'Stellar Drifting', the new album out now.
http://george-fitzgerald.com

Bookings: naomi@earth-agency.com
jason@earth-agency.com

Management: scott@ecce.ltd

The electronic music & culture channel from VICE.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Now an established force in contemporary Techno, Mike Bierbach, better known under his stage name Rødhåd is someone who has seriously put in the work. Having cut his teeth DJing as a relatively unnoted (but well loved by those in the know) local in Berlin for 10 years, one could argue that by the time success knocked on his door, he was more than ready for playing the international stage. It was during these 10 years of obscurity when he refined his craft to become the singular DJ he is now. 

Launching his party-series-turned-label Dystopian in 2009 was what truly tipped the ball over for Rødhåd. In a time where the Berlin scene was heavily oversaturated by fluffy, miscellaneous dance music, he & his peers set out to form a platform for real techno. The reception to this was raucous. 

Although he has lauded productions and remixes to his name, DJing is his true forte. Before abandoning his day job as a draftsman in construction “The Red” (as some call him due to his gingered, bearded appearance) was known for playing very long sets in Berlin’s most notorious hideaways. 

With an album, several EPs & remixes for a multitude of different artists under his belt, Rødhåd the producer has received equal praise as Rødhåd the DJ. Dystopian has hosted most of his releases, but in 2018 he founded a new label WSNWG that serves as a home for collaborative productions, excavated in sessions at his East-Berlin studio with his peers such as Lucy, Alex.Do, & Antigone.

This is the Dimitri From Paris official Soundcloud page. The purpose of this page is to act as a showreel for my skill as an artist, producer, remixer or editor. 
Please note that due to the host's strict copyright policies NO DOWNLOADS will be possible unless I have a written authorisation from copyright holders.

Bookings: musicbenpearce@gmail.com

To many, Ben Pearce’s name is synonymous with ‘What I Might Do’, his oddly anthemic deep-house debut that dominated club floors across the world in 2012. Whilst this is an easy correlation to make (the track went platinum in Europe, reached #7 in the UK charts and was the most Shazamed tracked of 2013 in the UK), those who have followed him since the beginning can testify that he is so much more than that.

Ben is very much an underground DJ first-and-foremost, aided in no small part by his vast musical knowledge and the ability to play across a wide range of musical genres. His skills behind the decks have not gone un-noticed, as shown by high-profile sets alongside the likes of Simian Mobile Disco, Tensnake and Claptone. 

On the rise, Ben was named DJ Mag's Best Breakthrough Producer in 2013 and in the following year further proved that he's deserving of the coveted award. Becoming increasingly known for his remixing abilities as well as his own original productions, remixing for Le Youth, Kwabs and Tender Games all in 2014. He collaborated with Black Orange Juice ‘Predictable’ for MTA, a soulfully smooth single that equally showcases lyrical flair and production talent, as well as release the underground club infused 'Lego' EP on his own label. 

The latter end of 2014 saw Ben launch of his new disco inspired project The Sextape Series. Which incorporates a number of free mix tapes, cheeky edits and a sequence of Sextape inspired parties. These specific nights see Ben playing extended funk-infused sets across a range of characterful, intimate venues in the UK. 

Through 2015, Ben has continued to tour around the globe, starting the year in Australia before embarking on a tour of North America in March. Starting in Miami where Ben played a special Sextape Series set, the tour also took in dates in Montreal, Texas and Mexico City. Having appeared for the brand last year, Ben was given a recurring residency for ANTS at Ushuaia and additionally appeared for We Love… and Magna Carta at Sankeys Ibiza. Not to mention the inaugural Creamfields Festival in Ibiza at Ushuaia. Away from the White Isle, Ben played at the first ever Lost Village Festival as well as Parklife, We Are FSTVL and the Ruis Festival in the Netherlands.

Revered for his classic disco sets, the legendary Giorgio Moroder also enlisted Ben to play a special set at the launch party for his new album at Shoreditch House in May - an event that also served as a fundraiser for Bridges for Music. 

Alongside a hectic touring schedule, Ben has also provided remixes for the likes of IYES and Hayden James on ‘Something About You’ in 2015, as well as standout collaborative record ’Nothing Ever Hurts' with Shadowchild and featuring vocalist Laurel - a track that reinforced Ben’s penchant for blending astute melody with peak-time bass.

Ben also successfully runs his own label imprint Purp & Soul which has celebrated its 12th release with regular artist showcases and releases. After a massive couple of years, Ben has shown that he’s not one to rest on his laurels and 2015 is sure to further Ben Pearce’s status as one of the top DJs and producers in the industry.

Kieran is following