Break of Reality - Welcome Home (Covers Album)

Selection of tunes from the second season of Chef's Table on Netflix. Additional Music by Sebastian Ornemark, Steve Gernes and Tyler Sabbag. Orchestrations by Pantawit Kiangsiri and Sean Sumwalt. Soundtrack release is a future possibility! 

My hat is off to our musicians whose hard won expertise, experience and feeling truly brings the score to life. The City of Prague Philharmonic Orchestra was recorded at Smecky Studios. Our small ensemble recordings (feat. Yabing Tan, Mikala Schmitz, Shenhua Hu) were made here in Los Angeles at East West, Inclement and Animaux Studios. 

I would like to personally thank all of you who take time to write or comment here and on Facebook/insta. I'm honored and sincerely thankful for your kind thoughts :) To learn your experiences have been meaningful is the coolest thing ever. May you have many, many more! 

Watch the series on Netflix: https://www.netflix.com/title/80007945
www.duncanthum.com // All rights reserved.

Selections From Chef's Table S

Fantastic Amalgams (Achatz)

This track was primarily composed with 66 Basses - A virtual music software instrument (VST/AU/AAX) by www.8dio.com

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8Dio Legion Series 66 Basses: "At All Costs" by Colin Fisher

CASTLE DRACULA

https://joshuamorse.bandcamp.com/album/super-sonic-fusion-collection

Super Sonic Fusion Collection

Sonic the Hedgehog - Final Zone

Sonic 3 - Lava Reef Zone

Break of reality-Che

BERIMBAUDU 6 'CHAINER'

BERIMBAUDU 2- 'CLEAR'

Remastered version available for purchase on Bandcamp:
https://jbock.bandcamp.com/track/onwards

In this piece, I wanted to test out some of the instruments in the EWQL Silk libraries and try my hand at an eastern sounding piece. I don't know much about music from that part of the world so I'm probably breaking a few rules and traditions, but I think it turned out pretty good for the most part. I'm not even sure the Guzheng can be tuned like this!

I also wanted to really have fun with the percussions. Perhaps it's a bit excessive, but I wanted it to be rhythmic and bombastic.

I wanted to convey the idea of a steady and confident march with a ramping up of the tempo to make it feel like a charge was commencing. That being said I always like to attenuate the main idea with some contrasting segments.

Onwards! - an orchestral piece

Hey there! Welcome to my musical hub.

I'm a part time composer and cello hobbyist mainly focused on instrumental and orchestral work.

Thank you for listening and I hope you enjoy your time here!

Your support is greatly appreciated!

You can contact me by email at: 
jonathanflemingbock@gmail.com

Onwards! - an orchestral piece

Jonathan Fleming-Bock