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Tolerance deficit disorder

Ok... Roland CP-70 with Korg Electribe and twisting its knobs with FCB1010 foot controller...

Yamaha CP-70 Nurble 0001

My Darkest Light

Secondo incontro con il brano di Marco Lucchi.
Cambio di metodologia: pezzo essenzialmente strumentale, con un continuo contrappunto al fluire del piano di Marco.

Strumentazione:

1) Contrabasso. Con arcata ampia e sostenuta, ideale bordone per la partitura sovrastante.
2) Calimba (molto riverberata) e mellotron. Sono i suoni armonico/percussivi che fanno da contrappunto costante al pianoforte principale.

Ideale allegoria di un passare nel chiaroscuro della luce, nella natura pura e incontaminata.



Paloma: 2009 - 13 10 2024. 
Vale.

13.10.2024  (R/R "soliloquy" by Marco Lucchi)

Snow*Omen/Velvet Something Superdark collaboration based on Henry  Purcell,  Dido and Aeneas: When I am laid in Earth (Dido's Lament). Music: Snow Omen @snow_omen (recording of a live performance, voice Y.A., electric guitar VSS). Added noise, mixing and production: VSS. All sounds Snow*Omen & VSS. Image: VSS.

When I am laid, am laid in earth, May my wrongs create
No trouble, no trouble in thy breast;
Remember me, remember me, but ah! forget my fate.
Remember me, but ah! forget my fate.

Laid In Earth

Ævigir Slættir

This is a musical journey of a young protagonist discovering a magical forest and encountering the wonders of nature beyond imagination: Sylvan Secrets.

Youtube: https://youtu.be/Cw8vxcX_C5I

The story:
There are undiscovered wonders of the woodlands. The trees loom tall and twisted. Whispers float on the breeze. As the perilous journey continuous tiny figures dart in the canopy. Where the sun beams fade slowly the creatures of the darkness are ready to chase its prey. Beware the ambush of the beasts. But you are not alone. Ancient beeings care for the natural balance of the forest, even if the means: encounter and battle.

I used mostly orchestral and some electronic sounds to convey a magical, enchanted vibe. This changes to a driving synth pulses and later to a creepy part followed by an adventurous arrangement with a full blown orchestra. The epic finale ends with a huge choir, rhythmic string staccatos, a load of brass, lots of percussion and even a rhythm guitar.

Sylvan Secrets

dream world 1.

Ethereal Dominion Part II

To watch someone you love marry another against their will

first love

Before the Silence

Lover of orchestral film scores and epic music.

I had started making music in the 90s with my Amiga 500 but it wasn't capable (me neither) of producing the sound of a whole orchestra.

The diverse musical expressions in filmscores have a bigger emotional impact than any other genre I can think of. My music is heavily inspired by the great composers around 1980-2000, like John Williams, Jerry Goldsmith, James Horner, Basil Poledouris and Hans Zimmer.

With synthesizers, a whole new world of sound has entered the arena and merges with the orchestra to a fantastic sonic experience.

I try to tell stories and convey emotions in my pieces to take you onto a journey into unknown territory.

Sylvan Secrets

Jens Sieckmann