@user-936947521: Hey Frans man, love reading your awesome reviews. Really glad you dig what I did with Chris here. The big sound is also a result of Stephen's awesome mix abilities. Hey brother man, your attention and approval mean the world to me. Can't thank you enough for stopping by for a visit.

This track has such a great build. The instrumentation is so intoxicating as it ebbs and flows toward that ending crescendo. Nice work all.

your welcome and thank you for that amazing response!!

@maviomessiah: Hey man, I appreciate you!

It was nice to hear how this track developed.  Great collab.

Absolutely Magick Vibes going around, Great work Dudes ; ) < 3

complex sound very well produced and mixed - nice collaboration

Such a unique and dreamy vibe! The finger-plucked guitar and piano carry the listener on the wind into a star-filled evening sky over the serene curves of the fretless bass landscape. The breathy voice like the swirling dust and magic that surrounds.

How I missed this on your page, i have no idea. So much fun on these ideas with you guys! You fellas always sweeten the deal far beyond what I could imagine. Sincerely, thank you! 🙏❤️

Daily Drops

somber december

Not all Pop is created equal 🖤

Watch the video here: 
https://www.youtube.com/watch?v=r2t-PRtDIHY

Pop 2.0

Download

Ever since I saw an incredible Canadian band (Recipe From a Small Planet) do a live Reggae jam and seamlessly slide into a cover of 'Watching The Detectives', I wanted to try something similar. In this case, I did the opposite, starting with the cover, and adding a kinda reggae/dub section at the end, which starts at 3:15. 

For the dub portion, I enlisted the help of one of the best talents I know - @Llanpsych (Tez) - to add his magic and 'dubbify' the whole instrumental section at the end. I'm singing and playing all the instruments here using my keyboard, and some echo effects, and Tez did the rest to produce that authentic dub atmosphere into the mix. I recommend listening to that part at least with headphones, and hope you enjoy the result! Thanks so much Tez, I couldn't have done this without your mad skillz!

Sharp ears may notice the following 2 details: 

  -  In the last few seconds, I threw in the theme from 'The Godfather', played on melodica (see credit below). 

  -  at 0:39, you can faintly hear my dog barking in the background. I decided to keep it in, since she barked at the line, "red dogs under illegal legs", which I thought was funny timing!  :)

INSTRUMENTS:
bass, drums, rhythm & lead guitar, organ, piano, electric piano, melodica, steel pan drums, ukulele, synth horns, voice

--- --- --- --- --- --- --- --- --- --- --- --- --- --- ---
-song art designed using Chat GPT and Photoshop
-original song written by Elvis Costello
-theme from The Godfather, 'Speak Softy, Love' - written by Nino Rota

Watching the Dubtectives (cover + dub mix with Llanpsych)

Cast of Characters:
Cgmaness – @user-419254289-15129531 – Chris – acoustic guitar, drums, lyrics, vocals, and composition
J.J. Terrell-- @j-j-terrell—JJ-- organ and piano
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless bass
This song started all the way back in October, when Chris came up with lyrics and a vocal melody to go over his acoustic guitar composition. He also added the drum beat that carries it along, and contrasts Josh's bass part, which he added next. JJ came along shortly after and added his twinkling piano and ambiance thickening organ. 
  We had all these parts down, but for some reason this sat on the shelf for a few months. Finally we decided to dust it off. Chris mixed it for us expertly, as always, and we decided to put a ribbon on it. 
 This is an example of Chris's brilliant songwriting, shared with a couple of other musicians who are mutual admirers of his work. This is also a trio within the Eclectic Collective family, as we sometimes do side projects with different iterations of the group. We all hope you enjoy listening to this as much as we enjoyed creating it.  
  
Original lyrics by cgmaness:

Let the night tuck you under,
When you feel you can't go on.
When you want to be happy,
I will be what you want...
And, it's you that makes me happy.
When I'm down on my bad sign.
Washing out all the tie-dye from the blue sky.

Let The Night (Eclectic Collective)

Simulation

A song about the ultimate bond, one of unconditional love and complete surrender.

Video by Elpiverse: www.instagram.com/p/DKe2HPgoxd5/

Vocals (Composition, Arrangement & Performance): @elpiverse
Keyboards (Composition, Arrangement & Performance):  Counterworlds Voltage
Mix, Mastering, Production: @elpiverse
Lyrics:  @elpiverse
Cover Art: @elpiverse

Lyrics

Floating
Drifting
Soft 
And warm

Floating
Drifting
Soft 
And warm

Breathe

Dreaming of the light 
Sleeping by your side

Breathe

Breathe

Umbilical Love

Remix Free for all , please remix , if you feel like having fun with it please do 😉👍💖🎶🎧

The Great Awakening vocal

The Great Awakening (vocal stem 124 bpm)

Orbital Path - Τροχιακή Διαδρομή

Space Rhumba

For Earth Day, an electro hymn at a chill 70 bpm

In praise of water 
Created before we 
of land and sea came to be 
Glory to water 
Magic elixir 
Life sustaining 
Half of it containing 
My body 
Fills oceans rivers lakes 
And thirsty tree
Fatefully 
Where it chooses 
Water never loses 

Sacred aquifer
Whose travels blaze 
the paths we sail
To raise a glass of wine
To water!
To living well 
To drink of grapes that streams 
Feed over time 
To the majestic flow 
On and on and on we go 
Like a slave’s escape to liberty 
Wade in the water, children
Set yourself free 

With props to Ramsey Lewis, Wade In The Water, 1966.

