Composed for week 10 of Z-I-v Summer Contest 2021: World Tour

Spotify: https://open.spotify.com/track/6vR1hA93y5POtAXl1fbBNA?si=a30de561ec8d4611
Apple Music: https://music.apple.com/us/album/caution-small-but-deadly-single/1581309381
Youtube Music: https://music.youtube.com/playlist?list=OLAK5uy_kxpTmxiy4qMNCwmaSwXhuQZlgfw8OGP1Y&feature=share

!CAUTION! small but deadly

"LoNe WolF" (a.k.a. Loud Noize) is a solo alternative rock artist that has been evolving within the music scene of northern Illinois since 2018. He's been involved in many open mic and solo concert performances at multiple venues in the Dekalb, IL area including: "The House Café" (before it closed down), "Ax-In-Hand Guitar Shop," "La Calle Bar & Music Venue"(Nov. 2023), and at the Historic Ellwood House...featuring in "Hypnotizame: Beatles Night" at the end of October (2019)...with the latter two events being hosted by "Wooden Box Theater."


His major influences include: Green Day, Nirvana, The Ramones, Social Distortion, Alice in Chains, Bush, Stone Temple Pilots, Staind, and Silverchair.

Heavy Metal and Electronic Music (approved by Corporate) to get you through your work day.

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

227 tracks of Progressive Grunge Melodic Post Instrumental Psychedelic Groove Rock. A melting voyage of blending genres and sounds. A magical journey of exploration and creativity forever pushing the boundaries of normality.

Hi all ! I make music, some of it weird, some of it beautiful I transcend over different genres, all from odd time signature, violent metal to beautiful smooth orchestrations, Short handed - I make the music I want. DM if there is something on your mind. And check out my stuff.  :)

— ОRIĢINS —
New Album • Out Now
Listen: https://ffm.to/origins-album

Origins, the third album by The Chronicles of Manimal and Samara, is out now.

The Chronicles of Manimal and Samara (TCOMAS), a UK-based duo featuring Daphne Ang (Singapore) and Andrea Papi (Italy), emerged in London in early 2020. Their debut album, Full Spectrum, established their innovative fusion of poetry performance and heavy music, creating a unique form of expression that has become synonymous with TCOMAS.
TCOMAS's sophomore album, Trust No Leaders, released on July 1, 2022, explores the history of metal, paying tribute to various subgenres. Set against orchestral and cinematic landscapes, the songs also incorporate non-Western musical influences. The lyrics draw inspiration from contemporary and classical poetry, as well as Jungian psychology.

https://tcomas.com

Just Rock Music - No Music No Life :-)

Discography
2025 Poodle Man (Single feat. Nils)
2024 ResisT (Album Instrumental & vocal)
2024 Bryd nu ud!! (Single f. Mortens Motivation)
2024 Fuck Kreativitet (Single f. Mortens M)
2024 CopperHead (Single feat. This is Treason)
2023 On The Other Side (Single feat. Tjews)
2023 No Music No Life (Album Instrumental)
2022 National Folkesygdom (Single f. Mortens M)
2022 Efterladt (Single feat. Stilou)
2022 The World is Burning (Album Instrumental)
2021 A New Life (Album Instrumental)
2021 Myrde Andre for Selv at Gro (Album f. Ken)
2020 Early Stuff

https://soundcloud.com/modvaegt/albums

Enjoy the Music ;)

💪💀😄🤘🤠🫶

/ Modvægt

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

SPACE CAT 😸 – Intergalactic Producer & Composer

SPACE CAT is an electronic music producer and composer known throughout the underground scene for his cinematic soundscapes and retro-futuristic energy. Inspired by Star Trek, Blade Runner, and the neon glow of 80s sci-fi, he crafts music that bridges analog nostalgia with cutting-edge modern production.

His sound blends synthwave, cyberpunk, and hybrid orchestral elements, creating immersive audio worlds that feel both timeless and futuristic. Each track is a journey through sound — from rain-soaked dystopian streets to distant cosmic horizons — guided by rich melodies, atmospheric textures, and deep, driving rhythms.

Having collaborated with numerous international artists, SPACE CAT has built a reputation as a boundary-pushing creator within the electronic underground. His productions resonate with those who crave cinematic storytelling, emotional depth, and interstellar grooves.

To boldly groove where no cat has grooved before. 🐾

🚀 Genres: Synthwave • Cyberpunk • Hybrid Soundtracks • Electronic Cinematics

💫 Huge thanks to all the fans, listeners, and fellow travelers across the galaxy — your energy keeps the engines running and the music alive.
Stay cosmic, stay curious, and see you among the stars. 🌌

Karl Kim is a man of many musical hats (perhaps too many for his own good, but that's a discussion for another time). 

​​His musical journey started off with piano lessons at age six, and from there he has picked up many other instruments over the years, including but not limited to: violin, guitar, trombone, and various percussion instruments. Karl was also just as quick to branch out to styles of music other than classical; most significant of these styles is rock and metal (especially of the progressive variety), but jazz, EDM, experimental music, and folk music from various parts of the world have also played a role in shaping him as a musician. 

As a concert music composer, these musical experiences, especially those as a metal guitarist, are what make up the voice that he projects into his compositions, especially in recent times. Pieces like "The Jury is Sleepless", "Without a Minute to Spare", and "So Cold, So Dark, So Chaotic" exist at a crossroads between music for the concert hall and music for the mosh pit. His music has been performed by ensembles such as the Rhythm Method, S.E.M., and Bearthoven, and he holds a B.M. in Music Theory and Composition from New York University. 

"Karl with a K" is an alter ego of Karl Kim. Karl with a K, while having the same musical background as Karl Kim, draws upon a fascination for rhythm game music that started with Dance Dance Revolution at the age of eight, and grew considerably to encompass games including, but not limited to, Sound Voltex, In the Groove, beatmania IIDX, Voez, and Arcaea. Karl with a K brings his background in metal and 20th century classical music into rhythm game original tracks such as "!CAUTION! small but deadly", "BELLUM", and "rudimentary methods of overkill", which can be characterized by plenty of guitars, unusual rhythms, and sometimes non-instruments being used as instruments. Much of his output as Karl with a K is written for the purposes of Stepmania simfile creation (though as of BMS of Fighters: EighTeen's "0verfl0w_err0r" this is no longer exclusively the case).

Karl Kim currently resides in Bloomington, Indiana where he is pursuing an M.M. in Music Scoring for Visual Media at the Jacobs School of Music at Indiana University. Karl with a K can be seen lurking around the internet (especially specific Discord servers), occasionally not being above a good meme from time to time. In addition, Karl with a K is working on his first project as a game developer, a typing meets rhythm gaming fusion titled "glyph;".