3:33

3:33 (disquiet0480)

the material on this album which runs a full 71 minutes is not an easy to describe even if the mayhem spewing out of the genie's bottle like some champagne made of pebbles and glass shards reminds me slightly of rudolph grey, sharrock's noise, soixante etages. but that's the thing: it changes into something else. always. with alarming regularity. it gets queit, cavernous, shimmery, calm then somehow bursts like a storm cloud.  it's even weird to imagine it was played, recorded really in all one sitting. but those were the pre-internet and mostly pre-cellphone days. there was a lot more time on our hands to be present, engaged. this isn't exactly all as random as it may seem but don't let anyone fool you it was all mapped out and foreseen. the best of this group was always ahead of itself trying to guess what would come next. it was recorded in 1997 like the songs on Meet The System in the same tiny garage in Williamsburg.  -- JG, March 2021
Instrumentation: John Palumbo: drums, percussion, whistles; John Elmanahi: prepared guitar, percussion;Jeff Gburek: electric guitar, lancelot, rebab, violin

Layered Seed Water 1, Orphan Sound System

Deflection

REBIRTH

002 _ Sigh, and be Happy ..... ( Reflection 10:00 )

Ensemble #1:
Сlarinet (+Alto recorder)
Electric Guitar
Piano
Violin

Ensemble #2:
Alto flute
Cymbals
Bass Guitar
Viola
Cello

«No (нет!)» for two ensembles

Original by T-Rex 1971.
PJ : Drums, bass & mix
PdB : vocal & all other instruments

Get It On, W/PdB Orchestra

Music by Liquid House
Poems by William Blake

THE LITTLE GIRL LOST & THE LITTLE GIRL FOUND
from Songs of Experience (1794)

Composed, recorded and mixed at Hadean Studio
from the 16th to the 19th of September 2020

Etchings, William Blake
Artwork by Liquid House

https://liquidhouse.bandcamp.com/album/lyca

Lyca

Sous contrôle ,de con,soumission
les sous et soucis
insouciant,sous tension
sous influence et sous contrôle,si souvent,
si souvent,de votre consommation,
du coup pour les sous nous allons à reculons.
Sous contrôle de con,soumission
soutenu et appuyez par leurs labeurs,
avec une intention de ne pas faire attention a ce que nous mangeons.
dm

merci a Luciole Langevine ,pour sa participation ,crédit ,image et vocalise.
https://soundcloud.com/luciole-langevine

Con soumission  feat Luciole Langevine

Knabenchor

Disquiet Junto Project 0467: Toolbox Show & Tell. The Assignment: Share a tip for making music that you learned during the pandemic.

80% of my music started on a cheap android DAW app called "Caustic". The sound is not perfect, but I like the workflow. Anyway, since 1 year or so I try to switch to Ableton Live. Because of the lockdown I had a lot of time to flatten the learning curve with this DAW.

My tip is about "Follow Action", to bee seen in the Clip Editor. Follow Action allows a clip to trigger other clips by probability, in the screen example of the track cover there is "play again" with prob 1, "play any other" with prob 2. The clip is one of of many clips which only contains some note on a scale or a chord.

Normally I somehow reject pure generative music, although I place a lot of value on chance in my own. It always seemed dishonorable to me to let a software (that I didn't write myself) generate music and claim this music to be "mine".

However, with "Follow Action" I have the possibility to achieve an (in my opinion) honorable mix of probabilities and composition.

In this case, there are different tracks with different signatures and different Gongs in A minor. I even added "empty" clips to get some "silence" into it. The probabilty for the different tracks differs, one could for example use one track to establish sequencial clip triggers, to include motives that are bigger than inside a bar.

(And please consider "honorable" a way to big word here…)

More on this 467th weekly Disquiet Junto project, Toolbox Show & Tell (The Assignment: Share a tip for making music that you learned during the pandemic), at:

https://disquiet.com/0467/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0467-toolbox-show-tell/

Generative Gongs [disquiet0467]

listeners will find here the most recent edge of my research as well as album samples and one-offs from the last 10 years of my solo work, from official, upcoming releases, unreleased oddities, works in-progress, & experiments, all music by jeff gburek and collaborators, as noted. support directly via paypal: jeff.gburek@gmail.com or buy albums via https://jeffgburekprojects.bandcamp.com/