Very creative collaboration!  Wonderful sound effects and percussion!

Love the Eastern Vibes & Hypnotic Feel !!!! :-)

Very nice percussion-heavy groove! And my, all those icons at the bottom of the soundprint...so nice to see!

Next level for creativity, and maximising musical pleasure, Josh, and all EC members!

Beautiful, mysterious and laid back, sounds great

Very different and cool. So many cool things goin gon!!!!

Ah yes, sitar!  So lovely, great work Stephen!  I gotta get the strings replaced on mine so I can play again, great to hear you guys playing one!  Awesome eastern vibes with this one, great work everyone!

Great track mate, love that sitar, cool beat and sounds, thank you!

Dominique's Record Breakers #41

FE2 - Deserted Rainforest (V2)

I started making this piece with the intention of it being a set of songs that could stand on their own as well as being an open collaboration, but then it took on a life of its own, and things just got out of hand from there, lol! 

But I still managed to control myself and didn’t add too many samples though, haha! 

I was listening to 1985 and 1986 hip hop singles when making this so….

You can download this for free as well as some of the unmixed stems on Bandcamp. The lyrics can also be found on Bandcamp since SC didn’t provide enough space in the song info. I reached my description limit!

Feel free to treat it as an open collaboration if you like. The song list, BPMs, and time signatures are listed below. 

I Like To Sample Old Drums Bandcamp Link: 
https://musiciselation.bandcamp.com/album/i-like-to-sample-old-drums

Funny we are now moving to Portland. Bye, bye Hillsboro. I guess this is now a farewell song. 

Track Credits:

The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

I Like To Sample Old Drums
Rap Attack: 112 BPM 4/4
Take The Max Down To Hillsboro: 189 BPM 4/4
Peach ’N Plum: 132 BPM 3/4
What, Would, When: 112 BPM 5/4
I Like To Sample Old Drums: N/A
This One Goes: 101 BPM 4/4
Bllll: 92 BPM 4/4
The Couch Can’t Help It: 87 BPM 4/4

Here are the lyrics just for: 

Rap Attack

I will
Put you in a tourniquet
Bleeding there’s no stopping it
Got a pimple 
I be popping it
Tripple nipple
Don’t be knocking it
I be chopping it off
Now blood is slopping  
I ain’t mopping 
You be dropping
When you slippin’ in it 
Finna sit and watch as I scoff
Maybe lickin’ ice cream soft serve, huh
What cha sayin’ I can only seem to catch ya gurgling brah
Nah, No one can hear you scream 
When you got a severe stream of
Foam bumbling, bubbling from your mouth, tumbling gravitationally south
Bro, i’m feeling bad for your health
See you reeling keeling over looking so sad 
had I know your noncongealinkg slow at healing
I might have
Not tried to put you in a tourniquet 
Tried to put you in a tourniquet
Tried to put you in a

I Like To Sample Old Drums

Bandcamp

Russell Sinfield and the Couch King -I Like To Sample Old Drums

Opus84

My passion for music reaches its peak when I'm overcome with loneliness. My brain and emotions seem insignificant in the world. After a few days of feeling this way, I discover fragments of music. Over the course of two or three days, these fragments begin to form the whole picture of a song. When life is fulfilling, I can't even find the first fragments of a song.

If You Want to Make Music, Run Alone(328)

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Spotify

Fake

One Painting

*My last upload was taken down by Soundcloud
Here's an older one from the vault.

Remixed by LS/2014.

Dial my Heart

Quote Tante Meli: https://soundcloud.com/tante-meli
....something very different - i know :D

DIE GLUT means "the glow" (of fire)
my thoughts behind it were the great good mood when we jumped over almost burned down fires when we were kids. jumping was always a sign of being "brave". although it was never really dangerous ;D

whole translation:
I'M JUMPING OVER THE GLOW
JUST BECAUSE I'M ABLE TO -
I HAVE COURAGE

german:

ICH SPRINGE ÜBER DIE GLUT
WEIL ICH ES KANN
ICH HABE MUT

Die Glut (Dance Remix)

