So colourful big band track, this bass is stunning

🤩😉🤩😉🤩🤗🤗😆😄🥰🥰😃😄

Love that the guy by the drums looks exactly like me!  Ha! AI! How’d it know??!🤔😂🤩🤩🤩

I thought it would be nice to do a new recording of My Favorite Female that I did with the band Tibet in reverse in 2011. That version is a little further down if you scroll.
Here and now I have uploaded the new version. Instead of calling it a different version than the original, it has been given the British English spelling: My Favourite Female.

On the single, distributed to Apple Music, I also have an instrumental version of My Favourite Female. 

https://music.apple.com/se/album/my-favourite-female-single/1783534141


My Favourite Female

My favourite female makes me feel like I´m a king
When I´m with her I can almost play guitar and sing
No need for computers, just put me in a world
I will perform with my girl for a viewer beyond worlds

Have you seen her favourite brain
It´s organic with an image of a world
being drawn in every single moment
Hello world, she is thinking of you

She really doesn´t have to work on Monday
but she´s working in a digital network
She´s a real nowhere girl living in a nowhere world
making nowhere plans for nobody

My favourite female makes me feel like I´m a king
When I´m with her I can almost play guitar and sing
No need for computers, just put me in a world
I will face reality with my favourite girl

Have you seen my favourite waste of time
Let her go, let her go
I took a trip to the edge of this world
and I was thinking of you

Honey, would I lie to you, this is not a place
for a nowhere girl to be
The good guys are hiding in the shadows
Oh baby, it´s a wild, wild, wild, wild world

My favourite female makes me feel like I´m a king
When I´m with her I can almost play guitar and sing
No need for computers, just put me in a world
I will face reality with my favourite girl

My favourite female makes me feel like I´m a king
When I´m with her I can almost play guitar and sing
No need for computers, just put me in a world
I will perform with my girl for a viewer beyond worlds

Copyright Per Bronco Karlsson. All rights reserved.

My Favourite Female

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussoin
J.J. Terrell-- @j-j-terrell—JJ-- organ 
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production 
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering


This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves bossa nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collecive in mind. 
  Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. He also added the funky main percussion you hear throughout. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the trough, but added several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangement that accompanies JJ's organ solo, as well as the horn arrangement and entire break section at the end, which he not only drumed on, but edited and inserted seamlessly, as well. He also added percussion to Ken's percussion throughout the entire song, as well. He still gets paid the same as the rest of us, though 
  This is an example of us Josh introducing an unfamiliar type of music, and it being picked up on and carried through expertly as a group unit. We all love a challenge in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.

Meet the New Bossa (Eclectic Collective)

Cinematic and Orchestral Music
Picture by MarWin55
Franck C Production
Music by Franck Charles
ASCAP
https://www.youtube.com/watch?v=tB4QzfTFg8A

Expedition

Cast of characters:
Jonathan Beckenstein — @jonathan_beckenstein — acoustic guitar, composition

Cgmaness – @user-419254289-15129531 – Chris – bass, vocals, and lyrics

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, and vocal harmonies

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland FP-10 piano and Collings mandolin

TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T slide guitar, production, mix, and mastering

Mistermark-- @user-432503709 -- Mark – harmonica, edited fiddle samples, and jaw harp

This song began when Jonathan wrote it on his acoustic guitar several months ago with the intention of developing it into a larger song. When Josh approached him about doing a collaboration, Jonathan thought this one would fit the bill. I should say at this point how much we all admire Jonathan and enjoy his music. On the unlikely chance you aren't already familiar with his music, I suggest you go hop on his page and check it out. 

  All that to explain the level of excitement that ran through Eclectic Collective when Josh shared the project with the group. Chris was first to jump on it, coming up with his intricate bass line even before Ken added his moving drums, although they went back and forth a couple of times to create the rhythm section. Josh jumped on right after that part was complete, adding his mandolin and piano to the mix. Steven was next up, adding his howling slide throughout. Last, but certainly not least, Mark came up with the driving harmonica and twangy jaw harp, and the raspy fiddle, adding them all to complete the instruments. 

  At this point, we had a pretty good instrumental song on our hands. However, Chris decided to give it the extra kick by adding the vocals, the lyrics for which he wrote himself. Our multitalented drummer, Ken, added the vocal harmonies shortly after, too.

