Re-Creation

Hurry (Blue Six Dub)

Heavy on the Bacon

Coconuts

Desnuda

Here's an early sneak peek at a new remix I made of Paxton Fettel.  Dropping on Apersonal Music on 15th February.  
Vinyl available to pre-order on Juno - 
http://www.juno.co.uk/products/paxton-fettel-the-secret-ingredient-is-crime/557422-01/


Some feedback so far:

Detroit Swindle - oooofffff, very nice Jamie! Your remix is class!

thatmanmonkz - Great EP, killer remix too!

Ripperton - the whole release is amazing!
Love Paxton a lot and you 2 so perfect package, will support. 

Will Saul - Killer EP J…particularly into your mix

Axel Boman - killer!!!! thanks a million!

Jullian Gomes - GRANDE!! Love the way you flipped the song half way through, Great Remix.

Rainer Truby - really feeling your remix, the original as well! full support!

Danny Howells - They sound killer and your remix .. unreal!

Kresy - lovely stuff, sounds amazing!

Danny Howells - sounds killer and your remix .. unreal!

Paskal and Urban Absolutes - great stuff, jamie. really dig your rmx, will play a lot!

Mark E - Very very good!

Pete Herbert - Many thanks, sounding great!!

Jef K - BOMB EP!

Pre-order on Juno

Paxton Fettel - She's All Right (Jimpster Remix) 128 Preview Clip

It's been a happy spectacle watching our friends at Lobster Theremin grow into the pink-bellied beast we see before us today. Their following has grown almost as quickly as their roster, snowballing via a release schedule that's as strong as it is frequent: a consistently welcome serve-up of Motor City-inspired house, dreamscape acid and narcotic techno. 

Late last year, Camp Lobster drilled deeper into the spectrum with Mörk, the label's darkling sub-imprint and home to its gloomiest techno. This week they inaugurate a new imprint, Distant Hawaii – a summer off-shoot for beach-coasting sunshine house. And its first release is exactly that: a wonderfully deep debut for Manchester man Hidden Spheres. 'Waiting' is our pick of the litter: a glowing thumper that's all butter-melt Rhodes lines, ecstatic vocal whoops, and tons of playful percussion. The perfect summer jam, basically – coming to a terrace near you very soon.

Hidden Spheres "Waiting" - Boiler Room Debuts

Glasgow filter roach (Remastered).wav

Educational only. Buy original.
Written-By – E. Smith*, F. Mosbey*
Edith Michelle Smith
Anutha Records
US ’84

Michelle - Rush Hour Traffic (öömaja dub)

Al Zanders - Long Gone

Tell - In The Sky

Fresh Washington based imprint Better Listen treat us with their 3rd release "Beer Machine EP" by Cody Currie. Nice groove all the way.. why not having a quick drink after all ?

Cody Currie 
@1codycurrie

Better Listen Records
@betterlistenrecords
http://www.betterlisten.us
https://www.facebook.com/betterlistenrecords
https://www.discogs.com/fr/label/1089886-Better-Listen-Records

Beer Machine EP (320 DIGI)

Pre-Order

PREMIERE : Cody Currie - Beer Machine [Better Listen Records]

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.