I really appreciate & enjoy a patiently resolving musical journey over this length.

I am terribly fond of requiems in general and this one is among the best modern compositions I’ve heard - well done!!

wow… das is hier so geil… sorry, wenn das grad nicht die richtigen Worte bei so einem Stück sind

Ich hab selten so ein vielfältiges spannendes klassisches Stück gehört… aber wenn ichvdas richtig gehört hab, hast Du auch Effekte, Bässe und Synthies verarbeitet… ganz großes Kino!

Wow… 2 Jahre… und wie ich auch lese nur klassische Instrumente verwendet… unglaubliches Werk… Das is mal n Werk, Jürgen. Mein absoluter Respekt.👏🏻 Dieses Erlebnis sicht seines Gleichen!🙏🏼

Help Is On The Way.       (c2022)

...for all the dead and dying.
Libretto/Lyrics (LAT/EN):

***** 00:00 Requiem æternam *****
Requiem æternam dona eis, Domine,
et lux perpetua luceat eis.
[Eternal rest give unto them, O Lord,
and let eternal light shine upon them.]

***** 07:57 Kyrie eleison *****
Kyrie, eleison.
[Lord, have mercy.]

***** 10:29 Domine Jesu Criste *****
Domine Jesu Christe,
rex gloriae,
libera animas omnium defunctorum
ne cadant in obscurum,
sed duc eas in lucem sanctam.
[Lord Jesus Christ,
King of glory,
deliver the souls of all the departed,
that they fall not into darkness,
rather, lead them into the holy light.]

***** 13:31 Lux aeternam *****
Lux æterna luceat eis, Domine,
et Requiem perpetua dona eis
[May light eternal shine upon them, O Lord,
and the eternal rest give unto them.]

******************************
Contemporary classical music for synphony orchestra, organ, choir and solo voices.

Instruments
Strings: 1. Violins, 2. Violins, Violas, Cellos, Basses
Brass: Trumpets, Horns, Trombones, Tubas
Woodwinds: Flute, Oboe, English Horn, Clarinet, Bass Clarinet, Bassoon, Contra Bassoon
Percussion, Harp, Organ & Choir (Sopran, Alt, Tenor, Bass)

Solo voices with electronic effects:
in II/IV by Stefanie Holtz
in I/III by Jürgen Krause

All lyrics taken from the christian liturgy

Created and conducted 2021-23 by Kapellmeister Krause

Requiem

Requiem - Part I-IV

Sean Nerney:  Strings & Synths
Ben Juul:  Drums, Mix & Master at Tone Hill Studios, NY
Dirk Taubenheim:  Guitars, Bass, Vocals at Vestervang, DK

This is a true story about a beautiful lady from the north. A million thanks to Sean for his magical strings and synths and to my friend and band mate Ben who worked very hard on this song.

Beautiful Helen from the north    you brightened up my dark phase like a torch, scared to ask you but I did      and I was happy like a kid.

You accepted my enquiry      a collaboration of you and me,
such an unexpected pleasure,      what a musical treasure!

I' d never heard a song of you before   when I saw your poster on a wooden door, your beautiful face just caught my eyes   -   I got kind of hypnotised.

You are also on SC      like many others and like me,
your music is stunning,      your voice is so enchanting.

Then I saw your video      of a song that' s called Ayo,
such a beauty, such a grace      in your lovely smiling face.

Oh Helen,      tears are wellin'      because of happiness      that' s how it is
I don' t wanna stress you  -  or possess you - it' s just about a song - why should that be wrong?

It took you ten months to drop a line      writing "sorry, I' ve got no time,
there are so many other things      and every minute my mobile rings".


1/2 VERSE   instr.

Beautiful Helen from the north      you brightened up my dark phase like a torch  and whatever you choose to do      I' ll be waiting for you.

CHORUS

CHORUS  instr. / FINALE

Beautiful Helen  ft. SEAN NERNEY

Play me some shirtless Iggy Pop
A little bit angry and over the top
Give me some distance to get away from here

When I get to running
I always run into you
When I get to running
I always run into you

My friend told me that I’m a goner
A love lost loser in the corner
Give you up and get far away from here

Now, when I get to running
I always run into you
Yeah, when I get to running
I always run into you

We ran our game all over this town
Sometimes up and sometimes down
I’m still moving trying to get there from here

Now, when I get to running
I always run into you
Yeah, when I get to running
I always run into you

When I get to running
I always run into you
When I get to running
I always run into you
When I get to running
I always run into you

RUNNING

June Re-Union Moon... For Stella And Julian

Our track covering the 'mixed signals' that have been prevalent over the last 6 weeks!

