Delicacy, simplicity, sensitivity in your composition.

I’m Going home

All the things that I have to tell her remain unspoken
The right words just don’t show up, within my mind
All I ask is How're you doing, are you happy?
Don’t dare to ask if she has a lover, or a child

So long I’ve waited to see her again
And now I don’t know what to do or when
I’m going home
Each night I feel that my lover’s heart is beating only for her
But I’m going home

At last we make a move, our chairs a bit closer
I smell her hair and touch her left knee with my hand
A warm pain runs through my heart as she says no lover
Has ever meant very much to her

So long I’ve waited to see her again
And now I don’t know what to do or when
I’m going home
Each night I feel that my lover’s heart is beating only for her
But I’m going home

After closing time I linger by her blue car
Until we finely kiss and she says goodbye
Then she starts her car and she leaves me standing
Alone with my shadow in an empty parkinglot

So long I’ve waited to see her again
And now I don’t know what to do or when
I’m going home
Each night I feel that my lover’s heart is beating only for her
But I’m going home
I’m going home
I’m going home

I'm Going Home

Hi,

I'm really happy to propose you Matziz's new single, titled "Barraque Beat with Rax label.
For the style it's a sort of Electronica, IDM, Impressionist, Rock, Weird Dance...
And it speaks about a toad, trying to enter a very weird house...

Hope you'll like it
^^

https://go.release.ink/MFTB
https://matzizrecords.bandcamp.com/track/barraque-beat 
https://soundcloud.com/theophile2latour/barraque-beat

Barraque Beat

9-15-2022 final master
 ...music developed by my friend Dale Wicks (he's here, but mostly all over music sites, take a listen he's a great performer and writer)HALFWAY TO CRAZY 8-26-2022

Just got off the phone
Hopped in my car
Wheels on the highway
Headed for your heart
A hundred ways to say I’m sorry
Ain’t going to earn me one more try
I could hear those tear drops falling
Before your slamming phone goodbye
Tonight, I’m halfway, halfway to crazy
Just pulling in, on the border of insane
Wish that trucker, would just pull over
He’s taking up, all of heartbreak lane
(pause) I remember that night you said goodbye
You were lying by my side
I should have never made you cry
That moon was shining in your eyes
I remember your kiss and your caress
Till, I forgot my tenderness
Don’t know where I’m headed now
Guess I’ll soon be finding out
Maybe I’m halfway, halfway to crazy
Just pulling in, on the border of insane
I was halfway, halfway to heaven
Only got, got myself to blame
Halfway to heaven
Wish I took a plane
Cause this loneliness, … sure driving me insane
Left me halfway
halfway to all the way all the way to you
But now I’m halfway…tonight I’m halfway to crazy

HALFWAY TO CRAZY ~ DOUG ROOSSIEN / MASTER ~ words and music / PRODUCTION ~ DALE WICKS

F-Blowout Jam 10

Piano composition, and piano: Debra Buesking https://soundcloud.com/debra_buesking
Melody for the voice, poem, photo  and voice: Oddrun Eikli

Thank you from my heart Debbie, for sharing music with me. It`s such a Joy.
The Photo is a meeting in Blue. Harpa Reykjavik, Island.

We will float through the clouds
I look beyond me
And i see you there
The thought is real
So Complete
There is silence
A breath from the Wind
From a distance
I can see

Sketch In Blue. Feat. Debra Buesking and Oddrun Eikli

Remedy X

Artwork of Audrey Hepburn
Original File
Description: Screenshot of Cary Grant and Audrey Hepburn from the film Charade 1963.
Date: 1963.
Source: Charade (Criterion Blu-ray edition).
Author: Directed and produced by Stanley Donen.
Permission: Film is listed as public domain.

Singles 2

Piano Solo No. 08

Use. Abuse. Obtuse.