…………………….
 DAW: Apple Logic Pro X 
MIDI: Akai Professional Keyboard 
E-INSTRUMENTS: Concert Grand piano SoCal Ballad Piano
Mexican Guitarron
South African Singers  Momentum synth Lunar Strings synth  Deep Round Synth Bass 
E-DRUM KITS: Drum ‘N Bass Remix  Trip Hop Remix  Trip Hop Remix Phaser Trance Remix
2-Step Remix  African Kit Latin Kit

Audio of running water recorded live on April 20, 2025.

COVER ART is original CGI by SUNNYBECK using a composite derived from AI-generated images rendered as original CGI, then retouched and designed in Photoshop. ………………..
.

Water Hymn

Golden Dance

Ray and I improvised this song together, only not at the same time and not on the same continent. Go figure.

You can visit Ray here: https://soundcloud.com/user-364196783-552705040

Steady

This was my third time working with the Eclectic Collective on a track. Unlike the other couple of times that were based around ideas that I came up with, this time I was just along for the ride! I was happy that Ken reached out and invited me, figuring I could help add some 80s style synth nostalgia to this fun piece. 

Cast of characters:
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums, acoustic guitar, song and vocal melody composition
Joseph Shenton -- @joseph-shenton -- lyrics
Gaz Brownie — @user-755327533 — Gaz — vocals, vocal harmonies, and lyrics
one man verity show – @one-man-verity-show – Scotty – electric guitar intro
TexMex Shaman–@texmex-shaman –Stephen– Les Paul Custom electric guitar, mix, production, and mastering
Llanpsych–@llanpsych –Tez– Epiphone Les Paul electric guitar
Tea R. Sea @tea_are_sea -- Terry – low synthesizer
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Fender Precision bass and high synthesizer

This song began a few months ago as an idea Ken had to make the quintessential Gen X song. He structured the chords, beat to appeal to anyone of a certain age group, of which most of the folks in the band are a part. He even played wrote it on his acoustic guitar and came up with the vocal melody, which Gaz put a shine on for the final version. Once he had the form of the song down, he tapped the incredibly talented Joseph Shenton to write the lyrics. Gaz not only superbly sung four part harmonies for this, but the came up with the lyrics for the break parts, too. 

When he first envisioned it, Ken thought it would be fun to invite as many musicians as we could onto it. However, for whatever reason, it stalled out and sat untouched for a couple months, with just Stephen's foundational guitar, Scotty's thrilling guitar intro, Terry's lush, low end synth, and Josh's bass to hold it down. Then, Ken had the great idea to invite Gaz to sing it for us. His awesome vocal track inspired us to heat up the kiln again, and put some real effort into bringing it to life. On that note, Josh redid his bass part to match Ken's rocking drums, as well as added the high, melodic synth you hear throughout. Tez came in last with the fiery guitar fills and solo, which you can hear throughout, as well. 

Once it was all in the bag, we tapped Stephen to produce and mix it, which he did in his always pro manner. 

This is the first collab Eclectic Collective has done with Gaz, but we all hope it won't be the last. He is one of the finest singers on the Cloud, and we're honored that he would sprinkle his magic on this song with us. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Joseph Stenton:

Where were you on those days gone by
Were you out by the tracks where the lone train whistle cries
Or kicking up rocks on those dusty roads of dirt
Or skating on streets paved with gold
Or wrestling upon the grass beneath endless sky

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
Were you tugging at the stars too
In an attempt to release their light
Bonded by hours
To a brotherhood we believed would never die

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
From within this dull petrification of time
Comes a crystalline memory
Of those long lost moments, now born free 
Of come what might, come what might be

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
With a tape in the walkman
Playing the soundtrack of passing time
To these moments of our lives
That once burned bright but never died

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Generation X - with Eclectic Collective ft. Gaz Brownie

keyboard and sax improvisations, drums and bass is vst programming ... ... the track plays with the possibility that it can go on endlessly, behind every rock a new nothing opens up ....

Odyssee

I Want you to Hate me (Sped up) prod. Qazers

cigarettes after sex ~ k. live [slowed + reverb]

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Let The Night (Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)

Recent comments

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