Solo project:
Martin



Please feel free to download my tracks. All I ask is,  that you please leave a comment about it.
Thanks.

Postgraduate student with Birmingham ElectroAcoustic Sound Theatre (BEAST), University of Birmingham, England.

J.C. Combs (born 1970) is a Seattle-based new music composer. His works include “Charmed Elixirs” from 2008 (Sequenza21 described it as "antique poise and luminescence recalled in a disturbing dream from just last night"), “Bats in the Belfry” from 2009, “Safe Passage” on the premiere Russian label Electroshock Records from 2010 which has been featured on Max Shea’s “Martian Gardens” (WMUA 91.1FM Amherst and online), Don Campau’s “No Pigeonholes” program (KOWS FM Sonoma and online) “Solta a Franga”  (Netherleands), The Mystery Lesson –radio show presented by Daniel Spicer. 97.2FM in Brighton, UK, "WWSP", Program "Ambient Aether/Space Continuum",  Aural Innovations Space Rock Radio (show #249) and more; Jane Martin” from 2010 (video excerpt of a piece set to dance at BEAF), “Minstrel Nomadic” from 2010, “File Under: Misc.” (an ongoing album of misc. works featuring many artists), and “Rings of Saturn” – 2010. Combs also participated in the international event 60X60, 2010 – Magenta Mix.  In 2011, Combs released “Confessions of a Deviant Machine,” a collaboration with Lee Noyes on the label Con-V, which was included in “Spiritual Archives” magazine year-end favorites of 2011 and Acts of Silence magazine top 100 netlabel releases of 2011.

2012 brought the release of “The Chrome Castle and an Overgrown Lawn” on his independent label Cellar Door Records.

In the summer of 2013, Combs released the EP “Gazing” on the Spectropol label, which has been featured on radio programs including Max Shea’s “Martian Gardens” (WMUA 91.1FM Amherst and online) and Don Campau’s “No Pigeonholes” program (KOWS FM Sonoma and online) and Miniature Minotaurs with Kurt Gottschalk (WFMU 91.1 FM in New York and 90.1 FM in the Hudson Valley).   Gazing is also the  soundtrack for some great choreography  by Susan Haines with performances in Bellingham WA. More performances in early 2014 will include even more music from Combs.

In the fall of 2014, Combs announced a solo piano project called "Excursion" which consists of a travelogue in and around Seattle.  10 works composed between October and November.  In March 2014 Combs returned to his private label after a two year hiatus and released "Every Junkie is a Recording." , a piece which travels in and around ambient, drone, accidental sounds, mystery synthesis and melodic noise.

Combs focused on ambient music for a large part of 2017 and after a two year hiatus released "Northern Lights." 

Combs has also been involved in several compilation projects, including “ImprovFriday Volumes 1. and 2.” and “For Japan” on the “Amaranth Records” independent label.  He has also made appearances on the “Three Legs Duck” label and “Spectropol” label via compilation projects.

Combs founded and is actively involved in the serious musician's social network “Sound-In” 2009-present.

[RHP] CDRs is committed to investigating the relationships between visual and aural practices within the contexts of contemporary art and experimental music; primarily this is carried out in the form of commissioning and releasing new sonic works by national and international practitioners each month via limited edition CDRs and through programming events to contextualise these releases.

" I would like to share with you via SoundCloud a range of various samples created across last 30 years of my sound-explorations - i wandered through many different sound-areas and listened to many sound_adventures :) i'll be uploading new tracks from time-to-time and deleting some old tracks from time-to-time;&gt;))) - so, if you wish to download some - do not hesitate, please:>))) - some tracks i will move here: http://archive.org/details/tentacles-of-perception, where is 34  full-length AMT-albums and other AMT-related works  ...

Slavek Kwi is a sound-artist, composer and researcher interested in the phenomena of perception as the fundamental determinant of relations with reality. He has a longstanding fascination with sound-environments, developing what he terms ‘electroacoustic sound-paintings’ that oscillate between sound only works and interdisciplinary works exploring social (co-founder of Soun.Din), spatial and temporal processes. These complex audio-based situations are created mainly from site specific recordings, resulting in subjective reports for radio broadcast, ‘cinema for ears’ for multi-channel playback, sound installations integrated into the environment and performances. From the early nineties Slavek has operated under the name Artificial Memory Trace. He facilitates experimental sound workshops with autistic children and those with learning disabilities. The workshop technique emphasises extensive listening and the stimulation of creativity through observation and the support of natural tendencies. Slavek was born in former Czechoslovakia, lived 14 years in Belgium and has been based in Ireland since 2000.

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Sampling, Microsampling & Sound Design

jesselyons is following