PART 1: starting from 10pm

Last month I played an all-night set at Nowadays in NY, which I’ve described to many friends since as probably the best DJing experience of my life. 

As a DJ you’re constantly seeking a connection with those you play to, and sometimes it’s there, sometimes not. But I have never felt so intimately close to, and in tune with, an audience – whose faces I could barely even see – for the entire duration of a night. 

I’d slept for 2 hours, was jetlagged to the point of delirium and woefully underprepared for a 9-hour set. By the last hour and a half I had a crippling stomach cramp and was falling asleep on my feet. But by some cosmic rave miracle I had somehow slipped into a groove from the beginning and found myself tracing an arc that felt like it was drawing itself, as if all I had to do was relax and watch my own hands play the music. There were moments of intensity and euphoria and nostalgia and energetic catharsis, but throughout the entire set I felt fully empowered to meander in deep, subtle and confounding directions, somehow confident that wherever I went, the dancefloor would follow. 

The final stretch descended into a nostalgic parade of old and poignant favourites which, coming out of a recent period of personal upheaval, kinda knocked me sideways and left me frequently close to tears. I was a physical and emotional wreck by the time I finished. But it was a completely magical experience from beginning to end, which felt shared in a very genuine way by everyone in the room, and honestly I don’t care if anyone would listen to a 9-hour recording these days because I just want there to be a document of the night in its entirety out there for posterity. 

So here you go – a four part recording of the whole set, hopefully conveying at least some of the joy I felt on the night. Heartfelt thanks to Nowadays and to every person who was there. ♥️

Objekt @ Nowadays 23 October 2021

All night @ Nowadays [23/10/2021] – Part 1 – 10pm

On 11 June 2022, we had PLO Man and Hashman Deejay at Club Daphnia in Osaka. Our 20th mix is a part of their B2B live at that night.

DREAMING 020 : PLO Man & Hashman Deejay Live @Club Daphnia - 11 June 2022

livwutang at Outra Cena, This Side, 20/01/2024

Recording of DJ Marcelle's set at Dekmantel Ten

Pre-register for Dekmantel Festival 2025 here: bit.ly/4fyWKXc

DJ Marcelle at Dekmantel Ten

Long time friend of ours Moopie of A Colourful Storm fame steps up to the BSRMIX for the first time.

BSRMIX#153 - Moopie

Moopie b2b Lena Willikens @ The Lot Radio 11-08-2024

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

Bossa Lounge inaugural set. Friday the 13th at summer camp

Sustain Release 2024 - Bossa Lounge

The in-demand US DJ unfurls dubby, dance floor poetry.

Where does sentimentality fit on the dance floor? For Liv Klutse, AKA livwutang, the answer is everywhere. The New York-based DJ is guided by a deep desire to stir connection, finding themes and points of correspondence across an impressively broad range of sounds, tempos and eras. 

This emotional intuition lends Klutse's sets a depth few others can match. Her selections can seem unpredictable, rooted in an appreciation for feeling over genre—hard and soft sounds are carefully balanced with surrealism and bursts of nostalgia (for instance, the Lazy Dog bootleg edit of Everything But The Girl's "Tracey In My Room"). But as versatile as she is, a few signature traits colour her style, such as a love for dubwise music and rhythms from across the Black diaspora, alongside a refreshingly introspective energy that invites dancers to find moments of meditation—even during peak time. 

A former staffer at our New York office, Klutse has long merited an RA Podcast. Her slow-burning blends and mystical selections have graced near-enough every major festival and club out there, from Dekmantel and Sustain-Release to Nowadays, where she's been a resident since 2022. Despite this cross-continental touring schedule, she still plays plenty of grassroots venues—testament to her days with TUF collective and Orphan Radio in Seattle, as well as her enduring belief in the power of DIY, community-orientated dance music. 

"How did you come down off life?" James Massiah asks at the beginning of RA.975. Across nearly 90 minutes, Klutse's downright beautiful mix seeks answers to this question, reflecting on hedonism in times of political decay. She's in full-on dub mode, moving through meditative bassweight, glitchy house and flat-out weirdo techno with a deftness we've come to expect from one of the most promising, singular voices in dance music right now. She's got there all on her own terms—and we couldn't be prouder.

@livwutang

Read more and find the tracklist ra.co/podcast/975

RA.975 livwutang

Nalanda

Made for the Unity Asset Store, where you can purchase it for use in your projects.

Unity Asset Store

Eterna Antartica

Adventures in machine music built to make subs rattle and feet wiggle; a convoluted mess of elektrology and teknology, 3-step, bass-core, post windmill, proto-minimal wankstep, gondola, shithouse, acid wonk, ambient gabber, no more, no less.

BOOKING
chris@unfoldartists.com (ROW)
joe@surefireagency.com (NA)
a.montes@cuatroveinte.tv (LATAM)

All night @ Nowadays [23/10/2021] – Part 1 – 10pm

Objekt

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