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Delivering high quality Drum & Bass content to party people around the world.

Being one of the most in-demand Techno DJs of our times, Ben Klock needs little introduction. His name has been closely associated with Berlin’s legendary club Berghain since 2005. His monthly residency has formed the backdrop to his international success, providing an invaluable platform for his ability to create a room rather than just play to it.

Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015.

His releases on Ostgut Ton have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann kickstarted the label itself and remains a stand-out track in its discography. Another release of particular note is the Before One EP including “Subzero”, which many techno lovers still refer to as their gateway track into the whole genre itself. For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin.

Additionally, Klock curates with great passion his own label Klockworks, founded in 2006. With releases from DVS1, Stef Mendesidis, The Advent, Sterac, Etapp Kyle, Temudo and many more Klockworks became a synonym for unique, high quality Techno.

In 2017 Ben started his own event series PHOTON which is a unique concept show that blends light, architecture and music. Since then he toured PHOTON at special venues in major cities around the world such as Printworks (London), Gashouder (Amsterdam), Arca (Sao Paolo), to name a few. It quickly became a new standard for audio visual electronic music events. In 2023 the project returns after a pandemic induced break with a brand new visual and artistic concept.

For bookings please contact Laura Callegaro laura@elitemm.co.uk
mobile: +44 7966614990
office phone: +44 (0) 1273 55 40 22

• Soundarchitect • Composer • DJ

Cio D’Or is an artist, composer and DJ who seamlessly bridges the worlds of techno, art and composi,on. Her artistic drive and creative process begins with an idea that emerges from silence and aims to convey something inexpressible and indescribable. Her work testifies to the timeless possibilities of music and movement.
Cio D’Or’s sound is characterised by attention to detail, weaving together ethereal textures, subtle rhythmic complexity and an undeniable emotional depth, creating a balance between architectural precision and fluid, cinematic immersion. Each element is placed with intention and shaped by a keen awareness of structure and space.
Her releases on Semantica, Prologue and Kynant are timeless expressions of her minimalist and cinematic approach to electronic music.
Known for her dramaturgically structured DJ sets and cinematic productions, she has performed at Berghain, Dekmantel, Bassiani, De School and festivals worldwide.
Cio D’Or’s sound blends architectural precision with immersive atmospheres, informed by influences from Eno to Vainiø, from Bach to Stravinsky, and rooted in decades of sonic exploration. Her music continues to evolve. Her lifelong study of music does, too.

Artist Curriculum Vita 
Education
1977–82 first piano lessons, autodidactic learning of xylophone, congas, kalimba, guitar,
1982–85 Private school for contemporary dance, Martha Graham technique, Berlin  
1999–today Studies in music production, sound creation, composition, dramaturgy, video scoring, photography and visual media. Skills include vinyl mixing, electronic music techniques, MPC 2000 sampling, field recordings, synthesizers, keyboards and music software – developed both on journeys and in the studio.

 Career [Selection]
1976 Conga performer in a jazz band
1981–87 Choreographies modern Ballet, Graham technique in Hanover, Berlin
1983–85 Teacher in modern dance, choreography and gymnastics at VHS Berlin
1984-86 Modern Ballet for André Heller [Fire theatre “Sturz durch Träume“] by L.A. Ellis, as well as in the cinema film by John Frankenheimer„The Holcroft Covenant“
Dance theatre by B. Seidel
2015-today Visual artist for her music: shooting and editing music videos, photographing covers, developing visual concepts
Publications [2000-today]  Musical theatre, 2 films, 3 albums, 14 EPs, international podcasts, various national/international interviews. Labels, among others: Prologue and Semantica

Stage [1999-today]  Over 400 national/international dramaturgical hybrid DJ and ambient performances 

2005 Affiliated member GEMA
2010 Resident Advisor Top 100 DJ worldwide [64th ranking]
2013 Composition „Distanz“ for the Taschenopernfestival in Salzburg
2013 Lecturer Landesmusikrat NRW: “Rmx. Regendered Workshop”
2013 Dommune TV–Tokyo, Japan
2014 PULSA:RE with Brigitta Muntendorf; premiere: Deutschlandfunk
2015 Goethe Institut Sweden„Grammophon“
2015 Lecturer „Loop–A Summit for Music Makers/Ableton“
2015 Film score Ataraxya [1st prize Int.Dig.Animation Nagoya,Japan]   Man on Mars filmmusic
2015 Music for the Haute Couture CHANEL Show Fall-Winter 2015/16 & Karl Lagerfeld Interview   
2016 Dave-Festival, Dresden: Music/Dramaturgy for 2 modern-dancers with visuals in a cinema, assignment Dresden
2020 Extraordinary member of GEMA [composer]