You can find this track also on Youtube where I filmed myself while playing this. https://youtu.be/s5ytA3aeu6w 

I just wanted to try out whether I could do a Boogie. This is the outcome. Hope you like it and it gives you good energy. 

Composition-wise: The left is a consistent 1/8th Boogie base line throughout the piece and typically consisting of a lower chromatic line and an upper constant note (e.g., C0-C1-D0-C1-Eb0-C1-E0-C1). The right hand dances over this with a partly Staccato theme that is loosened up by repeated Syncopes, Delays and advanced notes. The piece starts in a joyous C and modulates over its course to the minor third and ends in the warmer (and for me richer) Eb. 

The track has been recorded on a Roland FP-90.
The Cover art was created with Stable Diffusion which I continue fuddling around with. I think it is already a far jump from my previous „Sheherazades Tale“ Cover art but still not perfect. In particular, I continue to wonder what kind of music might be played with the very peculiar arrangement of white and black keys on the keyboard.

Danc'n On The Low Keys (Solo Piano)

We wish every musician here on SoundCloud a Wondrous and Creative 2024!

❤️Love, 🕊️Peace, 🙏Respect

Here are the Liner Notes for this CD.

In the depths of musical exploration, where genre boundaries dissolve and creativity reigns supreme, emerges Shekinah Fire – a dynamic collaboration between improvisational pianist Gary Courtland-Miles and guitarist Tim Elliot. With their debut album, "Beyond Belief," they invite listeners on an exhilarating journey through a fusion of classical, jazz, and orchestral improvisational music.

Over the course of the past year, Courtland-Miles and Elliot have forged a partnership grounded in mutual trust, an unspoken agreement in spirit, and a fearless willingness to 'fall off musical cliffs together.' The result? Over 40 unique and passionately crafted compositions that defy categorization and transcend conventional reference points.

At the heart of Shekinah Fire's music lies a palpable sense of wonder, freshness, and authenticity. Each track unfolds with an undeniable sense of spontaneity, guided by the duo's intuitive connection and shared musical vision. Whether navigating intricate melodies or delving into soul-stirring improvisations, Courtland-Miles and Elliot infuse every note with heart and soul.

Recorded at "The Living Room" in Victoria, British Columbia, Canada, "Beyond Belief" captures the raw energy and excitement of Shekinah Fire's live performances. Using only one stereo microphone, the album preserves the intimate atmosphere of the room, inviting listeners to immerse themselves fully in the magic of the moment.

Through a blend of electric and acoustic pianos and guitars, Courtland-Miles and Elliot weave a sonic tapestry that is as captivating as it is transcendent. Each composition is a testament to the duo's boundless creativity and unwavering commitment to artistic exploration.

So, dear listener, heed the call to adventure. Let go of preconceived notions and surrender to the spellbinding allure of Shekinah Fire's "Beyond Belief." For in the realm of music that is 'beyond belief,' there are no limits – only endless possibilities waiting to be discovered.

   🎹 🎶 🎸

Photo: Aurora Over Iceland 2023

Music © Gary Courtland-Miles & Tim Elliot 2023
           ℗ Gary Courtland-Miles 2023 & Tim Elliot 2023

Edited and Produced by © Anomon


Noyes for this Track

Here's the 'abridged version' of Beyond Belief. Part One, so to speak.

As with most of our improvised music, it starts where Belief gives way to the Experience of Being in the moment and engaging in Deep Listening.

We trust you'll enJoy this latest of the 'musical conversations' Tim Elliot and I delight in whenever we have the chance.


For the full version go to : 
https://soundcloud.com/gary-courtland-miles/beyond-belief

Full Liner Notes are there.



© Gary Courtland-Miles & Tim Elliot 2023
℗ Gary Courtland-Miles 2023 & Tim Elliot 2023

Beyond Belief *

Nostalgic Forest #7

A very warm welcome. Thank you for listening. So many great composers and songwriters inspire me including the work and encouragement of the contributors here on SoundCloud.

Piano Solo No. 08

John

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