It's almost the 88th day of the year.....  the 29th of March... which is.... official piano day! Here's my contribution for this year. Happy piano day y'all!

Amber (Contribution to Piano Day 2021)

Richard Hellgren is a Swedish composer and multi-instrumentalist, residing on the island of Gotland in the Baltic Sea. His music is known for its minimalistic and contemplative character, often touching upon themes of melancholy and poetry. Richard's unique style of composition stems from his special relationship with his old Malmsjö upright piano, which he uses to create most of his recordings.
As a building architect, Richard draws inspiration from the creative process of composing music. He believes that both architecture and music revolve around the concept of space and silence, respectively. In his own words, "Architecture is about encompassing space and music is about encompassing silence!"
Richard's music has been praised by notable sources, with one reviewer describing his work as "hauntingly beautiful, with a melancholic edge that lingers long after the last note has played." His first EP, Ainigma, was released on the New York label Sonder House in June 2019, followed by his second release, Felt Transience, on the same label in October 25.
Richard Hellgren's unique approach to composition and his ability to evoke emotions through his music make him a rising star in the industry. His work is not to be missed.

I'm on SoundCloud from November 2015.
I'm just an amateur self taught pianist and composer, a lover of music and I'm glad to have discovered the planet SoundCloud and its interesting people.
Sometimes I compose something or I improvise a song , and if I like it i send it to SoundCloud to make it listen. I thank you for the time you want to devote to listen to my songs.

https://www.facebook.com/nibbio.bruno.31

https://www.facebook.com/ALCANTARAThoughts-about-music-133810100554200/

https://www.youtube.com/channel/UCey0oBme9y_GMKslMChF-9Q?view_as=subscriber

started deejaying back in the 90 ties 
with an d&b residency at the former kesselhaus (rip) in darmstadt 
played in frankfurt/berlin/köln/london ... at parties and bars ...

Here I publish everything that is beautiful to hear.  Sometimes I whisper to myself a poem, a song, maybe you will like it. 
 
چه بهتر که صداها و موسیقی های خوب را با هم تقسیم کنیم و بشنویم. 
هر چیزی و اینجا می‌شنوید ارزش شنیدن دارد پادکست ها و موسیقی ها و... همه با دقت انتخاب شده اند. 


ir.yashar@gmail.com

I make a living by Medicine, but I can't live without Music!
& I believe I'm a Musician in the parallel world regardless of the hard science I do in this world SO:
"Thank you Music for being there when no-one else was!"
(To Artists: Please do NOT unsolicitedly message your tracks  more than once, Thanks)

Raised in a small village in the very north of the Netherlands and currently residing in Utrecht, Feitsma essentially contributed new nuances to the ever-increasing scene of piano-driven music - an instrument he started to sink his teeth into at an early age already - with his 2019 debut “Under“. The album combined the timeless with the contemporary, offering an intense ride which instantly triggers a palette of emotions among the audience they weren’t aware they were hiding. Two years later, Feitsma’s exploration of the manifold possibilities to manipulate and exhaust his trusted piano continues with a 15-track album titled “Flux“, which feels like the logical successor to “Under“, even though it isn’t shying away from subtlety breaking fresh musical ground. The music of Joram Feitsma is an elaborate affair, it’s deeply heartfelt, it’s sensual, it’s ambivalent, it’s volatile, it’s stunningly beautiful - it’s a work of transience that’s here to stay with the power to emotionally destroy you in the best possible way.
–	Sven Fortmann, Lodown Magazine, on Flux and Under

Plentiful in its exhortation, rich in its search for the meaning in emotion while the accompanying instrumentation seemingly feels restrained, poignant to the point of haunting intensity. Even the playing is exhilarating when it is being quiet. The thing about experiencing Stroom is the sheer quality of detail. As if each note means something on its own, as if each piece occupies exactly the right time. 
–	Greg Fenton, Magazine Sixty, on Stroom

Live:
13/9/25 - Nijmegen, Stevenskerk
20/9/25 - Deventer, Schouwburg Deventer
3/10/25 - Eindhoven, Podium Ongehoord
4/10/25 - Arnhem, Rozet
19/10.25 - Bergen op Zoom, Markiezenhof
1/11/25 - Venlo, Co. de Cultuurontwikkelaar
16/11/25- Hoorn, Rozenkruis
11/12/25 - Tivoli, Utrecht