2020–2024 Advanced studies in classical music theory and piano (including fugues). Conceptual and dramaturgical development of projects combining classical and contemporary music worlds, integrating new sound developments, followed by project planning supported by consecutive scholarships. Scholarships: 2× Ministry of Culture and Science NRW, 3× Musikfonds, GEMA
• 60-minute live act with instruments for EU festivals : dramaturgy & composition
• Piano compositions [52 minutes] for film and European stage productions
• Electronic–orchestral interplay [Polar Q, Kynant Records 019, vinyl & digital]
• Music trilogy [Clavier | Orchestral | Ambient, 3 CDs] for publication and stage
• Music portrait of a homeless person
2024 Music for the Haute Couture Show LOEWE Spring-Summer 2025 2025 On behalf of Francisco Tavoni for the exhibition The Source – Astral Projections at the Lindberg Galleries, Melbourne, she created a 40‑minute mix for the sound installation with her sounds and music, including binaural tracks at 4 Hz and 7.5 Hz.
2026 Guest Curator for Electronic Music at the Art Festival Hanover Herrenhausen, Germany

Press Comments [Selection]
n.n.
Minimal Collective (Text: Brent van den Elshout)
In a world driven by volume and spectacle, Cio D’Or stands apart, mastering the power of the barely perceptible. This editorial explores her philosophy of sonic minimalism—where silence, restraint, and nuance challenge conventional ideas of presence in music. Through her creative process, live performances, and the balance between macro and micro perspectives, we uncover how Cio D’Or transforms the ‘power of less’ into a profound, intentional form of presence.

Orb Mag (Text: Cédric Finkbeiner) 
Designer of an instantly recognizable sound, she produces warm and deep complex structures, constantly on a fence between light and dark cliffs, noises and silences, cinematic settings and authentic presence. Part of a family of intricated sounds brought by artists such as Aleksi Perälä, Alva Noto, and Ryuichi Sakamoto, she’s a high representative of the minimal movement. She honors painter and pioneer Frank Stella’s quote “The aim of art is to create space,” she does through deep refined electronic music compositions and stripped piano pieces, delicate yet substantial.
Intriguing and engaging, her musical minimalism invites the listeners to bridge gaps with their thoughts, making them active in the artistic process and, therefore, contributing to the immersive effect. The mental activity is yet effortless for them: minimalism allows a focus on the essentials, by eliminating the dispensable sonic excesses and by creating space. Such a process brings mental freedom to the listeners, by breaking through the wall that a too-dense track would normally build. On the contrary, Cio D’Or’s music is open, and inviting, with an exquisite balance between artistic depth and hopeful, melancholic intelligence.

Monument Podcast (Text: Joe Mayberry)
What’s better than a mix from electronic music royalty Cio D’Or? Two mixes. This week we present something very special, a tale told across two chapters. As a mainstay of techno for over two decades, Cio D'Or has consistently pushed boundaries, gracing the decks of revered institutions worldwide and crafting a legendary discography with releases on Prologue, Semantica, Hypnus, Time to Express and more.
Across both mixes you will hear Cio’s unparalleled ability for sculpting minimalism and sonic architecture, masterfully recontextualizing familiar and obscure tracks alike, breathing new life into them and unveiling hidden dimensions. She dissects, reassembles and creates intricate connections between disparate sounds, all flawlessly executed with an alchemist’s touch.
Prisma 33 starts at a slower tempo, delicately building into an eruption of psychedelic minimalism. Dada grows with kinetic energy, with Cio sculpting sounds and textures into a deep trip where time seems to bend and dissolve, finishing with an unexpected wildcard that only a master selector could make work.

These are my personal rules based on experience and love for music, promoters and audiences:
Set: 2 hours main time, 3 hours at the beginning of a night***
1 hour live (hopefully from Mid 2026)
Live recording:  
a) I love mixes that I perfect at home for an hour, because the idea, dramaturgy and a mix should, ideally, express something and be timeless.
b) there are far too many mixes online ( I prefer quality over quantity ).. 
Deeply thank you for your understanding! Love, Cio ~∆*

john connell is following