oh this is so good, so funky and than unexpected turnings...

Love the drum intro! Spectacular engaging from the word go....vibrant, high paced, melodies reach uncharted territories..love the subtle interplay of scales!

Yet another example of group play where everyone is working towards the same goal: to make the music sound better.

This is really a cool jam.  Nice work by all.

¡Qué increíble canción de Sugar Britches! Realmente me encantó la mezcla única de elementos electrónicos y de distintos géneros que se pueden escuchar en esta pista. La producción es impec

The Machinery of the Universe

Recorded in Modesto, Ca.  Featuring Andy McLean... saxophone solo. Hammond B3 Organ solo.  Steinway Brothers Acoustic Piano Rhythm. Hammond B3 Organ with bass peddles Rhythm. Horn section, Alto, Tenor, Baritone Saxophones, Trumpet. Vibraphone solo. Trap Drums full kit set. Percussion Wood block, 22" Zildjan Crash & Ride Cymbals.

Cannery Row

Groove Street

Not all Pop is created equal 🖤

Watch the video here: 
https://www.youtube.com/watch?v=VqbYfnCfn4Y

Pop 2.0

Download

Cast of Characters:

J.J. Terrell–@j-j-terrell – piano, organ, composition
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Suhr electric guitar, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass

This song began one creative Saturday evening several weeks ago with JJ coming up with it on his organ, piano, bass, and drums. He wrote it with the Eclectic Collective in mind and immediately shared it with the rest of us.
  Ken was the first to jump on it, adding his strong, Masonesque drums. Josh excitedly dove in once he had a beat to play off of. Then, it was time for the guitarists in the band to show off their skills. Stephen laid down the psychedelic, textural guitar you hear throughout, as well as the thrilling solo in the middle, starting around 1:25 and ending around 1:50. Tez did his best Dave Gilmour impression, adding rest of the fiery lead solo you hear throughout, as well. 
  Once it was in the can, we needed a mix, of course, and Stephen was kind enough to work his magic on the production.
  This is a perfect example of a JJ seed that took bloom with the EC. We all love working on his songs. We hope you enjoy listening to this as much as we enjoyed creating it.

Desert  Moon Flower (Eclectic Collective)

Music: Little Man & Janne Hennie
Lyrics & Vocals: Janne Hennie
Instruments & Mix: Little Man

Lyrics:

Waiting can be hard that's for sure
Waiting for summer and some more
waiting for the sun to warm us up
Waiting for the wait to end and stop

Chorus
But I will never stop waiting for you
Maybe you are waiting for me too

No need to wait
I'm right here
No time to lose
I've been waiting for it

Hoping can be hard that's for sure
Hoping for good times and some more
Hoping for love to warm us up
Hoping for the wait to end and stop

Chorus

Chorus

Loving can be tough that's for sure
Waiting for good times and some more
Hoping for kisses to warm us up
Longing for the wait to end and stop

Chorus
But I will never stop waiting for you
Maybe you are waiting for me too

No need to wait
I'm right here
No time to lose
I've been waiting for it...!

Waiting For It

Come fly with me

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, PRS semi hollow body electric guitar, seed idea
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 organ
TexMex Shaman– @texmex-shaman –Stephen–  Tom Anderson Custom T electric guitar
Llanpsych-- @llanpsych -- Tez – Squier Custom Telecaster electric guitar processed through a Line 6 interface to sound like a synth, mix, and production
Eclectic Collective -- composition
This song started around the New Year holiday, when Josh was playing around with a looper beat on his bass. He came up with the bass line and structure for it before turning it over the the rest of the Eclectic Collective to work with. 
  Ken was first up, giving the beat its due as a real drummer, and making it his own, expertly, as always. JJ was up next with his dynamic, lush organ, propping up the groove and adding sonic flavor throughout. Stephen came through after JJ with his foundatoinal, gritty, groovy guitar. It was sitting there ripe for a melody at this point, so Josh heard and added a melody vaguely inspired by the Simpson's theme and added it with his electric guitar. Tez wrapped the whole thing up with the exciting "synth" part you hear in the middle with his custom Tele, which he processes through a Line 6 interface.
  Once it was in the bag, Tez did the honors of producing and mixing it for us, and he did so exactly as we wanted it.
  This is an example of a song Josh started with a groove and set loose on the rest of the band. It is also a good example of what happens when we're all moving towards the same vision. We hope you enjoy hearing this song as much as we enjoyed creating it.

