Snippet of the 8th November livestream at the DUMstad series at De Utrechtse Muziekschool, including a little interview by organizer Peter Bijl. Please enjoy :)

Soll Es Sein - Lente - Rain (Live At DUMstad, Utrecht / November 2020)

A producer & director.  My world is storytelling from stage to screen.

Bienvenido a mi canal de Soundcloud. En este espacio podrás escuchar y oir tanto creaciones como así también interpretaciones. No hay redacción que pueda definir todo lo que puede hacer la música. Lo único que sé es que me va a llevar a lugares exteriores e interiores los cuales deseo con anhelo explorar.

Genre is A Construct for Commerce Not Pleasure.

Composer and Audio Engineer currently based in Berlin, DE.

Contact: atlasglaasaudio@gmail.com

Frank Wiedemann, co-founder and owner of Innervisions, half of Âme, Howling and Schwarzmann, stumbled over beautiful yet unreleased music.
On his record label BIGAMO, he features special sounds connected to his non-house-music taste that would not fit Innervisions.
— Abrão
— Al Pagoda
— Fred und Luna
— JakoJako
— Joram Feitsma 
— Keope
— „Symphony of Now“, the soundtrack of the movie featuring Roedelius, Samon Kawamura, Gudrun Gut & Thomas Fehlmann, Modeselektor and Alex.Do
— Bigamo Remixed Series
please no demo-submission on this platform. demos including infos please send to mail@bigamo.de

From Punta Arenas - Chile (Patagonia)
Productor, diseñador de sonido y Dj autodidacta

Raised in a small village in the very north of the Netherlands and currently residing in Utrecht, Feitsma essentially contributed new nuances to the ever-increasing scene of piano-driven music - an instrument he started to sink his teeth into at an early age already - with his 2019 debut “Under“. The album combined the timeless with the contemporary, offering an intense ride which instantly triggers a palette of emotions among the audience they weren’t aware they were hiding. Two years later, Feitsma’s exploration of the manifold possibilities to manipulate and exhaust his trusted piano continues with a 15-track album titled “Flux“, which feels like the logical successor to “Under“, even though it isn’t shying away from subtlety breaking fresh musical ground. The music of Joram Feitsma is an elaborate affair, it’s deeply heartfelt, it’s sensual, it’s ambivalent, it’s volatile, it’s stunningly beautiful - it’s a work of transience that’s here to stay with the power to emotionally destroy you in the best possible way.
–	Sven Fortmann, Lodown Magazine, on Flux and Under

Plentiful in its exhortation, rich in its search for the meaning in emotion while the accompanying instrumentation seemingly feels restrained, poignant to the point of haunting intensity. Even the playing is exhilarating when it is being quiet. The thing about experiencing Stroom is the sheer quality of detail. As if each note means something on its own, as if each piece occupies exactly the right time. 
–	Greg Fenton, Magazine Sixty, on Stroom

Live:
13/9/25 - Nijmegen, Stevenskerk
20/9/25 - Deventer, Schouwburg Deventer
3/10/25 - Eindhoven, Podium Ongehoord
4/10/25 - Arnhem, Rozet
19/10.25 - Bergen op Zoom, Markiezenhof
1/11/25 - Venlo, Co. de Cultuurontwikkelaar
16/11/25- Hoorn, Rozenkruis
11/12/25 - Tivoli, Utrecht