DJ / Producer / Remixer

★ www.lntg.co 
[LNTG DJ mixes available in DL's section]

★ Hi Soundcloud friends, thanks for your support. Jump over and 'Like' my Facebook page.  
I will be using it for any news and updates on new edits, downloads and tour/live DJ performance info.
Thanks for listening.
LNTG.

★ LNTG FACEBOOK http://www.facebook.com/LateNiteTuffGuyOfficial?ref=tn_tnmn

★ BOOKINGS AUSTRALIA+NEW ZEALAND:
'Poster Child' trent@posterchild.com.au

★  BOOKINGS US+CANADA+MEXICO+SOUTH AMERICA: 
'TUFF MUSIC MANAGEMENT' tuffmusicmgmt@gmail.com

★ BOOKINGS UK+EUROPE: 'THE UNITY AGENCY' paul@theunityagency.co.uk

★  BOOKINGS ASIA: 'WARUNG AGENCY' jonathan@warungagency.com

★ MANAGEMENT: 'TUFF MUSIC MANAGEMENT': tuffmusicmgmt@gmail.com 

★ TWITTER: @LateNiteTuffGuy

★ INSTAGRAM: latenitetuffguy

★ TUFF MUSIC MANAGEMENT FACEBOOK
http://www.facebook.com/pages/tuff-musc-management/367270516628833

♥ LNTG.

Bookings:
sebastian@wilde-agency.com

Management: 
matt@slntmachine.com

One of the most consistently exciting talents in today’s underground scene, this Nottingham-born producer has come on leaps and bounds since he spent his first ravey days dancing in some of the UK’s most (in)famous music factories. The ‘here and now’ sees him touring the world under the guise of Inxec – a mysterious moniker equalled only by the curious spells he binds with his provocative, intoxicating and idiosyncratic brand of music. 

If only Robin Hood could have experienced the mesmeric drone emanating from one of Nottingham’s most legendary venues: The Bomb. In the early 90s, this proved an allure too irresistible for Inxec. This was his calling. Tyrant residents, such as Sasha and his Merry Men Craig Richards and Lee Burridge, wrote their own folklore that would go down in Nottingham’s history. It would also consume him from the very beginning. Little did he know that in only a few years, he would be writing a tale of his very own. 

Later, after flirting with production in its numerous formats, gifted with the opportunity to play ‘live’. Under his first more-progressive alter ego, Sound Alliance, he embraced this opportunity and a star was born. It was at this crossroads that he met Matt Tolfrey – an encounter that blossomed friendship and, later down the line, a hugely successful production partnership. With this, new opportunities were beckoning. Inxec was now in the reckoning. 

In 2006 Inxec began a love affair with Jay Haze’s imprint, Contexterrior, where he released five futuregasmic releases for the forward-thinking label. And Inxec remixes on labels such as Tuning Spork, Stock 5, Barraca and Esperanza were featuring in the playlists of the globe’s finest. He had now been acquainted with the world stage – he loved it. The feeling was mutual.   This provided added kudos for the Inxec/Tolfrey powerhouse. Releases on Murmur, Sven Vath’s Cocoon recordings and Radioslave’s Rekids were the inevitabilities of this success. It was plain to see that the natural DJ in Tolfrey helped Inxec develop an increasingly stripped dancefloor-destined sound. Remixes followed for the likes of CR2, Culprit, Kismet, Great Stuff and Renaissance to name but a few.
 
Since then Inxec has collaborated with Droog, Mark Chambers, Leks and most recently, Mark Jenkyns, which has culminated in releases for Crosstown Rebels, Culprit, Last Night on Earth, Leftroom and Get Physical – the list is endless. It therefore comes as no surprise that he has since been invited to play some of the world’s most famous parties ranging from Harry Klein (Munich) and the Panorama Bar (Berlin) to Eleven (Tokyo) and Fabric (London). 

With more originals and collaborations expected in 2015, it will be without a doubt another year of stellar proportions for this lofty producer.


 Over the course of 8 eventful years since their genesis as the Droog collective, the Los Angeles-based trio – Andrei, Brett & Justin – have become true Renaissance men of underground dance music. Sprung from their DJ roots in late 90s/early ‘00s, Droog have taken on (nearly) all of the essential mantles: label heads – since 2009 their Culprit outfit has become a real force in the new “Deep” dance music movement; promoters of considerable experience and renown – their party series long a hometown institution, took on a global reach with events spanning Europe and the Americas; and producers – solo or with steady collaborator Inxec, they have infiltrated some of the top dance music labels like Crosstown Rebels, Get Physical, Supernature, Last Night on Earth, Noir and Akbal.  

Droog has now emerged as a touring DJ unit with a suitcase-full of highlights, from 4 appearances at the beloved Fabric in London, the twin Berlin clubbing institutions: Watergate and Renate, and Paris’ legendary Rex to memorable shows in Peru, Australia, Russia, Portugal, Ecuador and beyond.


WW Bookings + info: toc@touchofclassrecords.com
Press: alex@jukeboxpr.co.uk + pete@jukeboxpr.co.uk

Cut in Brooklyn // Good for Dance!

Contact:
Tapey [a] Razor-N-Tape [dot] com

Demos: demos [at] Razor-N-Tape [dot] com

Across a long and distinguished career, B.Traits (Brianna Price) has proven herself to be a musical
artist of great versatility and panache. Equally comfortable commanding festival stages as she is
spinning jungle tunes in dark, intimate clubs, B.Traits backs up an enduring love of her craft with a
tireless work ethic and commitment to showcasing fresh, exciting music. From the raves of British
Columbia where she got her start, through a six-year stint at the BBC and onto more recent
endeavours such as booting up her alter-ego Baby T, Price’s passion has never wavered. In that time,
she’s distinguished herself through her exemplary production chops and DJ mixes of tracks which
orbit the groove-rich, percussion-driven poles of the hardcore continuum. Swing by any B.Traits set
and you’ll hear an eclectic mixture of deep, percussive, rolling techno grooves; find yourself at the
Baby T show and you’ll be plunged into the darkside strains of junglism and breakbeat machine-funk.
And for all her dedication to the dance, the more ambient-leaning releases of Price’s own Paciphonic
imprint demonstrate that by no means are her musical interests simply confined to the club.

bookings: midnightriotrecords@gmail.com
contact: shithotuk@gmail.com

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Please note that due to the host's strict copyright policies NO DOWNLOADS will be possible unless I have a written authorisation from copyright holders.

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