I like these tiny little details in the soundscape. Sounds good!

thank you for this great journey. a wonderful track i will listen to again tonight.

So subtly and beautifully consumes one's soul. I find it rather lovely.

That's Mean

Initially a recording of my noisy fridge and the street outside, hoping to draw a beat from the rain and passing cars. Cheated with edits, phasers and tremolo.

Melody by telecaster, fretless bass and grand piano.
--

More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at: https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. More details at: https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Dies ist das dritte und letzte Projekt in Zusammenarbeit mit dem Musikfestival Bern 2019, welches vom 11.-15. September stattfindet. Wir arbeiten auf Einladung von Tobias Reber, einem frühen Junto-Teilnehmer und Verantwortlicher für die Musikvermittlung beim Festival. Ausgewählte Resultate dieser Projekte werden im Rahmen des Festivals im Rauschlabor Schützenmatte (https://www.musikfestivalbern.ch) öffentlich gespielt oder auf dem Festtivalradio, Radio Antenne (www.radioantenne.ch), ausgestrahlt werden. Falls du nicht möchtest, dass dein Stück dafür verwendet wird, dann vermerke dies bitte wenn du es veröffentlichst.

Misericordia (Disquiet0401)

A song about the discrepancy between the idealization of a distorted individualism, constantly conveyed by contemporary mass media, and the actual standardization, or globalization, of human behaviours and actions that can be found today in Western or Westernized societies…

In loving memory of Massimo De Gasperi (1967-1999), a great musician and friend. There's currently no trace of his work on the internet, unfortunately, but he'd published an album with a German label a few months before passing away, if I remember correctly. It sounded way ahead of his time, and it still does today. I own a copy of it, but I'm not entitled to share it. I hope someone will do, someday.
He once called me while he was working on his album. One of his numbers' title was "Dead Hendrix", and he asked me if I could supply him with any recorded announcement of Jimi's death. He was planning to extrapolate a few words from it and use the samples on his track. Sadly I couldn't satisfy his request. I used to own dozens of Hendrix LPs and tapes, always loved and played his music, but I'd never been a collector. At the time, things like that couldn't be found on the internet.
A shot of heroin laced with strychnine killed him at 32.
In November 2019, a common friend asked me to join Massimo's 20th death anniversary party: "Come over and play", he said... I had to laugh, because he hadn't considered the fact that I was nearly 1000 miles away from home, and couldn't really afford to travel exclusively to join that party. So I recorded this tune, "That's Mean", very quickly, and about a week later I sent him the file. I easily found that Hendrix death announcement on YouTube, sampled a couple of sentences and used them in this song. He was so happy with it, included it in the music set for the night and told me that Massimo was very likely smiling from heaven while listening to it. I really hope this tune will make you all smile too.

Teth Sin : vocals, guitar, bass guitar, bağlama, samplers

Original composition, arrangement, lyrics, mix, mastering & cover artwork design by Teth Sin

tambourin,box noise,guitare artisanal,avec fx guitar rig,,

buvons nos déboires sous le signe de l'espoir,
ayez confiance a votre miroir pour le reflet de votre gloire
le flux du vent sur le blé chantant,
il est grand temps,il est grand temps

Le blé chantant

music . Tot. @tot-beat
lyrics, vocals & their mix, photo & cover design . Mariam Zohra D : Myrh

super dope version of this song is on Tot's page!
 https://soundcloud.com/tot-beat/aml

ALL MY LOVE
--------------------

What kind of world we live in
where we can’t tell what is given and what is taken oh oh oh

phoenix! get my sphinx sphinx sphinx

You can’t leave! You only get to take!
You can’t leave! You only get to take!


Get down Bloody, get down bloody
get down with us they say

I say, Im a never worry too deep
cause mama told me the story
mama told me they’d be a day

mama told me they’d be a day
mama told me they’d be a day

Mama told me, Mama told me they’d be a day
Mama told me, Mama told me they’d be a day
Mama told me
to be strong
all my love On
hold on to the thrill

Its gonna take all my love
we weave on
its gonna take all my love
we weave on

I belong to you Mama Gaya 
I belong to you Mama Gaya 

Its gonna take all your love
Our Universal Body
It’s gonna take all your love
Our Universal Body
hey, its gonna take…

Mama told me
My mama told me

Lovey lovey lovey lovey love On

It’s gonna take all my love
Archetypal Gathering
Archetypal Gathering
It’s gonna take all your love

Its gonna take all of my love, its gonna take all of my love
its gonna take all your love, all your love

give me that bitter bitter taste
give me that bitter bitter taste

its gonna take of my love
its gonna all your loving all your loving 

its gonna take all your love
its gonna take all your love

Its gonna take it all
you better turn your hate in
all your love
you better turn your regrets in
its gonna take its gonna take
you better take your has beens and i should have’s
all my love all my love all my love

