Two brothers chasing a dream.
Bookings: gperkiel@independentartistgroup.com

Nick Morgan is a sonic storyteller whose sound transcends the conventional boundaries of electronic music. 
Known for his genre-defying productions and dynamic sets that seamlessly bridge intimate club culture and large-scale festival energy, the DJ and producer’s signature blend of deep grooves and emotive textures bring a raresense of depth and connection to dance floors around the world.

Over the past decade, Nick has built a reputation not just as a producer, but as a true curator of auditory experiences. His long-running Sunday residency at legendary Mykonos nightclub MONI has become an institution in its own right, drawing a loyal
global audience. His sets are known for their journey-like quality:
evolving, emotive and deeply connected to the crowd.

Nick’s discography includes releases on some of the most respected labels in electronic music, including Ultra Music, Ministry of Sound, Crosstown Rebels, Sapiens, AZZUR, Three Six Zero, Glasgow Underground, Saved Records, Rumors, Another Record Label and Calamar, to name a few. Each release reflects his commitment to quality and his refusal to follow trends; an ethos that has earned
him a growing fan-base and the respect of industry veterans.

His 2023 track, "Shook Pt. 3," became a defining moment in Nick's career, receiving widespread international acclaim and support from both underground tastemakers and mainstream audiences alike. The track exemplifies his ability to create music that resonates beyond the dance floor, touching on something deeper and more
lasting. Beyond this, Nick’s work is consistently supported by some of the most influential figures in the scene, including Rampa, Seth Troxler, Damian Lazarus, Bedouin and Guy Gerber who recognize his talent not only as a producer, but as a true artist with a clear and compelling voice. His remixes and exclusive edits have become sought-after tools for fellow DJs, frequently appearing in sets at clubs and festivals around the world.

As he prepares for new releases and international tour dates in 2025, he continues to push artistic boundaries, driven by a relentless pursuit of innovation and connection through music. Whether behind the decks or in the studio, Nick Morgan is more than a DJ—he’s a true curator of sound, shaping the future of electronic music one carefully crafted track at a time.

See You Again
https://ffm.to/km074

Follow the Keinemusik ‚The Party is Over‘ playlist on Spotify
https://open.spotify.com/playlist/3U9lafWEnb3uP6JFbI65uq?si=389a03657fd3472e

From 2009 on, Rampa made a name of himself through Keinemusik, his own little d.i.y.-cosmos, being not only label, but also crew of likeminded DJs, producers and friends. The teamwork within this realm has seen a serious number of productions and collaborations, particularly with fellow producer &ME, not to forget the rest of the bunch, Adam Port, Reznik and Monja. 

Besides, he’s got an array of other collaborations and releases under his belt, put out on imprints like Circoloco, Innervisions, Diynamic, Afterlife, Cocoon, Ninja Tunes / Counter Records, Strictly Rhythm, Kompakt, 2020 Vision, Freerange, Bpitch Control, Defected or Crosstown Rebels.

The events of the last few years have seen Rampa focussing more and more on the production side of things, be it studio time or the inauguration of the TEILE project – his own company to produce and distribute analogue effects, custom built for DJ-purposes. Certainly also an outlet for a slight nerdism, that includes not only studio gear, but instruments in general. When it comes to DJing itself, he is going for a less is more approach these days, choosing bookings and playing more consciously.

Belgian based DJ and producer Ajna entered the house and techno world out of the blue. Passion for bringing people together and giving them an unforgettable time is how his love for making electronic music started. In his sets you can expect a built up of Afro house and Melodic techno tunes that will create an emotional experience. A combination of his own produced tracks and fine selection of matching music. He is part of label named Magnifik. A collective of dj’s & producers based in Antwerp. 
The tracks that he produced like “Rinketink” “Does it matter remix”  are supported by the biggest names in the industry worldwide.
He is growing in the industry at an enormous tempo. 

Booking ⬇️
info@magnifikmusic.com

Rock Bottom Radio #002 Out Now

Instagram: Justin_johnsonn
Email: Jdubbb13@gmail.com

Listen to 'The Party is Over' radio - curated by the Keinemusik crue - on Spotify. Updated weekly: goo.gl/MbTbcY

When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that’s already captured in his alias. His way to become one of today’s most praised and sought after DJ/producers is based on a solid foundation. A foundation comprised of solo-releases, remixes, projects and collaborations that numerous, we’d rather refer to his discography than weary you with namedropping. Besides, all those references would just distract from what truly matters – the music this guy is delivering. Not to underestimate the importance of a project such as Terranova for &ME’s current path, but still the alignment has been made – to focus consistently on his solo-work. And it shows.

There are not many artists around turning in such a slew of globally praised floormaterial like &ME did over the last years. Just think of his last offerings on Keinemusik, a collective of Berlin based DJs and producers, including Rampa, Adam Port, Reznik & artist Monja Gentschow, he helped founding in 2009, namely “After Dark” and “Woods” or his “Vermillion”-remix for Damian Lazarus – all serious bangers, played by every renowned DJ worldwide. Everything is falling into place for the fella. His DIY-approach to handle things, his easy going attitude, his reputation as a gifted producer and DJ extraordinaire, his ability to link innovative production with consensual reception, making him one of the most unique and original figures in the game.

A mysterious signal, coming from the deep corners of the universe, is intercepted by a radio in 1984. Could this be our first contact?

Justin Johnspin is following