apple.com/jp/album/shin-clair-de-lune/1796986397

spotify
https://open.spotify.com/album/0IesFKVy7eEyvrfn90AW8b?si=_-BDNh2JQ3yUSQyOpSUSFQ

appleMusic
https://music.apple.com/jp/album/shin-clair-de-lune/1796986397

amazonMusic
https://amazon.com/music/player/albums/B0DXKJ5655?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_Af4hYEidL5bbME7ncUiUORjxE

all music streaming services:
https://linkco.re/mF4G0R43?lang=en

an element filling the space between - #4160 (91R71 percent 376 left) by chair house 250505

My remix of the Beautiful Track "The Golden Eternity" by Marco Lucchi

The Golden Eternity (progettosonoro remix)

evelisal

torndie

aletislie_02

https://soundcloud.com/encym

The Ambient/Electronic transmission channel of guitarist and producer Roland Reinke, "encym" explores un-guitaristic territory by layering, collaging and shaping improvised loops. 
This piece draws inspiration from two contrasting environments. The first is the my recent concerts in Japan, which prompted me to revisit a Logic project containing ambient set rehearsals prepared for this year’s performances. Among various sonic experiments—many of them focused on noise and pedal-based textures—I rediscovered a sparse, unembellished guitar composition. It reflects my own musical roots and cultural legacy: guitar playing in its most elemental form.
To ground the piece in a specific place and time, I layered it with a slowed-down field recording captured on the Osaka subway, creating a deep, immersive atmosphere. The result is a meditation on space and memory—anchored both in the familiarity of home and the surreal experience of being elsewhere.

Encym - hdtrn [オサカ]

lanchuthe

2025-06-05

TCNE7-20250605

concept of a trip

VLF & Radio Captures from June 5. Synthesizer and voice added June 11, for the Strawberry Moon and beyond. Partial text follows.
Lillacs few
due to drought
no doubt
this year...
How unscientific...
What an unscience
thing to say:
no doubt.
Plus the massive
excessive
pruning of the tree
plus the drought...
the lilacs 
few this year...
Should I 
stave off speech
until I get
statistical
support
for what I've seen?
lilacs few
this year
unlike the children
dead in Gaza

June 11 Lilacs Few This Year

listeners will find here the most recent edge of my research as well as album samples and one-offs from the last 10 years of my solo work, from official, upcoming releases, unreleased oddities, works in-progress, & experiments, all music by jeff gburek and collaborators, as noted. support directly via paypal: jeff.gburek@gmail.com or buy albums via https://jeffgburekprojects.bandcamp.com/

June 11 Lilacs Few This Year

Jeff Gburek