Nicely done my friend - This track blends genres with finesse, delivering vibrant energy and immaculate sound. Each note sparkles, and the overall sound is lush and warm - big like.

Wow What a Cool Piece of Music & Wonderful Job by All Josh !!! :-)

Has a splendid african jazz vibe to it, very exotic and tribal!  I absolutely dig this sort of sound, excellent use of all kinds of different percussion and instruments!  Phenomenal composition guys!

This is what I call culture phenomenal work!! You make me and people who want real music proud!!!

Awesome mixup of styles. body music for sure. mind music too.

such a rhythmic delight - cool vocals and yr bass really sings

Your songs are so inspiring and full of things essential to music! It's really great of you to share that with people! Sharing music is the most beautiful thing my friend !!

SEPTEMBER EVOLUTION IN THE KINGDOM OF FLAMES

Blending into the coral reef

Todas as vezes que amei
Todas as cores que pintei
Todas as chances que busquei
Todas as causas que ganhei

E é só você que me importa
Nem o ar profundo me leva tão a fundo
E é só você que me importa
Sob esse sol nascem flores e amores
Um caminho

Todas as vezes que eu chorei
Todas as vezes que meus sonhos foram apenas vindos
Todas as letras que lhe dei
Todas as frases formadas, juntos

E é só você que me importa
Nem o ar profundo me leva tão a fundo
E é só você que me importa
Sob esse sol nascem flores e amores
Um caminho

Vocais, letra e melodia: Gui Pagliari
Guitarras e arranjos: Silvério Simioni
Baixo: Jaime Bones
Bateria: Kassio Todescatt

Um Caminho

The 17th EP of "past is the verse

-Spotify
https://open.spotify.com/intl-ja/album/1QEQ4yLLCNmi0BclXEagmu?si=5yVEwuyiSHm5nM4Rbt6rdA

-Apple Music
https://music.apple.com/us/album/nowhere-single/1838088939

-Amazon Music
https://music.amazon.co.jp/albums/B0FQ1P6G6L?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_3cqLzJExXwZupnwcklM3ZJvIa

-bandcamp
https://pastverse.bandcamp.com/track/nowhere

Nowhere

Download

BLUE FLAME - Music & Vocal Improv's by REKHA - IYERN [Fe] | Vocal Version

YT Video Links Below Guitar Instrumental & Vocal Version on both of my YT Channel's

Guitar & Vocal Version MashUp | REKHAIYERNFE: https://www.youtube.com/watch?v=YmiAw1XK5UM

Guitar & Vocal Version MashUp | BLISSITUP108: https://www.youtube.com/watch?v=hfsOkx95Qb8

Guitar & Vocal Version Only with FX | BLISSITUP108: https://www.youtube.com/watch?v=hm4j1DhwpOE

Newest Version BLUE FLAME 108 - Lord Appears - Meditation - Pain Release: 
BLIS ITUP108: https://www.youtube.com/watch?v=M4ynfO23njE

Cover Art Design & Video by REKHA - IYERN [Fe]

Instrument: Electric Guitars & a V-Drum

Music & Vocals Composed & Produced, Recorded & Performed, Mixed & Mastered by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA

© & ℗ 2021 - 2025 IYERN FE RECORDS CANADA/REKHA SONGS PUBLISHING | SOCAN, All Rights Reserved

BLUE FLAME

YouTube

BLUE FLAME - Music & Vocal Improv's by REKHA - IYERN [Fe] | Spiritual Rock | YT VID

Nihilist film noir existential jazz fusion detective dance music for our AI future  days.  Human music.
From the Album: "Curiosities Of Outsider Art" (Sept 2025)

Lyrics:
Another dark night in the promised land
Experiencing the universes empathic crushing hand
There are people today creating symphonies
With well worded prompts
You know me, I'm staying out of sight
At  late night haunts

I'm investigating black markets
Where people sell off all of their free will
They said you were gonna love me
But I could never ever seem to get my fill

The people out here 
They don't believe in nothing
No God of any kind
You said you were gonna love me
But I could not give you the reason why

You learn to live... (The AI prayer of life)

Another stoned day in the promised land
Experience randomness
And technologies charismatic helping hand
Hypothetical lovers through the screen
She said she was gonna love us
But circuits don't know what I mean

A whispered dream
Asato Ma Sadgamaya
(Hindu Prayer: Lead me from the unreal to the real)
Like a primal scream

Alter your creative spirit
(change the configuration)

Alter your consciousness
(change the configuration)

Alter your soul
(change the configuration)

Alter humanity
(change the configuration)

I'm like a primal scream
How docile we've become
I love how docile we've become...

Asato Ma Sadgamaya

Pierre and Jean-Claude Bordetti productions (c) 09/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.

