nice, reminds me of the 80s Dan Harrow & Co.

Wow! This is perfect my friend! refined and really awesome. 👾🤩

Blessings to all in the coming New Year! And thank you for your comments, encouragement, and support! 

Las Vegas translates from Spanish to English as "the meadows." 

In a parallel world, Mystic Vegas translates to the meadow of spiritual pleasure where dreams manifest and everyone wins a jackpot. Transcendental show tunes? 24-hour levitating Boom Bap? Of course! In Mystic Vegas going all in on the eternal fireworks of soul play is a sure bet. And a guarantee for a Happy New Year.  So strut your stuff. Let's play, feast, and dance!

Synths, echo piano, sitar, and a variety of drum kits -- Latin, Indian & Middle Eastern with shakers, and an earthy hip hop beat helps ground the experience at 93 bpm.

Mystic Vegas

UnBoxed February 2024

[ d o w n l o a d a b l e ]

Spaced Out

A deep, dark, ambient downtempo soundtrack. Hope you enjoy listening 🤍
Available for download here
https://scratchkelly.bandcamp.com/track/everything-in-love

Everything In Love

📀

Dream Catcher -by.Chris.ZøBro 
(Original Version )

Dream Catcher

Made a new modern version of the this 1983 Italian classic, quite many sounds packed this time, kinda works.
song: Don't Cry Tonight
artist: Savage
Year 1983
Artist: Roberto Zanetti, Italian singer and music producer from Massa, Tuscany. As a singer, he is known under the stage name Savage.

Lyrics:
When you find the light to an upset shade away
If you never, never let me go with every melody
And you often were at leaving just my life
If you're really not to tug an end
Bye to my fantasy, me too
When you need to get another chance today
For a time there is the past, a path with you unbeen
Do you rather like to feel what is my life
If you're really going to listen, baby
At my fantasy, and me
Don't let me go
Don't cry tonight
Don't let me go
Don't cry tonight
Just a random access memories of dreams
As you're hangin' upon me, do you love melody?
Thief of golden toys to an upset time away
As you have been at last we have the melody, we too
Don't let me go
Don't cry tonight
Don't let me go
Don't cry tonight
Don't let me go
Don't cry tonight
Don't let me go
Don't cry tonight
Don't let me go
Don't cry tonight
Don't let me go
Don't cry tonight
Don't let me go
Don't cry tonight
Don't let me go
Don't cry tonight
Don't let me go
Don't cry tonight
Don't let me go
Don't cry tonight
Don't let me go
Don't cry tonight
Don't let me go
Don't cry tonight
Don't let me go
Don't cry tonight

Dont Cry Tonight

JTSunrise Rendition of St. James Infirmary

Slow Blues, 60bpm 4/4

[Refrain]

Dm                    A7              Dm
I went down to St. James Infirmary 
Bb7 A7 Bb7 A7 Dm
To see my Baby there
                        Dm                     A7                 Dm
They had Her stretched-out on a marble table 
Bb7    A7 Bb7 A7 Dm
Asleep, so cold, so fair

[Verse]

             Dm                      A7                Dm
Let her go, You let Her go, God you let Her
Bb7    A7 Bb7 A7 Dm 
Wherever You may be
                Dm                                  A7                 Dm
Couldn’t never look this whole-world wide-over
Bb7    A7 Bb7 A7 Dm
Find a girl half as sweet

[Verse]

            Dm                 A7                     Dm
Gonna bury Her in Her strait-laced boots 
             Dm             A7                 Dm
In Her  walk’n coat and Cloche’ hat
          Dm                    A7            Dm
Put a twenty-dollar bill in Her coin-purse 
        Bb7                    A7   Bb7 A7 Dm
So She’ll know She died standin' pat

An American folk song about going to St. James Infirmary to retrieve a deceased lover. The song evolved over time and potentially from British origins in the 1800s, roots can be traced to the early jazz and blues era in New Orleans. Lyrics and melody were adapted and rearranged by numerous artists over centuries and emerged from a blend of folk, blues, and jazz. It’s popularity grew through oral traditions, diverse interpretations, and legendary performances 

Marble tables were practical for hygiene in morgues due to their white, durable, and non-porous characteristics. The thermal mass of a thick marble stone slab table allowed for temperature retention—ideal for icing in warm climates or maintaining an ambient cool surface in morgues which were typically located in medical facility basements

During the late 1800s and early 1900s, fashionable women dressed in tailored jackets, walking coats, and tailored suits. Garments were designed to be fashionable and practical. Popular was the tailor-made suit, which consisted of a matching jacket and skirt. Suits could have varied styles, including fitted jackets with defined waists and skirts. A walking coat was characterized by its length and suitability for outdoor activities. Women's fashion during this period saw a shift towards more tailored and practical clothing

Unlike higher heels of previous decades, shoes in the 1920s often had lower, practical heels to reflect the era’s active style. Boots had lace-up designs, providing a snug fit around the ankle and calf. This style allowed women to participate in energetic social activities. A stif pointed-toe contributed to a sleek and modern look and had defensive advantages. Boots were made of leather or fabric. Suede and patent leather being also popular

A Cloche (“bell” in French) is a bell-shaped fitted hat that became fashionable in the 1920s, complementing shorter hairstyles of the time

"Standing pat", a poker term meaning to keep one's hand as dealt without drawing additional cards, suggests the idea of a person being content and staying true until the end

In 1927 Fess Williams and his Royal Flush Orchestra were first to record the song under: "Gambler's Blues", crediting Carl Moore and Phil Baxter’s “St. James' Infirmary”. The song became more popular after Armstrong's comedic 1928 recording which mocked more emotionally serious versions. By 1930 at least twenty different recordings had been released. The Duke Ellington Orchestra recorded the song multiple times under names like "The Ten Black Berries", "The Harlem Hot Chocolates", and "The Jungle Band”. In 1933, Cab Calloway's version was released in a classic Betty Boop cartoon and his instrumental version featured Calloway's related hit song - Minnie the Moocher. Irving Mills managed both Calloway and Ellington. Mills Music published both artists 

My version of lyrics. Info from the internet

JTS

St. James Infirmary

iza lica(demo)

Poésie sonore et sensuelle
Splendid lyrics written and said by La Gazelle https://soundcloud.com/amandine-esno
Music by Damga

Eloge Sensuel De La Rousseur

Eloge Sensuel De La Rousseur (La Gazelle & Damga)

Recently, I've been thinking about what seems to be a global race to the bottom. Escalating wars and unchecked technologies threaten our future, raising concerns about possible human extinction. I can't claim to have solutions to these dire scenarios, but it's clear our current path isn't sustainable. Perhaps we need a new approach—a Plan "B". 

Written, Produced and Mixed by COtu.
Mastered By Marc Felish

Plan B

I Had This Vision,(darker times).

strangers again

Game Developer and artist (painting and music).
Artist Names Music: JUHAX, Juha Soderqvist
Artist Names Painting: JMS, Juha M Soderqvist
Game Studio: JUHAX GAMES
All songs are 100% made with Renoise (DAW)

Dont Cry Tonight

juhasoderqvist

Recent comments

Marie-Ange Lambrun

Scratch Kelly

CRANIUM-&-FEMURS

SUNNYBECK

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