On stage and in the studio, Jon Spencer has destroyed and rebuilt American roots music with such ferocity and wild abandon, that it’s hard to believe there is anything left. It’s been twenty years since The Jon Spencer Blues Explosion first pressed ‘record’, and twenty years since Spencer and his A-Team of sonic terrorists tore up the indie-rock landscape with fever and a visceral, untouchable vision of rock’n'roll that did for a new wave of blues-punk primitivists what Helen of Troy’s face did for the armada.

But make no mistake: Jon Spencer was there first. He is the original. It was his sanctified outbursts and blues-bending riffs that began the new-fangled roots rock revolution and spawned countless imitators. With Pussy Galore, he gargled with the Stones and Stooges and wrestled with industrial noise and fuzzed-out fucked-up sixties garage crud…with Blues Explosion, he drove furiously into the future with incendiary spirit built from courage, audacity, and revolt. Nothing has been the same since.

Started as a drummer but then they let me get hold of some other instruments. One man band composing and recording at home; styles (roughly) include post-rock/electronic/acoustic/ambient/experimental. 
Song-based more guitar-driven project titled 'Bin day!' coming  early 2026 with the albums 'Regular fit' and 'Salvage Plan.' Like buses; you wait 3 years then 2 come at once. I'm not entirely sure if 'socio-critical' is the right term, but they explore themes of social conventions and norms, how habits and customs seem to unconsciously change as we age. Also working at a soul-destroying job and the craziness of a large bureacracy. I take a swipe at myself too and there's occasional humour. Aiming to put out on this and other platforms... 

Check out my 90s home recordings with my first ever band Common Road on #SoundCloud
https://on.soundcloud.com/23E9dwjHh8m5NqVe9

Bassguitarplayer of DEAR WOLF from march 2022 to december 2024

....since I entered the basement of a doctor's office in Kempen in spring 1991 with my freshly purchased red semi-acoustic electric guitar (Aria Pro II), I couldn't stop making my own noise in musical form.
A mixture of 60's garage punk, noise pop, alternative noise and indie guitar stuff and ska influence my songwriting to this day.

Seitdem ich im Frühjahr 1991 mit meiner frisch-gekauften roten Halbakustik-E-Gitarre (Aria Pro II) den Kellerraum einer kempener Arztpraxis betrat konnte ich nicht mehr aufhören eigenen Krach in musikalischer Form herzustellen. 
Eine Mixtur aus 60´s-Garagepunk, Noisepop, Alternativkrach und Indiegitarrengegniedel und Ska beeinflussen mein Songwriting bis heute. 

Bands in denen ich seit 1991 an verschiedenen Instrumenten mitwirkte und mitwirke: 
Children Of Sahlep (Drums 1991-1993)
Hype (Drums 1993)
The Cooperz (Drums 1993)
Dharma Bums (Bass 1994-2000/2008-2012)
Thee Strychniner (Bass 2003-2005)
Von Hufschmidt (Drums 2005-2008)
King Garage, (Gitarre/Gesang 2012-2015)
The Twangmonkeys (Gitarre/Gesang 2015-2020)
Dear Wolf (Bass 2022-2024)

Followers of JSBX