what ease and so good fluidity in this collaboration !! Congratulations to you both!

this is mad smooth! silky! loving the space lounge vibe! feeling those classy spirits! excellent collab!!!

great one ....great Sax and electronic Backing 

I'm so very Glad to see how many comments and reposts you've had on this post over the past 3 years on this one, Jorg. Well deserved as it's a Beauty!!! :D  Thanks so much for adding your magic! :-D

SMOOTHISH

Sojourner’s Truth is the debut jazz album from trumpeter and producer Jasir, a deeply personal project dedicated to his mother, Gwendolyn Sojourner Redus. The album weaves together warm, classic jazz textures with modern rhythmic drive, creating a sound that is both timeless and forward-looking.

Each track carries the spirit of resilience, love, and truth—qualities embodied by Gwendolyn and passed on through generations. With lush horn arrangements, soulful improvisations, and a rhythm section that grooves with understated power, Sojourner’s Truth is more than music—it is a heartfelt tribute, a sonic memoir, and an exploration of legacy through sound.

This album invites listeners into an intimate space where memory, emotion, and artistry converge. Rooted in the tradition of jazz yet unafraid to push boundaries, Sojourner’s Truth celebrates the enduring bond between music, family, and truth.


Jasir_Azar

“What Am I Looking For” drifts through hazy lofi textures, heavy strings, and a steady beat that feels like walking under dim lights in search of something undefined. Nostalgic melodies carry both longing and curiosity, blending emotion with atmosphere. It’s a soundtrack for late-night thoughts — reflective, timeless, and quietly powerful.

Tags: lofi, instrumental, heavy strings, nostalgic, dreamy, cinematic, Mad Domz, emotional, introspective, chill, atmospheric, searching

What am I looking for

Music to help get us through the COVID 19 Lockdown.
----- A Gary Courtland-Miles backing track, music, concept, idea & mastering -----
Anomon https://soundcloud.com/gary-courtland-miles
featuring me on sax, so happy this collab came true !

With huge thanks to Gary and as he says:  "May you all re-LaX and inJOY!"
--------------------------------------
(P) Gary Courtland-Miles and Jörg aka joerxworx

Groovin Thru The Lockdown by Anomon ft. joerxworx on sax

(c)2020 James Lawrence Nesser

The night a young man discovers he has fallen in love.  

Italia 12-String, Epiphone Casino, Epiphone Viola Bass, a couple of synth patches I made, virtual drums, and a Korg Nanopad.

"Ready To Fly"

I have a lot of material finished now that I was going to inflict on the world earlier in the year but then the stuff that has happened and is still happening happened. A lot of my new tracks are a bit on the heavy/morose/miserable side, but this one about fear of haircuts is relatively cheery - and haircuts are kind of topical at the moment - so there is that.
---
Your hair is growing
With some profusion
Soon it will
Cover your eyes
I foresee problems in
High wind conditions and
Risk of entanglement in
Branches of thorny shrubs

I know you don’t wanna hear it
But we all
Know when it’s time it’s

Time for a trim, it's time for a trim, time for a trim
Time for a trim, it's time for a trim, time for a trim
Time for a trim, it’s time for a trim, it's time for a trim
We all know when it’s time for a trim

Your hair is growing
With great profusion
Soon it will
Obscure your vision
I foresee problems
Problems at bath time and
Risk of entanglement in
Open machinery

I know you don't wanna hear it [etc.]
[Repeat chorus]

It's time for a trim it's
Time for a trim it's
Time for a trim it's
Time to face your fear

It’s alright for girls they
They know the secret language of haircuts (but)
I just don't want to look stupid
All I really want is the same as whatever it was you did last time

Mm I think it's time for trim
That's now clear to everyone

I know you don't wanna hear it [etc.]

---
Produced arranged composed performed recorded & mixed (inexpertly) by Wheelwright in bedroom.
---
The picture (detail) is from 'It Was Time for a Trim' by the incomparable Kelly Puissegur.

