Love the overall feel of the track the instrumentation to the guitar playing everything is so on point and that fuzzzy guitar tone is on point man

john, really enjoy your vocals... good beach house vibes and you range is nice. great falsetto to tune up the end there. any knowledge you can drop by me on mixing vocals? isolation, etc.

Found! https://www.findasongblog.com/post/183266210254/find-a-song-about-how-the-internet-is-starting-to

Best of March 2019

All instruments/production/mixing by Dorvin Borman
Art by Shaina Goel

Wrath

livin la sicko loca

Death Star Cadillac

Wrong

Moving from the darker themes & 80’s influence of their previous releases, Lone Wild dive into the vast soundscape of the 90’s with their latest song, Up With The Sun. Inspired by a dream had by lead singer Ashkan Karimi, Lone Wild tell a story of love intertwined with the bittersweet challenges that come from pursuing your passions. Familiar vocal melodies greeted by washy music themes become the backdrop as lyrics, ‘Now, come be with me now, I’ll be up with the sun where it feels like home’ serve as a reminder of the comfort found in love & the things that are sure to us everyday while we embrace the waves that life throws at us - allowing them to take us where they may.

Up With The Sun

Written, performed, produced, and mixed by Dorvin Borman

I was lying
In a bed of love and drugs
While you were hiding
Biting hard to keep your blood
After the sewer, now,
In a field so far away
The person you are now
Has grown their hair for better days

In A Field So Far Away

Crack Baby Panic Attack

First single from new album "Every Evening, Sunset Crooks its Thumb Across the River", out March 29, 2019.

ABOUT THE ALBUM

"A lot of stuff was going on in my life during the writing process of Every Evening, the Sunset Crooks its Thumb Across the River. In the midst of the tropical Swedish summer of 2018, my wife and I decided to take a break in our relationship after 9 years. Simultaneously, we were busy planning a move to another country, so things weren’t exactly stable in our lives.

However, the creative process surrounding this album was relatively easy as the project served as a safe haven from my otherwise tumultuous life at the time. That’s often the tradeoff you’re doing when you’re facing hardships in your life: your personal issues might be weighing you down, but it always comes with an immense charge of creative energy, at least for me. The songs were written fast and chronological as they happened in my life, from the middle of July to October 2018.

Eventually, my wife and I reached some common ground and decided to stick together. Given that turn of events, the album starts off pretty grim but eventually ends up in a more positive and redeeming place. The album, which was recorded in Malmö, Sweden, and Lisbon, Portugal, in a short period of time, is very personal, but the overall theme could universally serve as a document for when a person’s life turns upside down for a period of time.

Musically, I didn’t even think of artistic inspirations this time, I just let the songs come to me and used whatever piano, guitar, organ or string sounds I found beautiful and moving at the time of recording. I guess the end result became a digitalized version of 70’s chamber pop.  My new adapted town of Lisbon also served as a major source of inspiration in terms of being someplace new, providing me with a fresh perspective on life in the end."

Tracklist:
1. Destroying the Love
2. The Break
3. A Vessel State to Your Matriarchy
4. Cheers
5. Portela 1540
6. Deep Talk at Time Out Market
7. True Angel
8. Stability
9. For the Oblique Minds
10. Alcantara After Party

Destroying the Love

written/performed/produced/mixed/mastered by John War
~~~
face me, baby
can’t you take away the looking glass
you’ve got a head-pointed rifle
tied to feed refresh cycles
you won’t let the moment pass by
why do i even try

Feels like we flew too close to the sun
Meet me back then
Where would you run?
Suck on deceptive memory of
See me back then
Where was I running?
How are we so close
If we’re not in love?

all tomorrow’s parties will feel the same as today’s 
and no new configuration will abate 
this feeling we're too late, so we strive to separate
if I really were your creature
you’d adore my double features
you wouldn’t need to stray from my domain
it's why i keep my cloak and dagger
creep in here, boasting, flattered
and leave my letter jacket in the rain
by now we should know better
but there’s so little left to say

Feels like we flew too close to the sun
See me back then
Where would you run?
Stuck on deceptive memory of
See me back then
Where was I running?
How are we so close
If we’re not in love?
I’ll learn to accept
Plurality of love
Feels like we flew too close to the sun
Meet me back then
Where was I running?
How are we so close
If we’re not in love
I’ll learn to accept
Plurality of love

Plurals

Don't you love the way I
mourn the things I've never had
Decades that don't exist
languishing inside my head

I punch the clock 'till the timing is right
But I'll never learn how to smash this design

I know nostalgia
is a cliché beat to death
But what else can I write about
There is no one in my bed

I punch the clock 'till the timing is right
Then I'll cross the ocean to get what is mine

**
Written, performed, produced, and mixed by Dorvin Borman
Mastered by John War

I Punch The Clock

I've got hopes for this love
I've got visions I'm dreamin of
I am here for you
and what you're movin through
I was born of a long line of lovers that didn't stay together
And no one really believes in forever can we stay together
forever can we stay together?

I've had fear in my head
I've had love that was wasted
I am here for you
and what you're movin through
I was born of a long line of lovers that didn't stay together
And no one really believes in forever can we stay together

hopes

guitar by Trevor Crown

I'm singing in the kitchen
are you listening?
you're in the other room

don't you dismiss it
I'm at my limit
it's more than a suspicion

what is a feeling
without a meaning?
exercise contrition

another work of fiction
check my diction
now back to the show

Kitchen (Crown Mix)

I ran away from everyone
'cause everyone lied
Under the street, a place to meet
The silhouettes fly
Fascism is feeding the grass
The flowers have died
You ran away from everyone
'cause everyone lied

It's not the same as *wanderlust*
That wealthy wet dream
But I just can't stay in one place
Blood drips from the ceiling

**
Written, performed, produced, and mixed by Dorvin Borman
Mastered by John War

Everyone Lied

It's the oldest illusion
Think you need it but you never really do
So jump to conclusions
They already jumped to theirs before you knew

Kill your monarch
Break the Curfew

Feel You
Feel Me

Can you feel the sensations
In your body when your blood ignites your mind
No better occasion
To go smash our heads into the looking glass

Kill your monarch
Break the Curfew
Kill Your Monarch
Break the Empire

Feel you
Feel Me

***

Written, performed, produced, and mixed by Dorvin Borman
Mastered by John War

Feel You, Feel Me

gondwana

hi world!
i'm an artist & a producer
i'm also in @bestpicture
i don't post all my songs here anymore because the audio quality makes my songs sound even worse!
starting with my album FANTASY, I will post my new music at the bandcamp link below.
reposts = tracks I produced
√ jjoohhnnwwaarr@gmail.com

Fresh pressed indie music. 
http://obscuresound.com

Plurals

John War

Recent comments

Find A Song

a p h e s s

Father Artois

Father Artois

Related tracks