Video - https://youtu.be/NbAOw8mXEBc

Mixed Signals

[English lyrics below]

I was a high-schooler, not yet able (if at all) to write decent lyrics. So I resorted to more or less famous poems, but also to short stories from which I cut out fragments and stitched them together. Under my scalpel also fell 'Superfluous Invitations', a short story by Dino Buzzati published in 1958 in 'Sixty Short Stories'. There is a version that I recovered from a 1977 tape , but I had the desire to replay and rearrange it a few time ago.
2024, May 22 (Last version). At the sax Jörg (@joerxworx); together we have also produced an only instrumental version of the track (https://soundcloud.com/michele-ansani/i-would-like-you-to-come-instrumental  AND  https://soundcloud.com/joerxworx/michele-ansani-instrumental-with-alto-sax-2).

Cover picture: "Ritratto di Eura", from the graphic novel of Dino Buzzati, Poema a fumetti (Poem Strip), Milano 1969.

English Lyrics

I would like you to come to me on a winter evening
and huddled together behind the window looking at the night
we would remember the winters of fairy tales
where we lived together without knowing it.

By the same fairy paths did you and I walk
together we went through forests full of wolves
together without knowing it perhaps we both gazed
towards the mysterious life that awaited us

‘Do you remember?’ we will say each other and you will smile,
while outside will sound the wind's shaken metal sheets
but you - now I remember - do not know the ancient tales
of the nameless kings, of ogres and bewitched gardens

You have never passed enraptured under the magical talking trees
nor have you ever knocked on the door of the abandoned castle.
you have never walked in the night towards a distant light
nor have you ever fallen asleep under the stars of the East

Behind the window in the winter evening probably
we will remain mute like two strangers
I would ask ‘do you remember?’
but you would not remember
you would not remember

------

Music by Michele Ansani (1977); lyrics by Dino Buzzati (1958).
Remade in 2023-2024.
Posted on SoundCloud: 2024, July 22.

Vorrei che tu venissi da me in una sera d'inverno **

No fate

Written and performed live on Elektron Analog Rytm Mk2 and Analog Heat+FX

#techhouse #uktechno #elektron #dc10 #bassline

DC-10

fears n' tears

Harewood

Creator and conductor of electronic and orchestral music: "In the best moments, in the flow, we are guided by heaven".

Creative Stations:
70s: My first tape deck at the age of 8. I created batches of mix tapes—much to the chagrin of my parents and neighbors.

80s: A mixer and two turntables. Even more to the chagrin of my neighbors. A short stint as a DJ at the Munich club Black Box—until the club went bankrupt... oh, oh.

90s: Creating my own music with Cubase 1.0, an Atari, and a Korg M1 synthesizer (no music theory, no teacher). The results were quite trivial… and it wasn’t the equipment, lol.
And then, yet another club where I worked as a DJ went bankrupt—oh dear!

That was too much: A major crisis, sold my equipment, took a long break—just listening to music and dancing. Then came philosophy, photography, and graphic/web design.

2018: A life without making music is possible but, for me, pointless!
A fresh start with Cubase Pro, new equipment, and new energy.

NOW: I feel at home!!!
A huge thank you to my wife for her love, support, and patience, to my Zen teachers for their spiritual guidance, and to the amazing SoundCloud community for their inspiration and support.

Music that inspired me and that I still love (chronologically):
- Beatles
- Sweet
- Electric Light Orchestra
- Pink Floyd
- Simple Minds
- The Cure
- Depeche Mode
- Yello
- Anne Clarke
- Vangelis
- Faithless
- Moby
For some time also contemporary classical music such as the composers:
Igor Strawinsky, György Ligeti, Arvo Pärt, Rebecca Saunders, ...
...and last but not least the many great artists on the soundcloud. Especially:
- Electrometis https://soundcloud.com/fiona-greasley
- c r u m i u s https://soundcloud.com/crumiusmusic
- Chriς JunoΣ https://soundcloud.com/chris-junos-synth

Requiem - Part I-IV

Kapellmeister Krause

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