Lyrics, Harmonica & vocal : Snow Man Dave

Our Son A Rocker

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – beats, acoustic and electric guitar, vocals, composition, and production
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – five string fretless bass, organ, composition, and production editing
TexMex Shaman– @texmex-shaman –Stephen– sitar, composition, and production

This was a seed that Chris came up with on his acoustic guitar, adding beats, and some subtle vocals, then shared with Josh and Stephen. They are always excited to work on Chris' songs, because he always comes up with magical tunes.
  Josh was first in line, adding his five string fretless bass, then the organ part. Stephen used Josh's chord structure to come up with his awe-inspiring, monster electric sitar part. After they both laid down their parts, Chris added the electric guitar you hear at the beginning, too. 
  The song was about twice the current length when Chris made it, but Josh chopped off the second half, as the crescendo fits right into the 2/3 slot now. This was mixed as a team effort in BandLab, too, which is a rarity, given both Stephen and Chris are expert producers. 
  This is an example of a song Chris came up with, that was taken to the next level by Josh and Stephen. We hope you enjoy listening to this as much as we enjoyed creating it.

Juxtaposed They Went (Eclectic Collective)

A Huge Thank You to my dear collaborator Frans Beelaard. I had send him this song in my version and it came back like this… :)
He played a bass line, 2 guitars, one lead and one rhythm. Also included is an acoustic drum track with 22" Zildjian ride & crash cymbals & tambourine and an acoustic piano track.
On top of that he also mixed and mastered the whole thing.
A great honor and pleasure for me.

The lines (edited, translated, modified, revised, retranslated, reedited…) originally derived from verse shards by two German poets: 
Stefan George (1868-1933), „Albagal“, 1892 and 
Durs Grünbein (born 1962), “Porzellan: Poem vom Untergang meiner Stadt“, 2006 and „Bericht von der Ermordung des Heliogabal durch seine Leibgarde“, 1999
I glued these verse shards together with a refrain.

During my research on porcelain I came along Kin Tsugi, a Japanese form of art, putting broken porcelain back together again. The picture shows such a piece.

Smashed Porcelain

1
Descend once more into the air-raid shelter. 
Observe:
Your ancestors, crowded together, in their final attire,

Comrades, hostages to mass hysteria,
How they curse, sob, 
Just moments ago uninhibited,
When the Führer arrived in the Mercedes of the Messiah.

How long ago was that, you ask ?
Man…
How long ago was that, you ask ?

2
Oh, I’m descending a marble staircase.
A headless body lies in the middle. Once again.
There, the blood of my dear brother seeps out.
I gently gather up my purple train.

How long ago was that, you ask ?
Gee…
How long ago was that, you ask ?

3
Oh, oh, ohh…
Only 
Caesar didn't care ´bout anything. 
As he watched with glee 
When Rome sank to ruins 
Like a tourist from overseas…

How long ago was that, you ask ?
Well…
How long ago was that, you ask ?


4
Why complain, latecomer ? 
The city long gone before you were there 
Ahh, those teary eyes - 
They’re different from grey hair-air-air…

How long ago was that, you ask ? 
Gee…
How long ago was that, you ask ?
Oh folks, I can't say.						

The only Word
For „Gone Forever“
Is „Today“.

Smashed Porcelain (wt Frans Beelaard)

U.Poet - Children Of The Revolution {Prod by Kinelle Man}

024 - Awakening Waves Unknown

One Touch (prod.by H.Gee)

Rap; https://soundcloud.com/frawstakwa

Chorus vocals; https://soundcloud.com/specialececilia

Production; https://soundcloud.com/rizlix


Here's a collab with two soundcloud legends FRAWSTAKWA and Special Cecilia, you can find there original vocals below;

https://soundcloud.com/frawstakwa/the-tales-they-will-tell-up-1

https://soundcloud.com/specialvocals/aca-same-planet


Cover art created with https://www.canva.com/


FRAWSTAKWA x Special Cecilia x RiZLiX - Tales From The Universe

Elegant - Prod. Troy M

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Born & raised in Paris,France. I also speak fluent English some German and Italian. I am a singer, song writer,Producer & keyboardist.
Email: dominiquesoto14@gmail.com

Juxtaposed They Went (Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)

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