  Now that it was in the bag, we needed some production for it. So, we turned to Stephen, who mixed and mastered it in his always expert fashion. 

  This song is a real treat for everyone in the band, as I mentioned earlie. We are all very grateful to Jonathan for sharing this song with us, and had a wonderful time helping bring it to life. We hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by cgmaness:
 Come on now let's break a leg,
We've got it made in the shade.
One more day, go out and play.
I guarantee we've got it made.
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
I guarantee we've got it made.
~Gibberish~
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made.
We got it made in the shade.
Can't you see we got it made?
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
Can you believe that we've got it made?
Come on now let's shake a leg.
We've got it made in the shade.
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made.


We've Got it Made - (Eclectic Collective w/ Jonathan Beckenstein)

Last spring, I had a jazzy musical interaction with songbirds to produce Magnolia. This spring, I explore the genre of jazz once again but this time with a mockingbird.

A few weeks ago, I recorded a mockingbird singing a jazzy serenade a cappella from his perch on my neighbor's chimney. And oh my! The bird sang like he was the hot new kid on the block, and the whole neighborhood had to listen!

The Northern Mockingbird (Mimus polyglottos) can sing up to 200 different songs, some of which are original and others mimic the sounds of other birds and creatures, including insects and machines. 

I added electro — keyboard, piano, bass, and electronic drum kits — to the mockingbird audio recording using my MIDI and DAW, and I hope you find the music as amusing and entertaining as the jazzy mockingbird’s song.

Chill jazz fusion at 85 bpm

Audio of mockingbird recorded live April 2, 2025. The LoFi audio is raw, unaltered except for cuts to delete car noise and the conversation of neighbors, so that the music wraps around the birdsong.

With props to Harper Lee’s book, To Kill A Mockingbird, whose main character Atticus Finch teaches that it’s a sin to kill mockingbirds because they harm no one with their songs — a symbolic theme of the book — it’s wrong if not evil to attack or destroy innocent people.

“Mockingbirds don't do one thing but make music for us to enjoy…. they don't do one thing but sing their hearts out for us.”

…………………….
DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard
E-INSTRUMENTS:
Concert Grand piano
SoCal Ballad Piano
Ambient Lead
Warm Glow Chords synth
Lunar Strings synth 
Fingerstyle Electric Bass
Deep Round Synth Bass
E-DRUM KITS:
Drum ‘N Bass Remix 
Trip Hop Remix 
Trip Hop Remix Phaser
Trance Remix
2-Step Remix 
African
Latin 

COVER ART is a composite using AI-generated images created by the DaVinci app and then designed in Photoshop.
………………..

.

Mockingbird


I was struck by an article in the Guardian 10 years ago about a woman who used to hang out and work with the Rolling Stones in the 60s and the article was about adapting to old age while having nostalgia for such a potent time in her life. For this recording I had to change one word - 70 to 80. Musically it needed to be rhythmic but melancholic: something you got from major and minor seventh songs in the mid 70s as disco kicked in



YESTERDAY’S PEOPLE

Yesterday’s people used to party, party, party
Yesterday’s people were so cool so cool so cool

There was a girl her skin so fresh and fine
There was a guy as smooth as a dark red wine
They were out there in a happening era
Face to face so close and nearer
Photogenic and oh so bold
But that generation has all grown old

In 69 it was crazy zany time
In London town all that music going down
Young people travelling - free love happening
Beautiful people philosophizing
Mary Jane twilight in the Mediterranean
That generation they’ve all grown old

If you’re talking to an 80 year old guy
Remember he - was Mr cool way back in time
Try to imagine the face much younger
The yearning soul hormonal hunger
Suite Judy blue eyes young people dancing
That generation they’ve all grown old


Yesterdays People

Mayan space gods part 7   (place of worship)

The amazingly Valuable Friends joined me as we left the planet:

@rick-4-1 Earthquake Sofa Drums
@janinelevinson Interplanetary Dove Vocals
@phil-mcwalter The Other Burnt Launchpad Stuff

Drums recorded at Mickleton Studio, Coventry UK
Other instruments and vocals recorded at EPG Studios, Chelsea, London, UK
Janine's vocals recorded at The Levinson Sound Studio, LA, Calif, USA
Phil's additional vocals recorded at Anslow Gate Studio, Staffs, UK
ReMixed & ReMastered at EPG.

