Name: Nightmare by Jérémie Fauquet in CLASSICAL - RE
Duration: 2 min 6 s
Description: Short modern classical piece for string quartet. Atonal style with patterns and musical phrases circulating from one instrument to another.

The title is well presented in the mood. Good one, interesting and well-composed.

Haunting sound reflective of a nightmare. Well done.

Sober, ominous and angular lines; this piece is aptly named!  Engaging, though.

A hard listen but I think that is the point with a title like Nightmare. Well written and definitely evokes emotion

CLASSICAL - RE

The Funk

Monumental Times was inspired by my dear cat, Ziggy. Evolving from past mistakes, isolation from society, current crazy worldly affairs.

All songs written, arranged, produced, mixed, mastered: Daniel Lars 
All instruments and voice effects: Daniel Lars

Monumental Times

Gravity Pul

Gravity Pull

You don't always say people are running after you
You don't always think people are trying to harm you
You don't always feel people are there to envy you
But it doesn't mean they don't try to do such things
What it really means, take yourself up to the Hill

Up above the world Oh Oh Above world
Up above the world Oh Oh Above them all

Make yourself happy whatever you're going through 
Never be wearied, for it doesn't fix a thing 
It will break down rather go above the hill

Up Above The World

From the theater piece "Small Town in a Snuff Box" based on a story of V. Odoevsky

YouTube

Broken Organ

Elegy of Her Kiss

Donnys Whipping Boy (Needs To Blow Up Rockets)

A reflective, mournful piece from Before I Forget by The Jeremias Langsämmer Ensemble, featuring lofi piano, cello, and subdued strings. This contemporary minimal classical track blends intimate piano melodies with gentle orchestral strings, perfect for focus, study, or contemplative listening. The restrained yet cinematic soundscape evokes quiet introspection while maintaining a modern, avant-garde sensibility.

For Fans Of:
Max Richter, Ólafur Arnalds, Nils Frahm, Balmorhea, A Winged Victory for the Sullen

The Jeremias Langsämmer Ensemble – What The World Can't See (I Don't Hide) | Lofi Piano & Strings

Para escuchar la versión de Stewart MacLean  https://soundcloud.com/juan-fco-bueno/heliodoras-song-feat-stewart-maclean
Para escuchar la versión en español con MV  https://soundcloud.com/juan-fco-bueno/heliodora-dorita-feat-mv
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/heliodora
Para escuchar la versión con Martin T.   https://soundcloud.com/juan-fco-bueno/heliodora-feat-martin-t/comment-2344409538
Para escuchar la versión a capela con Martin T.  https://soundcloud.com/juan-fco-bueno/heliodora-ac-mt

Verso 1
Al salir el sol siempre estaba ya en pie
Una prueba de lo dura que la vida fue
Su mundo ideal lo construyó
A base de fe y dedicación.

Verso 2
Un fuego interior la impulsó a ser quien es
Una luchadora por su tierra y por su mies
Pero la suerte no le acompañó
Cuando el amor despertó en su corazón.

Estribillo

Hoy Heliodora no puede evocar
Vivencias, recuerdos, la bruma los cubrió
pero el fulgor que brilla en su mirar
mantiene viva toda la pasión.

Verso 3
¡Cuánto trabajó por su entorno familiar!
A pesar de que no siempre consiguió acertar
Todo lo hizo con el corazón
Y pensando que era lo mejor.

Puente
En su cara está esculpida toda su labor
Las arrugas son las medallas que ganó
Su pelo, las cenizas del fuego que ardíó
Las ojeras, de todo lo que lloró.

Estribillo

Heliodora in Spanish

Verse 1
When the sun rose, she was always already standing.
A testament to how hard life was.
She built her ideal world
Based on faith and dedication.

Verse 2
An inner fire drove her to be who she is.
A fighter for her land and her harvest.
But luck wasn't on her side.
When love awoke in her heart.

Chorus

Today, Heliodora can't recall
Experiences and memories; the mist covered them,
but the glow that shines in her gaze
keeps all the passion alive.

Verse 3
She worked so hard for her family!
Although she didn't always get it right,
She did everything with her heart,
And thinking it was for the best.

Bridge
All her hard work is carved on her face.
The wrinkles are the medals she won.
Her hair, the ashes of the fire that burned.
The dark circles under her eyes, from all the tears she cried.

Heliodora-Dorita AC

LoNe WolF - "Purpose of Living"

Album: "Avant-Garde"


Mixed & Mastered By: LoNe WolF



#purposeofliving #acoustic #stitches

Avant-Garde

Purpose of Living

"Talk Dirty To Me" is a fresh and fun cover of Poison's classic, injecting new energy into the timeless hit. The upbeat rock vibe will hook you instantly, making it perfect for sing-alongs. It has a universal appeal that resonates with audiences who crave nostalgia with a twist.   Original writer Bret Michaels.   https://repostexchange.com/charts/top

Talk Dirty To Me

Buy Fan Sets Price

Cover song medley by Beats Working
John Hardman - Lead guitar & backup vocals
Chris Glover - Drums
Dave Rea - Vocals & rhythm guitar
Lynn John Sheppard - Bass & backup vocals
Recording copyright (c) Swamp Records UK for all territories

Voodoo Chile/Gimme Some Lovin' COVER - live - Beats Working

Troll Walk

Play an odd beat and mix it with some night vibes...

Night Flow

Short modern classical piece for string quartet. Atonal style with patterns and musical phrases circulating from one instrument to another. 

Nightmare

Prison Cell for Two Percussionists
Duration: 10'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1347
Video: https://www.youtube.com/watch?v=beD4-L0qgpI
For More Information: https://robertpaterson.com/prison-cell

PROGRAM NOTES
Prison Cell is a ten-minute percussion duet that musically, theatrically and symbolically represents a prison cell. The work centers around variations of a traditional, tonal theme and an original, more dissonant theme. The original theme and its variations are taken from a tone row built on the scale degree one half step above the tonal theme. This tonal theme is continuously alluded to through modulations, variations, chromaticism and dense, slowly evolving rhythmic and chordal structures. When the central, tonal theme is finally introduced, it is never completed, creating tension that is prolonged through the second half of the piece. The tonal theme eventually becomes immersed in the tone row and gradually fused into the original theme. The mutated, skeletal rhythmic motive of the tonal theme is all that remains.

The percussionist inside the set-up represents a prisoner. The percussionist outside the set-up plays two roles: when walking behind, this player represents the oppression of the cell; when walking in front, the player represents influences on the cell by outside forces such as prison guards. The tubular chimes represent the bars of a cell.

Prison Cell

CONTACT EMAIL :

THOMASKAA@GMAIL.COM

--- ELECTRONIC & CLASSICAL MUSIC ---

Freelance film and media composer. Multi-instrumentalist graduate of Valence conservatory in film music composition.

Customized music for your film, TV, videogame, museum or live performance project.

Some of my productions are available in streaming. Sérénité have surpassed 1 million streams on streaming platforms. 

For all inquiries: contact@fauquet-musique.fr
Linktree : https://linktr.ee/jeremiefauquet.music

Compositeur indépendant de musique à l'image et multi-instrumentiste, diplômé du conservatoire de Valence en composition de musique à l'image.

Musique sur-mesure pour votre projet audiovisuel, vidéoludique, muséographique, spectacle vivant.

Certaines de mes productions sont disponibles en streaming. Sérénité a dépassé le million d'écoutes sur les plateformes. 

Pour toute demande : contact@fauquet-musique.fr
Linktree : https://linktr.ee/jeremiefauquet.music

Nightmare

Jérémie Fauquet

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