Sugar Britches (Eclectic Collective)

Crossroads

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, vocals, lyrics, and seed idea
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
TexMex Shaman– @texmex-shaman –Stephen– electric guitar 
Mistermark-- @user-432503709 -- Mark – clavinet and VST sax     
Llanpsych-- @llanpsych -- Tez – electric guitar, mix, and production
Eclectic Collective -- composition

This song started its life as one of a batch of bass lines Josh came up with around the New Year holiday. He recorded it to a rudimentary drum loop, which Ken replaced perfectly with his own beat. Stephen was up after Ken, adding his tasteful, foundational guitar you hear underlying the entire song. Not to miss out on the guitaring, Tez came up with the ethereal guitar fills that float around in there. Mark came after Tez with his textural wah clavinet, also adding the wonderful sax solo you hear in the middle. After it was done musically, Josh went back and wrote some lyrics and sang them, too.
  Once it was in the can, we asked Tez to do the honors of mixing it for us, which he did in his always expert fashion. 
  This is a fine example of the Eclectic Collective coming together to create a heartfelt song, based on a bass line seed.  We hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by Josh Clary:

Sometimes I think about 
Things we used to talk about
Now I have to go without
Ever looking at your face x2
 
But I want you near me
Wish that you could hear me

What if we could ever reach
Out to the other each
But what would we say?
Is it just another routine day? x2
  
It makes my heart hurt bad
When I think of what I had
Now you’ve slipped away
Seems I saw you just the other day
 
Life can be really cruel
And I can be a fool
But I wish there were a way
I could hear what you would say

Loss - The Eclectic Collective

Composition and Sampling collage by Synline.

Let's Talk About Love

Image created by me.
https://www.deviantart.com/leehon/art/906016027

Tezcatlipoca's Requiem

special thanks for their acapella to : Ashes and Dreams
Additional voice " On sight"  thanks to :  Deadbitctrosa.....

Lyrics : 
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

You got jump-scared so bad in your waking hours
You thought you were seeing stars
The truth sure likes to sneak up on you

Gonna see it, gonna see it, gonna see it, gonna see it
Gonna hear it, hear it
Only when you’re not listening

Gonna hear it, gonna hear it, gonna hear it, gonna hear it
Gonna see it, see it
Only when you’re not looking

It’s the same from Winnipeg to California
Punishing your intuition in the corner
It’s the same from Winnipeg to California
Punishing our intuition in the corner

The clue stuck to the bottom of a shoe
The mud trail she tracked through the living room
Told you what you already knew

The truth
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

THE TRUTH. 🎧. Feat  Ashes and Dreams

Recorded in Modesto, Ca.   Featuring Alto Saxophone solo. Trumpet solo. Gibson 335 Electric Guitar solo. Stand-up Acoustic Bass. Roland Synthesizer Bass. Steinway Brother Acoustic Piano Rhythm. Acoustic full kit Drum set. Percussion Ago Go Bells, Tree Chimes , Cow bell. Congas, Bongos, 22" Zildjian Ride & Crash Cymbal.

Benalayo

OWEN STAGG HE IS VERY PUNCTUAL
JUST LIKE ME
ALWAYS CARRIES A STONE IN HIS POCKET 
SO DO I

AND WE BOTH AGREE THAT HERB STRIPPER
WOULD BE THE RIGHT NAME FOR A KITCHEN DRAG ACT`
but
I AM NOT OWEN 
OWEN IS UNIQUE
QUITE A SPECIMEN
DODECAPHONIQUE
YES HE’S ONE OF A KIND
UN VRAI GENTLEMAN

HE HAS A GREAT DISPLAY OF JUMPERS AND CARDIGANS 
ME I DON’T
HE IS GOOD AT CHESS AND SAXOPHONE (IN A CUPBOARD)
MOI NON PLUS

HE KNOWS SO MANY THINGS I DON’T, LIKE THE DIFFERENCE
BETWEEN FRENCH AND GERMAN BOW STROKES

I AM NOT OWEN
OWEN IS UNIQUE
QUITE A SPECIMEN
EN PATAPHYSIQUE
HE’S ONE OF A KIND
UN VRAI GENTLEMAN

ME WHAT DO I KNOW ABOUT WARM HUGS AND OLIVES
RIEN DU TOUT
BUT OWEN HE FEARS A BAD BBQ PIZZA 
I DO TOO

HELLO HELLO, HELLO OWEN CAN’T HEAR YOU ME
I CAN’T HEAR YOU
OH MAN YOU’RE SO DIFFICULT TO CONVERSE WITH
ON THE PHONE



I AM NOT OWEN (Lyrics) song for Owen

Lyrics:
I'm the dark prince
On leave from the castle
The wine was over served
Feasting on the metaphors
Operas left unheard
Jewel encrusted areoles
Glass bottom gondolas
The saccharine muses
Behind the literary personas
Will you share this fever dream, my love? (2X)

Your God's most marvelous creation
In between the inhalations
I'm stuck here in this tourist trap
On the Astral Plane
I have nothing left to lose
And nothing left to blame
Synesthesia feelings
Have a similar refrain
Will you share this fever dream, my love? (2X)

My European suits
I'm a gentleman of leisure
The sounds from the unknown
Message and receiver
The trumpets blast in the city distance
I'm among the bourgeois class
Napoleonic pursuits
Kept under wraps

You were lost in my dream
I had your hand
I lost you in the waves
You were lost to the sea
I look for you everywhere I go
In the rental cars
The midnight bars
In every future embrace

Will you share this fever dream, my love?

Fever Dream

Recording sessions from 19/11/2024 - 22/03/2025.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

Relax

this is not shoegaze (edited)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Repost page for Ultrasonic Pest Repellent.  This is where I will repost tracks and make playlists.

Sugar Britches (Eclectic Collective)

Entheogenic Psychonaught (Josh Clary)

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