Thanks to Rob Campling for assisting with string theory.

RUNAWAY STARS - THE UNEXPURGATED CODE

We have a duty to be here
Without us
Who'd see the runaway stars
Who could walk along the beach
Look for seventh waves
And feel the wind up high
We sit and talk all
Through the night
Travel our world and share our castaway finds

We have a duty to be here
To hear the song
Feel the heart of forever
Burning holes within black holes

There is a reason
To turn the page
Quantum runes feed today’s exit phase
We burned new colours
On Launchpad Love
In earthquake sofas seeking twigs from the dove

We are the runaway stars
We are the runaway stars
We are the runaway stars
We are the runaway stars

Inside our bubble
We heard your tongue
Repeating echoes paraphrase the song

Break

We burnt new colours
On Launchpad Love
In earthquake sofas seeking twigs from the dove

And we have a duty to be here
Without us who would see the runaway stars

Solo

Without us who'd see the runaway stars

And we have a purpose
To exist to hear the song
Feel the heart of forever
Burning holes within black holes

Don’t lay down and rest now
Lift your head
The stars change colour as they drift past your bed
The Sun is expanding
Eternal night
May return to shield our escape flight

We are the runaway stars
We are the runaway stars
We are the runaway stars
We are the runaway stars

And we have a duty to be here
Without us
Who would see the runaway stars
Who would see the runaway stars
Who would count the runaway stars

© Phil McWalter Aug 2020
Image: Photo taken by James McWalter at Beachy Head where the returning WWII planes knew they had made it back home. AI rockets layered on.

The Runaway Stars - The Unexpurgated Code

Runaway Stars - The Unexpurgated Code

NO A.I. INVOLVED
It all started in late 2022 while driving. I heard a song on the radio that inspired me to create this piece. I only heard it once, I don't know the author(s) or the title of this song.

After creating the core/mockup of the song, I presented it to Brian Butts (@brian-butts-565934842), which is amazing multi instrumentalist, and asked if he would record a guitar solo similar in idea to the solo from "The Break in Tranquility" https://soundcloud.com/r-u-r-pl/the-break-in-tranquility, which I had previously asked him to review. He agreed to this willingly and that's how my first ever collab was created.

I actually regret a little that this song is a bit too slow, but trying to speed it up caused Brian's solo to fall apart, and my skills don't yet allow me to properly edit it.

This song was lying in my "drawer" for over 2 years. I wasn't fully satisfied with what I did and its sound. I wasn't able to come up with a good Bridge and make it a full-fledged song. In the end I decided to release it as is. I only modified some parts to maintain the feeling of the progression of the arrangement.

Sorry Brian, my friend, that it took so long, but my perfectionism https://w.wiki/9XhH makes me constantly dissatisfied with what I do and often prevents me from finishing the songs.

Thanks to my friend ••kavvka •• (@grzegorzkawka), for his constant support, patiently listening to subsequent versions and lots of good advice.

To craft this piece I used
Ableton Live Standard
Ableton Live's Simpler
NI Massive
Spitfire Originals Epic Strings
Spitfire Originals Epic Brass & Woodwinds
iZotope Ozone 9 Elements
Impact Soundworks Shreddage 3 Stratus Free (only when the guitar enters)
Arturia Filter MS-20
Valhalla Supermassive (Free)
iZotope Ozone Imager (Free)

I also used 3 MIDI drum loops from free libraries in Ableton LIVE.

Thanks for listening. I hope You'll enjoy.

Picture in thumbnail made by me in Photoshop using a source Designed by Freepik: https://www.freepik.com/free-photo/still-life-with-scales-justice_33123996.htm

...And Justice for D-Punks

WHY MOO MOO

Having to destroy yourself in order to begin again.
From the album: "Curiosities Of Outsider Art" (Sept 2025)

Bandung, sea of flames
In 1946, the people of Bandung Indonesia
They had risen up against their British oppressors
Realizing that their army was weaker
And much less powerful
They decided to abandon the city
They adopted a scorched earth policy as they left the city
Burning the city to the ground
And one day start again...

Bandung, sea of flames

Bandung, Sea Of Flames

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Meet the New Bossa (Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)

Recent comments

K2 and the Three

Thomas Vr12

Anne Walter- aka Antonio Pinto

Anne Walter- aka Antonio Pinto

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