Adventures in machine music built to make subs rattle and feet wiggle; a convoluted mess of elektrology and teknology, 3-step, bass-core, post windmill, proto-minimal wankstep, gondola, shithouse, acid wonk, ambient gabber, no more, no less.

BOOKING
chris@unfoldartists.com (ROW)
joe@surefireagency.com (NA)
a.montes@cuatroveinte.tv (LATAM)

Label curated by @orla_cd & @beausoundart

DSF004 'Necrodancer' by Carlton Doom: https://lobsterrecords.co.uk/products/carlton-doom-necrodancer

DSF003 'Sakura' by DJ Seinfeld: 
https://lobsterrecords.co.uk/products/dj-seinfeld-sakura

DSF002 'Weightless in Orbit' by Pépe:
https://lobsterrecords.co.uk/products/pepe-weightless-in-orbit-pre-order

DSF001 'Kyoto Dance' by Or:la:
https://lobsterrecords.co.uk/products/or-la-kyoto-dance-pre-order

Since the birth of the label in 1997, FatCat has always had a solid engagement with material sent to us as demos. Where numerous labels will throw demos straight into the trash unopened, at FatCat we've always made an effort to listen and reply to every demo received. Numerous FatCat artists have been picked up having been discovered in this way (including Frightened Rabbit, The Twilight Sad, David Karsten Daniels, Welcome, Odonis Odonis, Get Back Guinozzi!, Silje Nes, Ensemble, Xinlisupreme, Songs Of Green Pheasant, Janek Schaefer - to name just a few), and it has always been really exciting to unexpectedly discover something great in this way. Just as when we started, this philosophy of keeping an ear to the ground and attempting to support good new creativity remains at the core of what we do.

With rapid changes in technology of recent years, the majority of demos are now sent to us electronically, but we are still happy to receive material through the post as CDs (please mark as 'demo submission' and mail FatCat Records, PO Box 3400, Brighton, BN1 4WG). Whilst we are still receiving a high quantity of demos, with our ever-busy release schedule and ongoing commitments to an expanding roster of signed artists, FatCat are now finding fewer opportunities to physically release material from new artists. As an antidote to this, back in 2004, we began using our website to showcase the best of the demos we were receiving. Alongside a DIY microsite built specifically to help people who wanted to release their own music, we hosted the our favourite demos online, with artwork and MP3s available for free download. In 2010 we began to use the more immediate freedom of SoundCloud as a platform - setting up a dropbox for people to submit tracks to and a player on the front of our site to showcase the best demo submissions. 

In February 2012, the new and improved FatCat demo site you are now using was launched, again using SoundCloud as the engine to drive the site. We have kept all of the the original demo artists on the new site - grouping them in collections archived by year. There is a lot of really great material stored away here, so please do spend some time looking around. 

The choices of who we have asked to join this archive are highly selective, and we make no apologies for this. These are tracks we consider to be really good quality material, tracks that we are happy to help promote and to have associated with FatCat. If you like what you hear here, then please do download the tracks and share this music with your friends.

Soho Radio resident and Kith party series co-founder

Being one of the most in-demand Techno DJs of our times, Ben Klock needs little introduction. His name has been closely associated with Berlin’s legendary club Berghain since 2005. His monthly residency has formed the backdrop to his international success, providing an invaluable platform for his ability to create a room rather than just play to it.

Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015.

His releases on Ostgut Ton have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann kickstarted the label itself and remains a stand-out track in its discography. Another release of particular note is the Before One EP including “Subzero”, which many techno lovers still refer to as their gateway track into the whole genre itself. For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin.

Additionally, Klock curates with great passion his own label Klockworks, founded in 2006. With releases from DVS1, Stef Mendesidis, The Advent, Sterac, Etapp Kyle, Temudo and many more Klockworks became a synonym for unique, high quality Techno.

In 2017 Ben started his own event series PHOTON which is a unique concept show that blends light, architecture and music. Since then he toured PHOTON at special venues in major cities around the world such as Printworks (London), Gashouder (Amsterdam), Arca (Sao Paolo), to name a few. It quickly became a new standard for audio visual electronic music events. In 2023 the project returns after a pandemic induced break with a brand new visual and artistic concept.

FatCat Records is a British independent record label founded in 1997.

Magazin für elektronische Musik und Clubkultur

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