All My Love | Tot. & Myrh

Chaud'asse

Henry Koek - Sansula ,Jew`s harp,Soprano Sax
King Imagine -  everything else

Henry Koek & King Imagine - Lazy Morning In Old House

004 _ 22 Secondes Avant Ma Mort

song process: @enigmacurry @mystique_wind @myrhyum
- Myrh created acapella
- EnigmaCurry granularized vox, produced ambient beats, & instrumentation
- Myrh created poetry and voices
- MystiqueWind created more instrumentation & effects
- Mystique & Enigma do final mixings

artwork process: @enigmacurry @mystique_wind @myrhyum
Myrh took two pieces of EnigmaCurry's to create the cover with text 
& Mystique Wind completed it with some key finishing details for the observant eye.

Lyrics based on this poem from my chapbook These Tales Are True
https://tarka1.bandcamp.com/merch/these-tales-are-true
PUSH FOR CHANGE (The Mere Request for Change)
here is the excerpt used in the song:
_________________________________________________________
its that time again to push
for change
push coming to shove
as the moon cycle comes into full swing

scarlet smell of oldness
and the mere request for change 
becomes a full blown criticism

and i feel ugly 
and my house 
is a mess
and people are calling me 
and wanting an explanation 
and the missing women
are still missing
(and the missing women are dead*)

....

the one love in the past 
and in the present

the dentist
the optometrist 
the oral surgeon 
the audiologist
the hair straightener 
the shoes
the bag
the activity and inactivity 
the passion and drama

the singing 
the singing

the push to change 
the push for more

it’s not enough
the fight is never over 
the flourishing
is always happening

even when the winter comes 
and the withering begins 
my body chases my soul 
from sleep to awakedness

it's that time again
to Push For Change

*this poem was written during my involvement with a project related to missing & murdered women in British Columbia, Canada.

USG Report 222

The Mere Request for Change | of mystique & myrcury

Last track from the album 'Lichtwerk'.

Music, production and artwork: Simon van Weelden
You can buy the album at Bandcamp: https://geluidenfabriek.bandcamp.com/album/lichtwerk

Resignatie

Sonic Weapons

Poetry and words: Scott Alan Simpson:
https://scottalansimpson.com  He's also an actor from Atlanta, US.

Trackpicture: Arlene Adler.
Music: flowermouth.

Sarah

Sarah (feat. Scott Alan Simpson)

Sovrastati

Many of the used sounds were recorded on playgrounds in Brandon, Cambridge, Heidelberg, London and Zagreb.
Download here:
https://camembertelectrique.bandcamp.com/track/play-ground
...and here you can see a little video:
https://www.youtube.com/watch?v=HfE7svw5f_c

Play Ground

Unknown album (1/30/2021 1:04:57 PM)

Remembering who I was

Фёдор Достоевский  /  Fyodor Dostoyevsky  1821 - 1881
New 12 track album release 26th September 2021
See album at this link for definitions of PALIMPSESTS. 
https://peteswinton.bandcamp.com/album/palimpsests...

Palimpsest No.6 - Ode To Fyodor

First album, "That's Sin", is out on Bandcamp @ https://tethsin.bandcamp.com/album/thats-sin

Alexei Mikryukov aka King Imagine was born in 1972. His first song was sung and recorded at the age of 4. He began his career in music as a gutarist in the punk collective Zooy E Orchestar in 1989. In the same period some of the first bootleg recordings were made, all of them now lost. In the summer of 1993 he meets Eugene Alexandrov, with whom organizes The Schizotronics. In 1994 “passively” (his own words!) cooperates with V.V. Pushkar (Blemish, Suffina Dentata, Foa Hoka).and records solo. In 1996 together with the Kiev poet Danylo Kubai,he founds the noise industrial group Ilam, Inc. (or, rather a noise orchestra with 13 musicians, which gave an incredibly insane concert in the Kiev Actors House of Culture) and also the project Rooteniya Pe Since 1998 cooperates as sound engineer with the first Ukrainian reggae/dub group Rootmans Band, where he meets his future wife and collaborator Karina Kuznetsova (with whom he works to this day) and the bass guitarist Kirill Machinski aka Roots Controlla, with whom he founds the digital roots dub project Dub Compressors. In 1999 together with the composer Alexander Kohanovski aka Pankifared he starts the studio project Superapes, recording 2 albums, making experiments with electronic and ambient music, as well as composing music for escalators, elevators and corridors. Since 2004 actively cooperates with Foa Hoka as sound producer, remixer and contributor of music. Since 2005 releases his output on the d.i.y. CD-R label SKP Records (Kiev). Since 2006 actively cooperates w/International movement Ukr.tele.kom - as remixer, co-author and remastering engineer.


Henry Koek & King Imagine - Lazy Morning In Old House

King Imagine

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