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Credits:
Produced And Composed By Real D For Rivernile Productions
Bass Performance By Bruno Delarosa
Written By A.Yousif (Real D)

Track recorded, mixed and mastered by Real D For Rivernile Productions. Bass recording By Bruno Delarosa.
Locations of Recording:
Montreal, Quebec, Canada and In Brazil.

Promsie Land

Promise Land

To my parents, Russell and Agnes Allison. 

Often on Saturday nights Russell and Agnes would go dancing sometimes with other couples but most of the time just the two and did so well into their later years.  I know they would have danced to this song.

The song, written by Johnny Mandel, was introduced in the 1965 film The Sandpiper. It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song and is ranked number 77 in the  AFI's list of the 100 top movie songs of the 20th century. 
This is my arrangement. It is not all about the melody, although you hear it throughout the song it's about all the other stuff going on and later my counter melody takes importance finally giving "Shadow" its due at the very end.  Leave me a comment and let me know what your thoughts are on my Shadow of Your Smile, hit that like button and follow for updates.  Thank you for listening.
Jeff

The Shadow of Your Smile

Was It

All Around Us

"......a place or time I Was and still may be Someone Else...."

The song, written by Jeffrey J Allison in 2022,  begins with alto sax introducing the main theme then a duet with tenor and alto introducing a second melody followed by a Big Band feel and soprano playing a third melody giving it a fun ending. Thank you for listening, hit that like button and follow for updates and please let me know what you think of my song, "I Was Someone Else." Your comments are important.
Jeff

I Was Someone Else

The Music You Need

Stella By Starlight

Come Rain Or Come Shine

Hey Lala

Bill Spencer shares monthly weekend recordings from his living room studio in Detroit, Michigan.

https://www.nts.live/shows/bill-spencer/episodes/bill-spencer-11th-december-2022

A Month of Sundays w/ Bill Spencer 111222

remix of Paul's hot open collab track: https://soundcloud.com/paploviante-and-friends/no-limit-paploviante ... I added tenor sax and flute, and "adjusted" the Paploviante track a bit in order to tame it for my double addition :-) Enjoy and don't miss the Original ! photo: Eric Weber, unsplash

No Limit /  by Paploviante / remix

Recorded in Modesto, Ca  Featuring Bix Bixler on Vocals. Alto Saxophone solo. Gibson 335 Electric Guitar solo. Fender Electric Bass Rhythm. Fender Rhodes Electric Piano solo. Gibson L5 Electric guitar Rhythm. Fender Rhodes Electric Piano Rhodes. String Quartet !st & 2nd Violins, Viola, Cello, Bowed Acoustic Bass. Trap Drum set. Percussion Zildjen Crash Cymbal, Tambourine.

Island Girl

What I Say

Everything Takes Time

As I Am In

HOLEDUP DROPS ANOTHER POD ..FULL OF FUNKY SOULFUL CLASSICS 
AND FEELGOOD COOL VOCALS ..OVER 2HRS LONG 
SO IF YOUR HAVING A STREET PARTY,OR SIMPLY STAYING IN
CRANK THE VOLUME UP AND ENJOY THE SOUNDS OF HOLEDUP IN THE HILLS
YOUR SOUNDTRACK TO YOUR EXTENDED WEEKEND
THANKS FOR LISTENING OUR HOLEDUP FAMILY AND SUPPORTING 😊😊😊😊

BODY & SOUL

MARCO FEDALTO – Album “Il Cinema Suanoto”
Cinema must be listened to... not just watched!
Label Plaza Mayor Company Ltd

Since its inception, cinema has attained artistic worth 80% of the time (if not even 90%) due to its music. This is because the visual aspect is, first of all, narrated by the musical notes which have always expressed the “unsaid” underlying the images. Therefore, cinema should firstly be played to be understood viscerally, and, only then, as something integral, scripted, acted, directed, photographed, set designed, edited acoustically and visually, and then worked by hand. Without an original score, many of the films we know and love would not be the same, and wouldn’t leave that indelible mark on our cinematic memory many years after seeing them in theaters or directly at home. In this album, “Cinema” is “Played”— hence the magnificent title — by the excellent virtuoso musicians of IL CINEMA SUONATO, a chamber orchestra created by the conductor and composer Marco Fedalto. He is the author of all the orchestrations that are so respectful of the primordial thematic form, yet offer a richly imaginative and enlightening creative interpretation. Furthermore, he is also the composer of two pieces included in the track list with a performance which is both accurate and successful in highlighting every melodic choice made on the film by the original composer, as well as wonderfully vital outside the original context. This album is an excellent collection of single themes and suites taken from films of yesterday and today, and written by the likes of the eminent Nino Rota, Ennio Morricone, Henry Mancini, Pietro Mascagni, Yann Tiersen, as well as Fedalto himself.
Massimo Privitera, IFMCA member and director of Colonne Sonore.net

Il Cinema Suonato

Suite Nino Rota

IL CINEMA SUONATO Suite Nino Rota by Marco Fedalto

In 1993 I received my Master's Degree in Music.  At that time, as bills piled up I decided to pursue more lucrative endeavors outside of the music field and had not played a note in nearly 30 years.  Then in 2021, I saw this ad for a Yamaha YDS 150 Digital Saxophone and decided to get one and see what I could do with it after all these years.

I Was Someone Else

Jeffrey J Allison

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