WEATHER Z

CD PURCHA$E

PLIB020 - YEONG DIE - SEVERE CASES

"Cour D'amour" from amazing DOGTAPE VOL.10 by Tabula Nul
Cassette & digital available here :https://lostdogsentertainment.bandcamp.com/album/dogtape-vol-10-subtabula

Tabula Nul : Cour D'amour

"Singe" is the new record by Angelo Harmsworth, a musician who hails from the American Southwest and is operating now out of Berlin. Harmsworth’s work deals resolutely in extremes, but this music is not concerned with presenting binary or dichotomous relationships so much as it is with reconciling disparate sensibilities and sounds. Layers of meticulously edited and sculpted tones swirl around one another, creating kaleidoscopic patterns and hallucinated choral motifs that seem to thrive on amplitude or the position of the listener’s head. There is a visceral physicality to this music that aligns it with some of the core tenets of harsh noise, even while its tonal and timbral choices recall those of ambient music. This record follows excellent releases on enmossed/Psychic Liberation, Angoisse, Opal Tapes, and Harmsworth’s own Lime Lodge imprint and may be the high water mark of his published output thus far. There is drama and implied narrative in these seven compositions that seethes and hums as if reveling in a sort of violent gracefulness. LP/Digital available on 9/30/22.

Aporia (feat. Felisha Ledesma)

"How To Swallow A Sword"

4. HOW TO SWALLOW A SWORD

https://bank.bandcamp.com/album/salpinx

BNK-011
Wetware - Salpinx
Track - Fuck Them All

Free track

Salpinx

Fuck Them All

Wetware - Fuck Them All (BNK-011)

Bright Kiss Of Fire from the forth coming record ' The Ghost Of Georges Bataille" By Drew McDowall & Hiro Kone

Drew McDowall and Hiro Kone’s collaborative record "The Ghost of Georges Bataille" induces a state of suspense via sonic seance. Conjuring the sentiment of death as productive force, the artists join their analog paradigms to open a door elsewhere, or perhaps, inside - sublimating personal struggles into ritualistic offerings. Churning, cinematic, and pulsating with an organic sentience - The Ghost of Georges Bataille invites an undeniable presence into the consciousness and lulls both collectors and the newly inducted alike into catharsis - with the hairs on their arms standing up. Not for the casual listener.

Artwork by Tauba Auerbach
Written Produced and Recorded by Drew McDowall & Hiro Kone
Mixed by Hiro Kone
Mastered by Josh Bonati
Published by BANK Records NYC

The Ghost Of Georges Bataille

Drew McDowall X Hiro Kone - Bright Kiss Of Fire (BNK-013)

``I can't feel anything, but you inside of me
It's nothing physical, It's only mentally
I can't eat anything, because you're inside me
I feel fulfilled with you, with you inside of me

I can't do anything, without you inside me
It's not that I don't do a thing
In my mind, you're always here with me

I don't need anything, with you inside of me
I'm completely satisfied, with what you bring to me
I can't sleep anymore, though, day and night I dream
In my dreams, it's only you and me

I can't feel anything, but you inside me
In my dreams, there's only you and me
It can't be mutual, because you are my dream
Impossible for you to feel for me, what I feel for thee

No matter where I look, only you I see
Even when my eyes are closed,
I see you inside me
I don't love you the most, I love you, only``

nothing physical

Ghostride The Drift - B1

Heith - Tree Stand

Order: https://shelterpress.bandcamp.com/album/pilled-up-on-a-couple-of-doves

—

Pilled Up on a Couple of Doves is the debut full-length by PDP III, who fell into alignment in December of 2018 amid a handful of immersive and improvisatory recording sessions held at Gary’s Electric Studio in Brooklyn, New York. The trio is a collaboration between composer/producer Britton Powell and two Berlin-based artists, the British composer/cellist Lucy Railton and the electronic artist Brian Leeds (Huerco S).

At the outset of these sessions Powell presented a series of compositional sketches anchored around multi-tracked electronics and acoustic percussion. These concepts were then used as the framework for collective improvisation, with the musicians working on instinct and layering as many as eight separate takes across a track. A portion of the record also reflects moments that are purely spontaneous – in-the-moment invention with Railton on electronics and cello and Powell and Leeds working on laptop computers.

The composition process involved little in the way of overt instruction, instead favoring discussion on more abstract notions of feel and energy. As a result, the final product was a bit surprising to all involved. “I don’t think the three of us had any idea how heavy and physical this thing was going to feel,” reflects Powell.

Subsequently reduced, edited, and collaged by Powell over the next two years, Pilled Up on a Couple of Doves presents a succession of alien moods. Gauzy textures are buoyed by extreme low end pressure. Serene industrial hum illuminates the rhythmic beating of waveforms. The sounds frequently evoke opposing emotions -- tenderness and anxiety, claustrophobia and transcendence.

The record culminates in 20-minute closer “49 Days,” where gradually unfurling textures for cello and electronics mirror the overtones of a ringing gong. It’s unsettling, but deeply meditative. A map of liminal space. Music to get lost to. “One thing that’s important in relation to my work with music is to access a place outside of physical space,” says Powell. “To pursue music as a tool to reach a place outside of physical existence.”

“There's something really simple, innocent, and timeless about working with acoustic percussion instruments,” explains Powell. “I think that they allow for a very true examination of sound. It feels vulnerable and really powerful at the same time.

Pilled Up on a Couple of Doves

Walls of Kyoto

PDP III 'Walls of Kyoto' (SP125)

Taken from the album Caterina Barbieri - Fantas Variations released as 2LP and Digital

Fantas Variations

Bendik Giske 'Fantas for Saxophone and Voice' (EMEGO 279)

“Somebody else’s idea of somebody else’s world is not my idea of things as they are. Somebody else’s idea of things to come, need not be the only way to vision the future.

What seems to be, need not be; What be, had to be; For what was, is only because of an adopted source of things. Some chosen source as was, need not be the only pattern to build a world on.” — Sun Ra




nothing physical

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