The Floating World is a podcast of experimental sound and storytelling.  Music in the sense of vacuum cleaners and power lines, a pulsating mechanical unconsciousness. It is sound to listen to while driving, walking through the city or taking the subway, while falling asleep at 3am to construction outside, when you need to be more than your body.

contact : thefloatingworldpodcast@gmail.com
support: http://www.patreon.com/thefloatingworldpodcast

composer of experimental music/performer/artist

Booking/all other inquiries: 
tot.onyx.tot@gmail.com
 
Bandcamp: https://groupa.bandcamp.com/follow_me

AUDIO SCULPTRESS : AGF, your poetess, @poemproducer SUBSCRIBE exclusive: https://agf-poemproducer.bandcamp.com/subscribe NOW rec-on.org

(NO facebook - nor google related services)

booking & requests: poetess@poemproducer.com

http://www.poemproducer.com/
http://antyegreie.com/

Anybody remembers Laub ?
http://www.laubmusic.com/

OFFiciAL Soundcloud of OFFAL (Orchestra For Females And Laptops).

A collective of female laptopists who want to make music with other female laptopists.

OFFAL is an international collective of women laptop performers who devise performances involving multi-location collaborative improvisation. The group was formed in 2015 in response to research around gender in digital technology and laptop ensemble practice . As a non-hierarchical collective it aims to connect an international group of women engaged in electronic music by developing technological systems and organisational structures that facilitate collaboration. The group provides a platform for the creation and performance of new laptop music by women.

OFFAL use an inclusive definition of “women” and “female” and we welcome any member who identifies with a gender other than male.

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Current Members:

Ada Adhiyatma (US/SP). Based in Philadelphia and Singapore, and a self-described computer witch, Ada performs and composes rhythmic noise-architecture under the alias Madam Data.

Joanne Armitage (UK) works with code and physical computing to explore physical aspects of sound whilst lecturing in Digital/New Media and Computer Music at the University of Leeds.

Lina Bautista (SP) is media artist, performer and artistic developer of applications for music and sound. She is member of Orquestra del Caos and Sons de Barcelona. Professor of new technologies on music and sound.

Alexandra Cardenas (CO/MX) is a composer and improviser now based in Berlin. Her work is focused on live electronics and more recently on live coding.

Lucy Cheeseman (UK)

Rachel Devorah (FR/US) is a sonic artist interested in the poetics and politics of context-specificity.

Libertad Figueroa (MX) performs and improvises live-coded music with SuperCollider; senior student of the BA in Communication Science (Faculty of Political and Social Sciences-UNAM).

Annie Goh (UK/DE) is an artist, researcher & computer musician, currently doing PhD research on echo & archaeoacoustics at Goldsmiths, London.

Shelly Knotts (UK) produces live coded and network music systems and performances, which explore data and collaboration.

Diana Medina (SP) is a classically trained singer, sound designer and sound artist. Currently working in interaction of stimulus and perception through multimedia-sound installations.

Jenny Pickett (FR) is a member of the artists' collective APO33, exploring various collaborative approaches with works that cross electronic music and visual arts and activism.

Amble Skuse (UK)

Andrea Young (CA) sends an amplified, processed and resynthesized voice, as well as a repurposed, sound-controlling voice enabled through feature extraction and data-driven live electronics.

Peder Mannerfelt splits the difference between playful immediacy and daring experimentation. You’re as likely to find him premiering a live show at Berlin’s Atonal festival as pulling apart fabled techno meccas from Berghain to Fabric with synapse-frying precision. One minute he’s being asked to remix Björk, and the next he’s dropping EPs of non-conformist techno for Karenn’s Voam label. 

As a prolific collaborator throughout his career, Mannerfelt has veered from the orchestral tension of Roll The Dice (with Malcolm Pardon) to the anything-goes maximalism of Aasthma (with Pär Grindvik). As a producer, he’s worked on every one of Fever Ray’s acclaimed albums and live shows, as well as projects from alt music heavyweights such as Smerz, Blonde Redhead and Glasser. His Peder Mannerfelt Produktions label has become another outlet for his singular approach, presenting his work alongside similarly experimental operators like Sissel Wincent, Machine Woman, Klara Lewis and Hodge. 

More recently, his PM+ series celebrates the immediacy of club-focused tracks, and Mannerfelt thrives on the energy and community of contemporary club music. What makes him different is his response to that energy, as he pushes the music’s possibilities in wild, unpredictable directions.

www.grahamdunning.com
Sound as texture, timbre and something tactile, drawing on bedroom production, tinkering & recycling found objects. 
Based in London, UK. For bookings please email gndunning@gmail.com

FBi Radio's multi-award winning 
experimental show (2011 - last air date August 29, 2019)

Created by Brooke Olsen & Scarlett Di Maio.
fbiradio.com/945fm/programs/ears-have-ears

Joanne is following