What started out as a culture shock to me is turning into a very attaching equation.  Love your vibes and sounds.  You’ve got nice things going!

Quality in the sense that the track is alive.  It breathes.  It’s cool and alive!!!!

that's a brilliant 'riff' .. so messy and neat lol

gotta confess , i do like a bit of chaos '-)

Sweet ! Digging the bluesy vibes ! a wonderful diversity between instruments which communicate with each other in deep and wonderful ways ! Id say this is beyond a rock jam ! its and esoteric journey to the depths of improvisational expression ! Beautiful work ! love it !

collaboration with Noxpox,Vox and artwork byJaya.Check out noxpox (page 12) on #SoundCloud
https://on.soundcloud.com/hQNUK

Punkys Drop Out-Noxpox

The tone of the saxophone melts away. It is a world of music where humans are not involved. A complex world of melted tones and gathered tones. After I start making music, someone else has the power to make decisions on my behalf.


Am I going to play or who is playing?（256）

More music to listen to while zoning out or performing mindless repetitive tasks.

Courage comes through suffering (my fortune cookie told me so)

I was very lucky to team up with the very talented Mike Fox on this song. I hope you like it as much as I do. Thanks for stopping by to listen 😃

Lyrics

She came to me like 
Wind through the trees
She danced and twirled
And rustled my leaves
With each rotation
She picked up speed

A force of nature
Wild and swift
She swept me up
And I couldn't resist
I yearned for her touch 
And the taste of her kiss

My gypsy gale
Was a hot summer breeze
A friend to both the birds and the bees
She was the air that I needed to breath
But my gypsy gale
Came and went as she pleased

I struggled on 
While she was away
Searching for reasons
Why she should stay
Yet the truth was there
In front of my face

My gypsy gale
Was a hot summer breeze
A friend to both the birds and the bees
She was the air that I needed to breath
But my gypsy gale
Came and went as she pleased

I am the tree
That needs roots to grow
And she is the wind
So I let her go

My gypsy gale
Was a hot summer breeze
A friend to both the birds and the bees
She was the air that I needed to breath
But my gypsy gale
Came and went as she pleased

No Album

Gypsy Gale - Fox and Brennan

Cast of Characters:
One Man Verity Show-- @one-man-verity-show – Scotty -- guitar
mistermark-- @user-432503709 -- Mark – percussion and triangle 
cgmaness-- @user-419254289-15129531 – Chris – guitar
TexMex Shaman–@texmex-shaman –Stephen– guitar, production, and mix
J.J. Terrell–@j-j-terrell –electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- five string fretless bass, seed idea

Composition-- The Eclectic Collective

This song started with me coming up with a bassline and the arrangement. I started it as a project for the Eclectic Collective, so they were all immediately involved. Ken first laid down his rock solid groove of a drum beat to complete the rhythm section. Scotty was first after that, adding some melodic/rhythmic guitar magic to the mix. Stephen then blew the doors off of it when he added his melodic, dirty guitar to it. JJ was up next with his funky electric piano to fill it in. Chris then came in and added the trippy, swirling, psychedelic guitars. Mark also came along towards the end and added some really cool, but subtle percussion, and if you listen for it, a triangle in there, too.
  Of course every good song needs a good producer. Stephen was able to wrangle this into a good mix, thankfully. He also very cleverly came up with and added the psychedelic break in there between the first and second verses. Chris also added some really cool vocals to that part, too.
  This one was a lot of fun to make, and was our second song with Scotty, with whom we really enjoy making music. I named it such because I wanted the spirit of welcoming lots of musicians to come through. We hope you enjoy listening to this song as much as we enjoyed making it.

Come on in (Eclectic Collective)

This is my third collaboration with Mike Fox, and I couldn't be happier with how it came out. Mike totally rocks! I hope you like it as much as we both do. 

Music, vocals and production: Mike Fox
Lyrics: Andrea Brennan

The desert has no secrets
It's one big open road
This land of sand's my runway
And I'm ready to explode

Under blue sky and sunshine
My troubles burn away
I kick into high gear
Blow out the dust of yesterday

Chorus
Full throttle ahead
I'm never looking back
Full throttle ahead
With endless miles to set me free
Full throttle ahead
The wind can't even catch me

Vibrations of the engine
Propel my inner high 
I set a course for nowhere
And I kiss the world goodbye

I don't know where I'm going
But that's alright by me
Every new direction
Feels like synchronicity

Chorus 
Full throttle ahead
I'm never looking back
Full throttle ahead
With endless miles to set me free
Full throttle ahead
The wind can't even catch me

Rattlesnakes and scorpions
My only company
Here solitude is solace
Which suits me perfectly

The aching in my muscles
And knocking in my head
Settle in the landscape
As blue skies turn to red

Chorus
Full throttle ahead
I'm never looking back
Full throttle ahead
With endless miles to set me free
Full throttle ahead
The wind can't even catch me

Full Throttle Ahead - Collaboration with Mike Fox

Your Feature Presentation

Produced by Clay Young
Lyrics by Edgar Allan Poe (1845)
Music created with Udio AI

Nevermore


'clown redux'

music: Rentt 
lyrics, vocals, art: scotty

I put my makeup on before I hit the darkened streets.
Frighten children passing, as I pick my trick for treat.
Lure 'em to my vintage van with puppies and candy,
then tie 'em up and gag 'em so they can't release a shriek. 

Then I'll take them to the basement of an old abandoned house.
The fear that they possess is what makes me most aroused.
And when I've done my dirty work, I'll put that fire out,
and dump 'em in the woods, with their parts scattered all around. 

Call me fucking sick, I'm just a product of this world
and all you fucking people, how society's unfurled.
Try your best to catch me. Do your best to understand. 
But for every one of me there's worse things done by 'the man.'

clown redux (with Rentt)

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Mysterious Decibel-- @themysteriousdecibel  --MD—effected vocals
J.J. Terrell-- @j-j-terrell—JJ-- organ, trippy synth
Llanpsych-- @llanpsych -- Tez – electric guitar
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and seed idea 
Composition – The Eclectic Collective

This song began about half a year ago, as part of a three song set that Ken started with some really cool beats. Josh was first to the trough for here, laying in his fretless bass groove to complete the foundation and give it some tonal direction. Stephen came next and laid in the really trippy textural guitar that you hear throughout. JJ was next with his serious, no joke organ playing, which sets the mood for the whole thing. Last, but not least, Tez joined by adding some really cool accent guitar throughout.
  Of course, every great song needs a great producer, so we tapped Stephen to do the honors on this.
  We had originally made this and the other two song with the intention of having The Mysterios Decibel and his friend Modes About Me sing on them. However, life got in the way, so we sat on them. Finally, MD let us know that he wasn't able to complete the project with us, much to everyone's, including his, disappointment. However, MD did lay down a rough vocal demo for us, which Stephen very ably processed to sound almost like another instrument in there. So, we're releasing this song as a tribute to them both, with gratitude, especially to MD for all the great work he's put in with us. If you're not familiar with either of them, do yourself a favor and check them out. Modes about me is at  @modesaboutme and the link to The Mysterious Decibel can be found in the link in the cast of characters above. 
  This is an example of what it sounds like when the whole band composes a song together. We hope you enjoy listening to this as much as we enjoyed making it.

Mysterious Modes (Eclectic Collective)

Sky of the Ancestors

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Come on in (Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)

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