R-Earning Solitary

Joseph Olsson: lyrics/vocals
https://on.soundcloud.com/66JbzaFR6lzjlcJspD
Rob: bass, guitar

Look through the eyes of Love, You overlook a lot of things, 
you overlook yesterday. Sometimes it’s just enough
Forgetting all the words we said. Maybe the day will come
There’ll be enough, words we’ve spoken
Nobody ends up bleeding, everybody’s got a reason
This is the place we’re going to.

Meet you halfway there, meet me halfway there

When we all just speak our minds
It’s getting us nowhere
Can’t we just…let it be enough…that’s enough talking

Maybe we’ll blow it up, If we can’t get around ourselves
If we can’t get around it. Maybe it’s just enough
Say everything we need to say. Maybe the day will come
There’ll be enough, words we’ve spoken
Nobody ends up bleeding, everybody’s got a reason
This is the place we’re going to.

Halfway There

Rhythmic drums and hearts collide,
beneath their tartan’s proud disguise.
Each soldier boy, a child inside,
beholds this dawn with hollowed eyes.
The fetor of fear and peat and sweat,
bleeding under the thunder’s moan.
They steel their hearts, lest they forget,
the men they must become.

Before the Battle Begins

Black Cat

words, sounds and composition: jeff gardiner and jo richter(@sonic-textures)

Jeff and I both feel the grieve of letting go. In times like these, though, it might be wiser to move unpredictably. Our special thanks go to the memory of Carlos Castaneda, whose novels and gesta and concepts of reality had had quite an impression on our respective minds when they were a lot younger and infinitely more malleable. It's been a blast!
(a note from stonerjazz) 
The photograph of the lovely bench taken by Jo reminds me of the conversations between Carlos Casteneda and Juan Matus while sitting on benches in city parks  about Magic and human beings and the sheer wonder of this existence--the empty bench signifies  their absence in a most poignant way and the final installment in this definitive journey-- and yes indeed it has been a Blast!:)
please find the complete scalar field collection in it's proper order at soundcloud.com/sonic-textures/sets/scalar-fields and coming NOW to Bandcamp as an album too 😊

part I: journey's end
on the brink of sanity
patterns to puzzle a lot from
radiance translates as "shree"
illuminates the rhizome

as alchemists nurse sympathy
stellar drone and terran hum
dot the i and cross the t
I am many, we are one

and when the falcon's freefall flight
devours Osiris' agony
you sit, you breathe, you call it a night for feathers defy gravity
you have no name, you have no weight uncirculate demummified

Part II: journal's end
Even though, small and uninformed
he seemed to know and though he tried
to get a fix on how and why and when and where
Explanations, few and far between
appearing only in a dream
forgotten in the waking
while brains are baking
and crud is caking on the carcass
while it's slipping in it"s standing
exponentially expanding disappointments
take their toll,
even though, wouldn't trade
this moment for a nickel or
for anything at all
graduated, grateful, gratified beyond belief
time's the culprit
time's the thief

scalar fields pt13 Journal's end with Jo Richter

Remembering loved ones who are no longer with us helps us maintain emotional continuity and a sense of connection despite the passage of time. Reflecting on them allows us to better understand ourselves, our roots, and the values they passed on to us. It is also a way to nurture gratitude and preserve love that does not end with life. 

Pamięć o ukochanych osobach, które odeszły, pomaga nam zachować ciągłość emocjonalną i poczucie więzi mimo upływu czasu. Wspominanie ich pozwala nam lepiej rozumieć samych siebie, nasze korzenie i wartości, które przekazali. To również sposób na pielęgnowanie wdzięczności i utrwalanie miłości, która nie kończy się wraz z życiem. 

Recordar a los seres queridos que ya no están con nosotros nos ayuda a mantener la continuidad emocional y el sentido de conexión a pesar del paso del tiempo. Al recordarlos, comprendemos mejor quiénes somos, nuestras raíces y los valores que nos transmitieron. También es una forma de cultivar la gratitud y conservar el amor que no termina con la vida. 

YouTube link: https://youtu.be/wGL8C1vImHM

Love Of My Life

Theo Bina: Music, Arr., Guitars,Bass ,Synth,Drum Loop,Mix
Bodo Bremer: Cover
Release : 2025-11-01

3+2 walk (Theo Bina)

Recorded in a morning of sun and nostalgia.
A song about Italian dreams, lost sandals, and being broke but alive.
About losing everything but finding rhythm,
and the quiet freedom of standing alone,
barefoot in the story of being human.

Play Life is not a studio, not a stage –
it is where sound and life breathe together.

I hab kane Lire (Play Life 7)

AeterNoster

Cast of Characters:

J.J. Terrell– @j-j-terrell – organ, synth and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – custom five string fretless bass and PRS SE semi-hollwbody electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Sunnybeck-- @sunnybeck — Beck — synth and MIDI composition
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson custom T model electric wah guitar
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering

This song began as a looper beat that Josh created in BandLab. He does that often to start an idea. However, this beat sat on the shelf for almost a year, until he shared it with JJ for one of his Saturday night music sessions. JJ put an arrangement on it with his organ and bass. Josh quickly replaced the bass idea with his own version of it, though.
Now it was Ken's turn to replace the dull looper beat with something alive and organic, which he did in the most creative and solid way possible. We had a skeleton now, and it was time to share it with Beck, with whom this is Eclectic Collecitive's first song. She added her magic via the synth you hear sprinkled throughout. Stephen weighed in next with his funky wah guitar.
It was almost done at this point, but of course, we wanted Carl to add his greatness to it, as well, which he did by writing and singing some compelling vocals. He took the working title, which Josh came up with having just read The Odyssey, and wrote a whole song about it!
Once it was all laid down, we asked Tez to do his expert work with the mix and production, which he did perfectly, as always. We're very lucky to have two very talented producers in the group, and grateful to Tez for ironing this one out for us.
This is, as mentioned, the EC's first go round with Beck, and we couldn't be more thrilled to work with her. Not only is she a skilled, creative musician, but she is a delightful ray of sunlight to work with, too. We have another collab with here we plan to release in the coming weeks, as well. There will be more to follow. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Beautiful Dark
Hold on dear crew
Cruel winds fly north
Our tenth foul day
Land found fresh worth
Untameable sea
We survived people
Ashore
Fresh water
Food
Lessen our feeble

Three of company
Greet these inhabitants
Find what land lends their habitance
Trio arrive and find not hurt
Then found local food
Good offering flirty

Three watered mouths by nicest taste
Who needs home
We stay
No haste
Love lotus buds
Don’t mind the captain
Let’s stay and munch this tuck of trapping

Captain bemused All aboard!
No more shall eat this food mind sword
What of home!
What of love!
Weep not dear three
Cold turkey tough

Smite that sea
Hold tight your oars
Now heave to Ithaca
South-westwards
Bye Lotus eaters
Trip like land
Love lesson lives
Myth mystery scanned



Isle of the Lotus Eaters (Eclectic Collective featuring SunnyBeck!)

A smooth Latin Vibe, made from scratch ... all by me with VSTs ... trumpet blown with EWI ...
A bit Santana came to my mind, when I was setting the keyboard groove :-) Enjoy my little easy listening exercise !

Latin Vibes

⚡️ 578.000  ⚡️ plays since 2013*
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"Jörg S. born in Cologne, from youth on, is fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, he is devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations."

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