Visage (Lyrics/Paroles)

J'ai aperçu son visage, mais ce n'était qu'un mirage, 
Comme un reflet dans l'orage, une illusion de passage,
Son regard m’a fait naufrage, dans un monde sans rivage,
Où l’amour n’est qu’un langage, perdu dans le vent sauvage.

Elle danse dans mes pensées, comme une ombre sans visage, 
Chaque nuit je veux l’aimer, mais je n’ai que son mirage,
Un soupir, un doux présage, puis le vide en héritage, 
Je poursuis son doux sillage, prisonnier de son image.

Visage

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster
J.J. Terrell– @j-j-terrell – electric piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl --  vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with. 
  However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strumed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to. 
  Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always. 
  This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.
Original lyrics by The Beautiful Dark:Juice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
'Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom (Eclectic Collective)

Every Now & Then

September. ( 1995 ) Eddy Mango ( Eddy )

Goodbye earth

Hello…. So who is Darwin the cat… really? I suppose just an old recluse like me. An older cat who I was tasked with cat-sitting this summer. Initially, I never saw him. Ha. Then one day, he appeared out of nowhere and we became best buds. He became talkative and encouraged me to ask him about life. I would ask him something and he would tell me all about it. So of course here’s a song about our shenanigans. A simple song. Ukulele, vox, and some finger-tapping keyboard percussion. In other news, tiny chickadees have been following me around the yard when I water, and a new generation of rabbits hang out near the small patches of red clover I planted around the yard... They stretch out and relax in the shade during the day. I laugh at them. The raccoon(s) come through late at night, and sometimes I hear them scream, which does sound weirdly unnerving. A hawk is in and about hunting the yard for small birds and whatnot. The birds in the yard, head into the spruce tree branches where the hawk cannot go. I built a small branch wall around the fire ant mound back by the compost pile, as someone keeps digging into it, maybe the coons or possibly flickers trying to get at the larvae. Now the mound is really built up as the ant colony has worked feverishly to rebuild it. That particular ant colony has been here for decades. Plenty of apples and wild plums now, so I have to be alert when going outside late at night, as maybe the bear will return in the midst of hyperphagia, to gorge on the apples. There were some deer here briefly as well. I have begun autumn chores in preparation for the long winter here and have taken to eating apples and plums from the trees, as I take a break from my chores. I could be a bear… hahahahaha. And of course, I’m getting old(er), more forgetful, and wondering what the future holds in store. Hope you’re all well. Thanks for dropping by, Mark 

Darwin And The Evolution Of Catharsis

My first solo song in a little bit…


Cover art by Henk Monster, CC BY 3.0 <https://creativecommons.org/licenses/by/3.0>, via Wikimedia Commons

Antarctic Dark

Super impressed by my buddy @dough-factory 's rhyming skills on here! This one started out as a beat from Ryan, I added trippy synth, organ and guitar noodling then sent back to him. He mixed, arranged and added the killer vocals as well as some record skips that add a nice touch.

Faded (What a Day)

Tradition

Five steps (each one with two parts) progressing along 3 minutes thru different styles: rock, psycho, pop, hard..., and finally back to the psychopoppy ones.

Letra / Lyrics:

No siempre he estado aquí (soy imperfecto) / I have not always been here (I am imperfect)

Cuando tengo frío, o tengo calor, / When I feel cold, or I feel hot,
cuando tropiezo, me quemo, o siento dolor… / when I stumble, I burn myself, or feel pain …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

Me siento extraño / I feel strange
donde tendría que estar a gusto, / where I should to be comfortable,
y me reconforto / and I feel better
cuando me relaciono bien con el mundo. / when I relate well to the world.

Empiezo a pensar en el tránsito; / I start to think about the passage;
que no siempre he estado ni estaré aquí; / that I have not always been nor will be here;
que mi vida es un entretenimiento / about my life being an entertainment
en el viaje a otro sitio. / along the trip to another place.

Y descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
si la meta de todo lo que hago / if the goal of everything I do
es comer y respirar, / is to eat and breathe,
¿qué clase de razón tengo en la cabeza? / what kind of reason do I have in my head?
¿qué soy yo dentro de este juego? / what am I within this game?

 descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
y me pongo a pensar, / and I start thinking,
y empiezo a pensar… / and I start to think …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)

Image: "Rocky sprout", photo by Ruizzoidman

No siempre he estado aquí (Soy imperfecto)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

(Don't follow me here, best on my main page ;)

Kalakuta Kingdom (Eclectic Collective)

Entheogenic Psychonaut (Josh Clary)

Recent comments

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Ingo Bremenkamp

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Jim Lemons (artistjl)

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