Time For A Trim

Download

Tom and I are glad to present the latest collaborative composition of ours. As evident from the title/theme and artwork cover, it is inspired by the lost paradise of childhood. We hope you'll get lost into its dreamy beauty! The SoundCloud page of Tom, https://soundcloud.com/user-383750027, provides access to his own fascinating tracks. Do visit his page and enjoy his music!

Artwork cover based on an image from http://citizenkid.com and idea by Tom, designed and implemented by Tom and annotated by Alex M (in Preview) and saved in its final version on 14 October 2020.

Created in collaboration on 12-15 October 2020 (with final mix and recording by Alex M in Logic Pro X) and posted on SoundCloud on 15 October 2020 (by Alex M).

Thank you so much, Tom!

Duration: 4:53 minutes

The Lost Innocence of Childhood - Tom & Alex M

1) Guitar-like sound
Pianoteq 7: custom piano morph between Steinway D New York and Church Bells
Exciter, Compressor, EQ with saturation
Valhalla Vintage Verb: custom Chaotic Neutral, 1970s
Tape Cassette 2 (saturation, wow/flutter, EQ)

2) Flute-like synth
Arturia Pigments 2: custom version of "Trip In Weighlessness" preset
PSP Pianoverb
Exciter, EQ with saturation
Valhalla Vintage Verb: custom Chaotic Neutral, 1970s
Tape Cassette 2 (saturation, wow/flutter, EQ)

3) Grainy Background Texture
Arturia Pigments 2: custom version of "Mallet Roll" preset
PSP Pianoverb
Valhalla Vintage Verb: custom Chaotic Neutral, 1970s
Valhalla Delay: custom Digital, Past (sounds like ocean waves)
Stereo Widening
Tape Cassette 2 (saturation, a lot of wow/flutter, EQ)
EQ with saturation

4) Pad
Arturia Pigments 2: slightly modified "Nebula" preset with slower envelope

Massimo Fasciano

Endless Beach

Dave asked me to do this contribution  on his new track, a solid rock song.

I am very glad to play along with these awesome guys. 
Dave with his powerful  guitars and everything else,https://soundcloud.com/dairv-dubbleyew
 Jimmy with the outstanding vocals and the lyrics that we can all relate to in these hard times,
Dave; Composition, guitars, drums and bass and the cover photo
James Rivas: Vocals, lyrics and the strong appereance.https://soundcloud.com/j-rivas
Torbjørn; organ and  synth
Thats it,
Thanks for listening
Production mix and mastering; Dairv Dubbleyew

An Invisible Enemy  (Dairv Dubbleyew, J. Rivas and Torbjørn Vagle)

Round and round the endless road, repetition overload, 
The circus of life
Why don’t they see, why do they refuse to see?

Blinkered and bound
More lost than found
Why don’t they see, why do they refuse to see?
Perpetual game, conceptual shame
Why don’t they see, why do they refuse to see?

Collective mass amnesia, wilful anaesthesia
Fire and furious reaction
Why don’t they see, why do they refuse to see?
The actors and the faces change, storylines remain the same
Blame it on the scapegoat faction
Why don’t they see, why do they refuse to see?

Blinkered and bound
More lost than found
Why don’t they see, why do they refuse to see?
Perpetual game, conceptual shame
Why don’t they see, why do they refuse to see?

None So Blind

Image: Ivars Krutainis / unsplash.
... in times of self-reflection - an extended tenorsax improvisation on a cyclic, kind of solemn backing (of course created with vst instruments) A meditative trip :-)

Reflection

⚡️ 563.000  ⚡️ plays since 2013*
https://www.youtube.com/@joerxworx7299
___ Drumax PROJECT with @docfritz
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
My bio (to copy) written by me in the third person :-)
"Jörg S. born in Cologne, from youth on, is fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, he is devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations."

*32K before 2016

Groovin Thru The Lockdown by Anomon ft. joerxworx on sax

joerxworx

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